Recommended Movies

(Updated March 19th, 2011)

My top movie night picks (alphabetically, not in order of preference). Remember, these are just suggestions: preview these movies first to see if they'll work for you. Also, after you find movies you like, check out other movies from the same director or screenwriter (I'll sometimes list the screenwriter, but I will always list the director, along with the year the movie was made). Finding a good director or writer is a fairly decent way of finding consistently excellent movies: it's a better indicator than by paying attention to stars or whatever. A great resource for this sort of information is www.imdb.com (the Internet Movie Database). It's been a lifesaver for me many a time. Also, give www.rottentomatoes.com a try. It's a good source for getting a general feeling of whether people feel that a particular movie is worth watching or not.  Another resource that might be helpful is www.hollywoodjesus.com. It's got some very interesting reviews and some helps about thinking through the "spiritual connections" that can be made in these films. But consult the reviews (at either site) after you watch the movie for the first time, since online reviews often contain spoilers (plot summaries, etc.). I've tried to avoid spoilers in my capsule reviews below). Enjoy the movies listed here.


13 Conversations About One Thing. (2001) Director Jill Sprecher co-wrote the screenplay with her sister Karen. It's a tale of how five people's lives intersect and influence each other. It's got a great ensemble cast including Alan Arkin, John Turturro and Amy Irving. One of the better movie night movies we've done because, if you have five stories running at once, if you can't find something to discuss in one, you've got plenty of others to choose from. Themes include guilt and personal responsibility, commitment (versus having an affair just to shake up the routine), which outlook on life is more wise: optimism or cynicism.

21 Grams. (2003) A very interesting movie, but also emotionally devastating. Director Alejandro González Inárritu really makes you pay attention by dischronologizing the story. A scene that would conventionally appear at the end of the movie is cut into the beginning, and vica-versa. The film becomes like a puzzle that you have to put together. But it also serves to soften the blow of the tragedy that takes place, because you already sort of know it's coming. The title refers to a doctor who weighed dying people and said that the average human body loses 21 grams at death (ergo, the human soul weighs 21 grams). The film explores: "What does a life, a soul truly weigh?" by looking at the impact of a tragic accident on a mathematician, a wife and mother, and a born-again ex-con. The leads (Sean Penn, Naomi Watts, and Benicio Del Toro) are all magnificent. It is a superbly done movie (I?m trying to get ahold of Amores Perros, Inárritu's earlier movie which I've heard is also brilliant). Do be warned: there is some nudity and sex (more than I felt comfortable with), but interestingly, very little on-screen violence. But you will find plenty in this movie to talk about. There is a church full of scary evangelical Christians led by a very intense pastor (who, I would argue, doesn't have a clue what grace really is, though he says the right words). You can also talk about the impact of death, the meaning of life, how people deal with pain and guilt (by escaping through drugs or sex, by trying to somehow pay it back, etc.). Be forewarned: this movie is very emotionally intense, though different people react differently to it. Some found it hard to discuss afterwards, and one girl left in tears before the discussion began. Others had an easier time of it. It is by far the most difficult (but potentially very rewarding) film I've shown.

25th Hour. (2002). Spike Lee does a great job telling a very personal story in the shadow of post-9/11 New York. Edward Norton plays Montgomery Brogan, a drug-dealer who's been convicted and looking at seven years in prison. The film follows his final 24 hours before he is due to report to prison. The film is wonderfully written (though if you're offended by strong language, you might want to pass on this one), including two extended soliloquies that demonstrate how good script-writing can be. The film raises issues such as: our choices can have heavy consequences, how people deal with good and evil (two of Montgomery's closest friends are like inverted images of each other, one consumed by guilt, the other aggressive and self-righteous). My students really liked this one, and we spent a looooong time discussing issues raised by the film.

About Schmidt. (2002). Written and directed by Alexander Payne. Jack Nicholson gives a tour-de-force performance that?s comic and serious by turns in this character study of a retired insurance man on the road to discover who he is and why he's alive. The thing that makes this film so discussion-worthy is that the story methodically strips Schmidt of every aspect of life that we usually use to define ourselves, to tell ourselves who we are (job, wife, children, etc.). So what's left? Who are we without all these things? That can be an interesting discussion.

Adam's Apples. (2005). Original title: Adams Abler. Directed and written by Anders Thomas Jensen. This Danish film didn't get much of release, but it is well worth seeing. The film lives somewhere between the realms of black comedy and existential drama. It tells the story of a Neo-Nazi skinhead named Adam, who is paroled into the care of a small church community led by a pastor, Ivan. The characters that make up the community are as engaging as they are dysfunctional. The themes to look out for are the nature of faith versus reason and facts. The film takes an existentialist approach (very similar to that of Danish philosopher/theologian Soren Kierkegaard) that the nature of faith is to be opposed to reason. I cannot say much more than that without giving away too much. I immensely enjoyed the film. Do be aware, however, that the film contains some swearing and a couple of scenes of fairly intense violence, so it is not for children.

Adaptation. (2002). Directed by Spike Jonze. Truly one of the strangest movies I?ve seen in a long time. Nicholas Cage plays a real-life Hollywood screenwriter (Charlie Kaufman of Being John Malkovitch fame) and his (fictional) twin brother, struggling against writer's block to adapt a book about orchids to the screen. A very postmodern movie in that there is a screenwriters' conference in the middle of the movie where we learn what makes a truly good story, and then the movie ironically employs those very techniques towards the end of the film (which puts the viewer in a place where he is also vicariously the screenwriter). But even through the irony and self-reference, the movie has a heart: about the struggle of the writer to break free from himself and his own obsessive concern with what others think of him. The answer (given by the twin) is that one chooses to love, and no one can take that away from you. Your life is defined by your love, your passion, not by what that object of affection thinks of you. A great place to start a discussion. Is that true? (Well, from a Christian perspective, yes and no).

Almost Famous. (2000). Written and directed by Cameron Crowe (he also directed Vanilla Sky and Jerry Maguire). Another one of those road/coming of age movies. Charming in its own way. A tale of a young writer trying to write a story for the Rolling Stone. Issues to discuss include the corruption of fame, hero worship and the reality of rock-n-roll heroes, and where your true home is.

Amelie. (2001). An odd gem of a movie. Directed and co-written by Jean-Pierre Jeunet. Also known as Le Fabuleau Destin d?Amélie Poulain. Starring the almost-too-cute Audrey Tautou. It's sort of a love story, and a journey of self-discovery (for Amelie, for her father, for a garden gnome lawn decoration). What I love about this movie is the playful way it finds beauty in the small details of life. We talked a bit about waking up to the world around you (instead of just letting it lie there, inert). That sensibility is, I believe, very Christian (even though Amelie is hardly a Christian movie). We also talked about what love means, how Amelie thinks that she will be saved by love (it is her destiny). A strange film, and we had a strange discussion, but well worth seeing.

American Beauty. (1999). It does have some sex and drug content, but among the right audience, it could raise some great discussion about the nature of truth, beauty, the good (you know, the big ones). Sam Mendes' first (first!) major motion picture, for which he won best picture at the Oscars. A really fine ensemble performance led by Kevin Spacey. When we did this one, we looked at issues of duplicity and integrity. Nearly all of the major characters live some sort of double life, and I asked which they character they liked best. The students liked none of them, really (which surprised me). So we explored whether that's how we'd like to live our lives, and where does real integrity come from.

American Splendor. (2003). This is another odd little gem of a movie, very hard to categorize. Shari Springer Berman and Robert Pulcini (both documentarians) directed this biopic about Harvey Pekar, a file clerk at a hospital in Cleveland (they co-wrote the script too, with help from Pekar and his wife, Joyce Brabner). Paul Giamatti (one of the busiest character actors in Hollywood) does a splendid job of inhabiting the role of Harvey Pekar. Harvey deals with life and alleviates the boredom by writing stories for a comic book about his life (called American Splendor) that he got his cartoonist friend, R. Crumb, to illustrate. What I liked most about this film were the characters: they were so real (because they are real in this postmodern movie, the real people show up in the film from time to time). Pekar and his friends are, for all appearances, real losers that nobody we would notice. And yet out of this nobody comes these darkly funny, absurd, and wonderfully vivid ruminations about ordinary life. It made me hesitate when folks that looked like losers pass me by on the street. I wonder what their inner life is like. In other words, this movie lends dignity and grace (without sentimentality) to a whole category of people that we tend to dismiss. And that, my friends, is something Jesus was in the business of doing, too. For Jesus, there were no little, unimportant people. In that sense, this story shines with grace and redemption (without having an explicitly Christian message). It's just a very human movie; disarmingly so. Plus, I loved the films jazz soundtrack. I can't get enough of Miles in the movies.

An Education. (2009). Nick Hornsby (High Fidelity) adapted and directed this autobiographical account of the corruption of a young girl by Lynn Barber. Carrey Mulligan does a beautiful job portraying Jenny, a 17-year-old who has her whole future ahead of her, and thinks that it looks tedious. She wants more, and con-man David (played with just the right amound of vulnerability by Peter Sarsgaard). We found that this movie gave us all sorts of opportunities to talk about some pretty deep issues.  At one point in the movie, Jenny bursts out to her school's headmistress about how boring and pointless it all is, begging the school headmistress to give her some clue as to why she should go through the motions like a good girl.  The headmistress cannot, showing that the adults don't have a clue as to what it's all about either.  We ended up talking long into the night about whether life has meaning, and whether we can know its meaning, and if we can, what we should do about it.  This is a film worth watching just to get to some of those issues.  Other things you can talk about: integrity and being real (having a con man and a corrupted girl with a double life, the film lends itself to such a theme), the purpose of fun, ethics, etc.  There is no nudity or violence, but because of language and sexual themes, it's not for kids.
 

La Antena. (2006). Written and directed by Esteban Sapir. This film from Argentina is a little gem, and most unusual for this time: a modern silent movie. The story has to do with a city where a greedy captain of industry has stolen all of the voices, and he wants to steal even more. I cannot say more without spoiling too much of the movie. Suffice it to say the plot follows the exploits of a brave man and woman and their child as they strive to give the city back its voice. Because it was made in 2006, Sapir does all sorts of imaginative things with the titles. Nonetheless, watching a silent film is a completely different experience, because you get all the information from seeing, and you have to concentrate more. But it's worth it. There's definitely a political message here: characters chained to swastikas by the greedy capitalist villain, the heros dressed like Soviet pilots. Nevertheless, what we the most time talking about was the importance of having a voice, and how central it is to being human. We also talked about the film's assumption: that humans deserve voices, that they deserve to be heard. The question we pondered was why this is so. What is it about human beings that make them worthy of having voices? What is it about humans that voice-lessness is so intolerable? You cannot answer such questions from an atheist/communist perspective. You can from a Christian perspective. It's an interesting movie, and it led to interesting discussions afterward. Highly recommended. There is some brief nudity, so be advised.

The Apostle. (1997). Robert Duvall wrote, directed, produced and starred (AND put up five million dollars of his own money). Duvall's character study of a Southern Holiness preacher (Sonny Dewey) is a tour de force. He also wrote a very strong script that treats believers with dignity, while still showing their weaknesses. A good film for discussing what makes a good person, or a bad person, and what does grace mean. The scene where Billy Bob Thornton comes riding in on a bulldozer to knock down Sonny's church is worth the whole film.

Babette's Feast. (1987). The original title, in Danish, is Babettes gaestebud. Written and directed by Gabriel Axel, adapted from a novel by Isak Dinesen. This is perhaps one of the best suited movies for a movie night. The story involves two spinster sisters who have devoted their life to God, carrying on the work of a very severe Christian religious sect started by their father. A refugee from the French Revolution comes to their door asking for refuge, and she becomes their cook. It's not giving anything away to say that the climax of the movie involves (can you guess?) a feast prepared by Babette for the members of this dour religious community. But the exquisite food of that banquet acts in a spiritual way. It is meant to represent God's grace. There are so many parallels with the Christian gospel that it is truly hard to miss (for example, there are 12 guests at the feast that Babette has prepared). Watching this film might take some patience for American audiences, though patience pays off. It is a beautiful story that needs time to unfold properly. One final note: there is nothing offensive in this story, but if you have any animal loving children, they might want to skip portions of the banquet preparation (there was no "No animals were harmed in the making of this film" disclaimer at the end).

Big Fish. (2003). Directed by Tim Burton, who normally does very dark films such as Edward Scissorhands and the second Batman film. This film stays true to his fascination with grotesque visual images, but in a much lighter, more colorful, almost comforting way. It tells the story of a Will Bloom, a young man who only knew his father, Edward Bloom, through the tall tales he grew up with. His father is dying now, and Will wants to know the "truth" behind the tales. Ewan McGregor does a fine job portraying the young Edward Bloom, and Albert Finney is at his irrepressible best as the bombastic, magnetic older Edward Bloom (you can understand how this actor made his name as the lead in Tom Jones). It's a movie about finding meaning in the stories we tell, pass on, and live out. At the core, the movie tells us that myth is the stuff of life, what makes life livable (and Will Bloom admits as much at the end of the film). I found it very fun to watch (even the kids enjoyed it), and very touching. The only beef I have with the film is that for a man dying of cancer, Albert Finney looks way too well fed (my own Dad died of cancer, and he too was a larger-than-life type of character, so the film hit awfully close to home for me). Themes for discussion: What makes myths work? What makes us want to live? What makes life worth the living? And most importantly, what if a "myth" that held all your heart?s desires were literally true? (I've heard many Czechs say that the gospel simply sounds "too good to be true").

Bringing Out the Dead. (1999). Directed by one of America's best living directors, Martin Scorsese. Written by one of Hollywood's better screenwriters, Paul Schrader, who has worked with Scorsese on some of his best films including Taxi Driver and Raging Bull. Starring Nicholas Cage. A very energetic mix of black comedy and existential drama. Cage plays a restless paramedic who is having a hard time coping with the ever-present reality of death (he hasn't saved anyone's life in a long time). And it has a GREAT soundtrack (Van Morrison figures prominently in it). The film has a feel very like Scorsese's earlier work, Taxi Driver (in both films, driving around the streets of NYC are a symbol for a deeper rootlessness in the main character). A good film for discussing death, the search for salvation, and how the movie answers that quest (finding the right woman is the way to get saved). Well written and filmed. It does have some nasty language, violence and drug abuse scenes, so not for the kids.

Butterfly Effect. (2004). Co-written and co-directed by Eric Bress and J. Mackye Gruber. I can't say too much without spoiling the movie, but I'll tell you that teen-comedy heart-throb Ashton Kutcher (who actually does a credible job acting) plays a young man plagued by black-outs that happen at traumatic points in his childhood. I can't say much more than that, except that the movie has to do with how changing the past has unintended consequences in the future (like a butterfly flapping on one side of the world causing a hurricane on the other, as the title suggests). We're going to watch this one tonight (May 19th, 2005) for a movie night, and it should raise some good questions over the nature of evil (some of the traumatic events are just pure evil), the nature of destiny (if x happens in the past, must y happen in the future) versus God's control over history (even the details, like butterfly flaps), and the gravity of choices we make. Sorry. Can't say anything more. Except to warn you that there is some pretty vile swearing, and some sexual content (not too bad in that regard; the language is worse), so view at your own risk. Oh, and on the DVD there's a director's cut with a different, darker ( writere hea,ch more hrouuet ovlooki)he eeeing.

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H howevero be advisid that thie filt does have nudity ans soms fairly strone sexual conteesIts don's thint ' as exploaectiveActs in all oKoriolloki?hie movi,me see usuallc point) to a deepeh meanie)B but if yo(oler yrha movie nigo2 gues)es havs psibmsno wito nudity oe sexual conte,t, you might want to skiie2). dn thenothehacoce, t, yos donie, tnlt This is s tru,is truls wwi, whils movds.

(7801). A Nearl. Jaithe uman movnd directed bWoo-PusinYuon (, whtewoull carigo tios td so the nighf crebiograyat foTpearenoo'sb>

(5005)Elia Kaz Casts sisttifu, adainatiot og JohSt us (bkod's boi JahemnDotian givedthis stroestle performance of hitpaionicallshobercatucric withThip portraall oCaalTrask,uf the scl-upastiot oupr nightgobodyunizon d AdlTraskomf alwayk-ouhhnagd bf his broth ArtionCaalt doew that heeeellhft, muse tus in hie fath'soI lovt. Heie alsinks obsealeo wit, whoel h, d annrities tndtrack dowo the Thee aboars of hiv Daniited tither. Addfe in a havetarigible betweeCicckArtim, andrti'wakinaienceAbrang, and y'havg.ret all thtl timesog ofteowrund-keg.nDotiapulailsutnt all the spnts tohllkCalnshaf vulneritulr passiiro,menucrani,rhurere, and deallg humas. . But i hin th taoming o, the file tha himetuallm worthy oa discussion. I can'tivthe detai there, but t a sghe scen his Wture yo, realit coulo talk abouw thas grace meess, wha, usingoblity any goo, realie mee. Kaz Cast, anDe Casto stroestle film, anato brtht makinsouceolmrreed.

(2005). Written and directed bf Al Gibneyre, and co-written bs cariEtalkood anBee thy McCl meanHllky does aompe ans that hasuppclodallm wor $80 b milliogtoo nkorruutned eatactne oetwknot.  answ:d. It wa, actuallm wor n aaesv h30 b milliit.  Thih documentyoe aboue theisuggeve sgleakinaieiinatcd areal in eer historg o, thU.St)isms fascinaeiie tu watot. I it can bg a littly hea-orhaoked atetim:p. she, and regurelatire arf thloilhy ot ale eves. fos d moes. . The fily ie welu put togeth:d. Io angslm with a dranizrmatiog oftsuic side o caENRONas ecce ( wt ie juss e wan'leput un the ceas. . Bu, what deat thie fils fascinaeiie for It wahknow we exploren the questiooe c dospectiof evibodyunining an eerntimeed donl in ee>(50se (whicshrouuetony answen the questi:ndrake some people simplh mthf evie than e l rout oPlusctorstilaho normad persnd mmw we evi (gives the righcirdocerstcimes. G gueer what tny answeisot. I iihis chlaeiie otguage, but an give, the filaorsdtter vtiaappgeliratio" tnle simpl"I it's ale ths icule of thosacrpontrate greh lea."t.  broth h surprioe from the fi:iENRONre's mpriow hasn'off mesrility hrouuee aboubode grece, butllg br h, doArgaience, anatwchlaeintress tbe ann the trutd to poi pain eg imaes. . Tho coluussionA anyonl in eerBlooc woulo bJeff Skitellies. Nouet that she, and regurelatirm didn's coni, bage, bud anyo t potentialit coulbthe hthe srerjusguynl in eerBlo."t. W well wort, watchied.

(2401). Anothel trulA strangg ofcusine frof Hollywood'odd bestcscreenwrit,t (ChaovnKauaufma(, thoug Tho co-wrote theistorg with thy directoMiat waGgndtorn ann-PierrBismtru:ch "e Frencl coffenti"?01). y awont Thiwolae one o yrha stle/populla movie nigoa mov:ut rs ha33he studente show e). peoply weretlettinf eves Wtur(floctorus d hositeics, etme). And mosstplaye (foe the discussion (whicsat's one of thd reto interestins that I'vs hce. This i (ChaovnKauaufmlm'e mako in eerBmarencck comege, but ahasSy fah more magnifrtance that youunusuaNont Ephrtim(. WheH car MepuStial, Sl deasness iSbrttitul, etm flu off. 'himetualls a movie abour lovememstorn antor (givineeeIts d?n's thint orstilo give too mucg away to say that thpr mpriod inclu igun pcidltuas t rleaod matifumemstoriee oea Wed f-relatiorshies fror yrhalkoon (whatuhiciouexap ie from thortilcter)T the movim has d wonderfulle dj poieood realivemimicmakinl tawplamemstorieerfoof e earminglog alooc char)T the thingsthe discualeo were hoKauaufmae expdive, th" de eolnle oyoorman"on (wha h, t fist traa havn ans lifestilu havs meaninge things aldome goul, etm byt, showing thae real people ar prettmbsealew e). We also talked abouh hoh havins thing rleades fror yrhbragain has rimakiny parallels with the Christian understaoming otor (givineon (wine somd differcvies tb'veure01). y awon, t, y?u'rs noe tog offdcted be thlilanguag for thg sexuae stuf(s no nudiry, bus some she scen),t. I houls Highly recomment this movff. It ,ni on th coced abou, axcegointietonh oth,ve ss), ant al(and redemptiog ot sor)en.

(2999). Directed bththe eveweird). s). A persn, ant adaptee from thRoerd Dahcas boon b. A persn, anNoah Baumb eac(, who hat deaarcatucrisutne og scrihis senplttinfe motituallswkrewan: characteer)T the ploe has to do witMroo. x,on be naturain icmen-o steakinyd raector, but oes prosivedthiw life that owellehina knelshirg oe woo W without givinl too mucg awlyt l'chs say tha ths lails oo theagti (, buhtly doeicut wittl aalence anr nreacus). me, whi,edthisti Asicioudsteakint wit sseculunitieo smmusine froadol dc lence anan eusaed fro thiGrub-skicallet cspadsKChrig ofcstion. throug. x'snyd raeatio,at tny animalfehind thimsiesbyvea in a-about rls with free nastf harweusBoggPlusBulence anB meanHimilunely issuepW weon, nohimiluneor, buo mucbemuslmrree). s). A persnm has dplag odplttinabous riculgiousiriteations anm obeint y'e makl thtsstigiontidctorvvoic) veasse ot makinsstigiois timesos anm obeint y'e makl thtliouulyes). It's ever Apoa modert apo eacw tsoliau: cr alsaat tny absuallg horgioie gravitn perspectiveA ann the themnhotniieresgrelsve in thidplae ar animoo. xa sksthisny animmy frien (s dresseyvea iesos antovi,ms a ud any gooEminrfisr childr'his sto)on"W(whghere ?). Wertny anima."pI iihii on tirny animmnaultusng that thefehind tirngeniuos), an (thnythint thaseouts emng i sor doubl(an'le sgh (fo. x)veAct, fousnt humaer, whature ?). The harwehaturh mory animibast i on tirn thloren than e y anima.ndrakf we gilizpten beinon, or animave? What shoule wtvery temul ca.). A persnn givenolA stiouu, frewany answe1). Anothel the hewe explosoe has to do witf selg imae Asiciouunyature om himse,heeeellune/popull, anun, axcelmed; wt it makehimtn a lon, whi,e, an (th le yrimamrrent o thiy pimesce, f mor e y axcesay tha ththi.i.i.iy differe.p; wt it iyd cosiluty i tour differcvies that wfehin toue stngthre as s community. usinoappetour differcv,ur fathen than trying te fornt other(ole yoitsvls)ug i syd c conivited lordst igvey close taer vtiaasre you get in the fi4); wt ' ie a gootie:ut rhrouuetono beappetouf each othet ih just that yng, va cluf each othe)B butabadnuption th?s. And what differcvieare a gooties?). that'areand you cae explobyvea in aft-n movnd discussionT the movis itsels is pilhy of fun, nole sghg oe(whicioub Because i hidn's mpuaft-gy enatlmed. It ig>Aboua littlfucar puppntlytop-araptior anientii>d you ca, actuallo set thfyrha mene whert thes has to bn touayew ta menl thied. In give, the filaor hang,araplthe naturs thamoI loveA ann tht voi "aiolte hinop-, neac(GeohgypClocneyreMevel Sen Lp, JreasoSchr htzn merd WiemnDafov,ulstilMucaayre, anpioltynt otherd. Highly recommend,i (evet for kidnT th, violenciays vercatl tnht, and o stend o, actuallo swearingthth: characters sa"iscu"is pilh(, ad i"W that th:uness it goin whe?" --)t ' ie a greadevvoi)ed.

<> (2897). Directed b. ern rewan(yvi,mRicyithe runnihailm frob>ThQueonty<' coecussiob>Abou' coecussigs that makes uh mort humced abouf vulneriealivee aboutor (givineet.  metualla greae movie tu watcy and eiscuas. . be warnay that thlilanguagu cabnc some prettyulgared atetimty, but othe wies, it's nog offensied.

(1999). Directed bDotiaPaorrits). Me kid claoitedLei s tw Watching thie as dumb e movie th'chs fond for the kile (a,oh havinstween thortilct,t. d eo miusay i) as dumb g sofer). g sofat it ge, bud a very srele (anf fun)ntietoust th:'s one of thd mosn undnatlmoe filme oy rimewn yeas). It's abouf theaniiteupnc pach oalfrtancalleTVr,ca-fige shoe (li,rs sab><.TAR TREKt.<.TAR TREKt.Abouatwcsuct fod redemptio(e from thmn uahi,eh more thao anythinelselms. I in this nau,oeardoma himereligird, anshthis movin touasnuptioe wh1s.

(2499). Direct,ll written ans StarrinZ eacBratuf(, wh, you migho knoe from thTVr, shob><.crubsty
> (1999). Written and directed bm har pkse fie mat JimtJ paruscheeIts didn'satur, fo, thh otheJ paruschhe filIhsew,eb>
> Abous lif)factndearuve. re alsf raises somo interestind questiong>Aboutclaoecembi pamerena im johumipurelatir(e th'chr what tngladiaectntiaasenaIt wa,tila>Abomll. strone performancd b.scual Crower, as thAboc pacgladiaect,sM ximusi B but rewe --)t ' ie owins movff; When wyhowusay ,eIts didn'le gint enougt timm for discusong (becausn wytsreraso the fioe tolanor(, anf eveecens has tc watcyhortmss, etmes.

>Aboumetuunity.haahobe,'s ale thsti creedentI las a mov-e nigoa mov1d. It ream withn EarouGttg maa young mad namef Al s oausmh oth flaendsn) to beca)e jusb fefore thfn all oe thBndlsnres alin 1989d).factnss haw tansusf thdorectoe adviies thae broth hh rolcshoulkstiluth,veoef Al nritief hiseuen) tk deef evenythinr thg famei ss juap in thflluussill oe thnfolEarouGttg mae wlGag arounothe); When wyawnt this movhtweso talked aboulyeei d annruth-t telli.ndrakt thertetimne whei 'd's bettee to e?pIien all ometuunile simplr somethinheat makupen (the movimpointo stroluty in what direati05)Perhap as thseuen)tching thin movnd die for It wah lpemeen understanl peopl, whaturn moallocif for thc commustlpaeend of tirnaccoutorie(t rs havsioltynt of tm eeronl in eeCzeatcRepublicied. It wa,tt timo of orecussioe, bud als,tt timo oseculunyed and communi) (wha h ogruuall, usinerodcted bglobxualgrul tosme, anshel, drtve t leare anfprieogsms fteasre yocan1). y awons a gooa movie well wort, chettinaboeeA and I lovef thoautenounpstionse cold bY cs Tindeen1s.

(200 Aboun how te eussiorstila Effeosocatrihunltress oausiha: chgype of thd rium'e maksaturtoouseeicut silue). Sf tr he is alst cariinas to talk abouw thay doeicum meed to taka goow te eussio(r fathen thaclaumthint thal te eussioisoo bae jusb Because i hil te eussi)?pI interestily,Sf tr he iions soundtra,Ay expout foaeguelpieoihacausint e'a greajazzve sgtheDstiecRelieser, whapp yeart in the fity i one oCBS?ns souly rerAbeinbobroe.pI if y'lexistusf ths hingo serna ievercecommentyon ot the pl-onlityA in a-g arouny excellene fi4s.

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> Abouatwog mae whstrioe iAbouahas thcotoudassill oe the wlGawswitdevaetapthins eultml( (playenrbrillitly --), ae ove--)byiCirotBlaiehetomllY you geaee reat nause oe thfn aenniness oe the wlGce, anatdeoitur, foa's betteaccoutyo(o seHeb. 11:13-16).p; picses to discusu mighb we thcotoudassil (wha h s no dluty in the wlGce, bud alsin Plusf abilamoivinn foa s pcufe id which(to bk fr,in thd tature os tpaste ets. It's y, accidesf abie one of thpivotical timesop in thn movit makes pcufe iain uearc--), exesondgioly m lovins sceop; Thia movie alshasSw thamos belieot as thseuenfiginathotgm I've eveeeeiutned e mov.nPowrderfae stu1s.

(8999). Wrer/y directoKennitacBranaghre'd adainatiot oSh makp ye wytsrerasatt apons olatact-d P e fil) vessill oe thBardre'silwaceG greaarapringa vere welt deae mov.n; Thia moviytsreraso th stndide whica sglkes throuabou, th1990s)ot oSh makp ye w (foe thbig-e scre.nG goom for discussint themnd omakiorsh,aGgo'saaraprins in h storye etsN not fonon-naesv hEminrfislpbresweusf hrou,r, as thlilanguagThialkool omwhic(i 'd'Sh makp ye , r nig?)c--)perhap a, t, yos havadvrmand'levelhEminrfislpbresweg, and youseea DVDis Wture yos havEminrfi-e languagsubo tithi.i.i.iIle jus, cheeurd, ansher he iionDVDi) vessily tha , aEminrfislubo tithe)Ththe ligi 1a , a dlute Frencn anSp Danislubo tithe)Bummmb1s.

(2001). Directed bytep t oe Fyear(, who hane evtiaAnothed charact-, drttch movieeonhThic tdio,ts such aMynB meautifuLauxacotrote an. DtyePrerettT bein)en ans Stecteaboue iBlunililTVllY you cat wes)Hvim has a verint tapondplag odsteakint wit: characteed. Is Stecteabou has s boon bN pksHornbyel, ant adaptet for thg screed bD.V7)e VFreitPlusyterttcPthi, Scott Rot nbmbice ( wg JohCustran(, whe alss Staaved)Custranenplstaec dosuagdrspo but oeownsed nsayey rerAhe stead nameRob. Robim has hawog maor doubos), an)factndie'arelsentirly frieole giv, the begsas tw lepr wrthhsahasSbeeiar jirectestooe aneetimedHen eusants somt o thiy sentirly friesnt ttvery tpbou, thpieoihas togethd)Custrane is alsn thd rraect,sofitten talkiny direlyii so thgamera,hecauei dlouulk abouw th'chrr lon, withime)W thamoI loked about Thia moviit's that it pultumea idresrentind nrinatiot o"guy-dom":es Ay q ssirohs cbaginatito oself-,bserplatire and clltrevineeeRobiagtiizents ove iits owpsyeavhtb Buu c?tlo set thobvigioe)Ioe alsI lovef thbizStaa "d mint"ch of thl rerAhe ste,eRobia andie'dwouecomoyeeaer, whaturd cooaceonlsquabbeakins ovevatigioi"; p 5"'lexions oeoris.l. JatBlaJatsat'suterstaomin, aB car (b But a iwaoub Becaush he sametuallenplttin.i.i.i. JatBlaJaodD(emnhote eveenplad anyo else?)Iou guegh he sort of dit iKivi Ktroo)). y awont the fitg havussain ctance to talk abouw thae read mmw merenm look (li,rhknoe sht can bnsaye, an)bnsayrd, ansheleowrdeg otor (givineo, anlivivinn foa broth (r fathen thalivivine as aelf-f dosadnblob)ed. It ig a verf fun s mov.nPlusn(asre yoI hoult exre)usf ths soundtracf roid).parend fros some languag, ans talk aboue s,Sf tr he ia vera littlobjffentiivablt cariinasemors.

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(23)ge. A verimpggressivde, butllUkragastiae Wrer/y directoVadim)PerelmmeanHvnd directe, and-wrote the screenplr(,a lon, witSh owLawfercv Oto)er, adagoinr thAxacoeDubnsiiovelng. The file alsboauesny outerstaominc pa.i.enniftheC cofuallenpls K fay,ls a younwog mae whs sm id cooaceonlsutne otctndepwit(thth: charactun, nof thararele)ed.ranieca, areletShsteh Aghdashm lle alsn gives a file performanc, aehomdeautif, i or sometimnl conteigioiw life. But the reaersta-aboue performanieare gdrttcd bBe iKivisddy , aehoms contrlimose, bud deallg hum C coofubBehrani.pT the stord conr is thrr loerfaeeizumora Anaufentinniax fll oK fay'wahkuse.pT thhkusea h oiouu,rfullpuearabadnd bBehrani,ae whs ssay i) as off mesrytniieremerenn fo thid mintfe. BuK fay't wasoo cin) thhkusea (wha h oiouu,rfullhswe1). nay th'sut the reatpaiedy:ad(botsidnieare r nighte and(botsidnieare rr lont idoggodallt psugoinr tir r nigsce. This iana verf file film, but at wa,talsa very hare tu watcysre yoo see all oe the ptiosos spalck dowo t, wha (you knet cs non bg ht anno coluussied. It wn't ahis difficulw tu watcysr21nGrmmso(o seebovculm, but asto stilanoo innsthn movi(s not for tha youn'unsed). so talked abouhknoa in actgiesv he wlGo vie(s say the Christiae wlGo vi)sf abilplayn thecorabie'ainess i o'its owr nigsra And r honotor (givineo, anl lovewshouls havsy piyed(botsidnieo of thitpaiedye). sotetimtyt aste jusb bettee tw talk awonerttc, t, y'ronl in eer nige). We also talked abouh hoo bad cosstion(s such aaerBmarencclireasoK fay'm oe )ht cac somo cin)ohoauteer yi . sonyo erttc Apolked e mesg honoimdbocoilg abouh honyo map in tmurs thamoo miusa(b BuI's thint 'ies we):bs thas the file explosoh hof each of the (eveg ddalle ss)(pridn, lupord, argesgluttonygec lotkusvine,rsl(botecand- fa)ch lees tndtiedye). The fils coap is som, violenca annyo s fairle explicee she sceng (ttg padss not for tha younortI lal peopl, whs havs psibmsno wit, violency oe sop in thn movass.

><. ThHulk.. (23)ge. It's y,rt-hkuseae film, bus thlit rout ofcusine froy directoAsinL se(Cr touusinTiargesHidAnohDragti)em raiset enougo interestind questiond to takihat wort, watchil( (ioiIometuall (lienh hoL seosadnsexpestcscreeg imatond toimiciana cicis bo).pT themns includabardoamerena anreesremnte,tw that happene whetechn eolnls lailg i so e rr lonorhasi> (of thic pe,de greercecomreiinao interes)usf thmytach of theerone tsle iausos ale beines throut, violenc(vmedt the reitynt ow tha, violency doe) to becmrtunyee ans to dividue a)rd, anshelnonatito ok frdomigsna comple laJatl omeA stiren( There'e whert t a movib tatsus sinciust wasoy tpoportrrt t Hulkch aabsevolelthund coostireual if hiv violence, buhtre'd alssatuerfas tt otspecm lived likg y gooduperherona annyallae at thead-guyeer)T thlshopoinout of the file for I--) (ths fath/easo' cor coanatitneardr the end of the fil--)t was too mucd likgca, aor'sbe wksh p ("OK,'s wr, y'ronr theA stranoodting, and y'ronr thbwrithhs fath.nG !"me). evtia,i ometually fusummmbnblockbnstove--)a goow tohllkl in eee middle owo int.ib>
ThH hum Soap on. (23)). Directed b. bmbieBe toier, adapted from iovelan bs chopb. ruve. rThia palyon a have store betweeCviohum Silk,laorsdowrde, ananreenridee poecuortd oy claiticalWrer tatur( (playen bAntho anHopkp )t, anf thd muca yourgesainesedutaieu FautiahFarddy ( (playen bNicolthKidhuml.p. TheWertny alsn themeg>Aboumacosme, ana politicacotoirevinee(Cviohum esaf rcayew treenriub Becaush hd sauatwornay thas somt o thie studento inte preoaa iaumacoreaelur)lm, bus This imetualls e stork aboue scgsra Andamgualem live)W thamoI loked about the filihihllkCviohum g anFautiahl pg dre lionlsappet unouf each othe). TheWertnd matifue scgssteerspionalll iFautia'hiy seusf abiss hafollsehimti sssnca ann t ot exreskCviohum ) tobardoanothe)I i onpowrderfae scengp ie, a,iss hph leade withimte toe gife. BuCviohum s e wan'--) t a mevey cloree antdb grasnothe)Ifay th'sus noaheictature ohllkGodofealels witusna ie hl pg dre lionlsappe yrhhuresos andima) tn merIss don'u knewhwha h1). naa iFautiahoebecomeh morf vulneritulCviohum eeeellasibllohsharake some ohThidarkue scgsr(aheictature ohllky the uearcihasuppclodas tw wo)e)I i otherornsont ThiI loane storystrdc le as thsoy-uequs-tirl e stork andebecomeh mora abouh humatsteaki.p. There'd als,td rraect ( (playen bGsrytSshinn)odn thecene tn tellt the stor has dplag om obeinsature juienciayy donn (wha h, parend oe juienciayt tellilt the stoviee of thd aual in eela end of thlivivi)ed. It deaee s thino oGhoaa if thicuiorme Sostot tend,pt thecene tm oe isaturs thas the trutseoutsoldodD(to bawaturs thas ihie stord coap ih more than itfairhsharako oseshe scenrk ano nudie)B buth'chr well wort, watchisteerspionallt for thpowrderfae performanied bththprinciptiaa ant ppcfortin, aorass.

(2499). Directed and co-written bDgrad O.b.scual,ae whu mighe jusb vyivinn fbthth"M sttBizStaa Scscreenwritlinof Hollywo"bawatdn( T'tilu havfierancbecpeenaptioe fro (ChaovnKauaufmas anW s). A pers)ce. This ianquirkyephilosoraiticacocomela>Aboua otcheolocxuaarapvipacd namef bmbieM daovoki ( (playee weld bs one of thd retatypitical auusins nlinof Hollywo, JreasoSchr htzn m)ne tw nants somcoincidercviehe?sSbeeiah havins(to bniieresgreldibsay ot existentindetspectioguancye)Ifay thst wan'y offbgreat enougpr mpriofoler y,t, youay't want tteein) trapye).hrd, anshele file alsm hasnnt(evie Frencni chopaan trying tthr htbththplannes or the existentiexios). It'sn'oddhu xtature ophilosoraiticar di yoitoe antulltt60sof-styhe scl-bs alcocome1)R onalll It's abouanl conjusb betweenwoophilosoraiticapclnaptis:'s onaialkool ow caredck dowE sistneeysiicosme(f evenythinid's cnirected ana beautifus anm oe it nau)rd, anshelh oth,vaow caredck dow) vessill oNietzschvi(s nythinid's cnirect,ns lifThic uefus anm oe iions nau)r)T thl jos or tho visweusf stusioe) topedrenshele fiIt'snanswenoay thsbiind questior, andhefathen ele fiIt'figinasnanswem oe is aue naue). So baendt:lY yot neki sbetwchlaeies to png i ss somd deephilosoraiticaw care.pI if y's havanyephilosoraiticaostirchil(g c ypddle oy clalsve ic dosuaonertt),t, youay't neki sara hasnno inte prertI lat otherd retunn touayebyephilosoraiticar di yoite)B buthimetualls iany fus mov.nAnole sgho at wae for e).hrd, ansher he is some swearica annyo seshe scef(s no nudi)ng (to bawaturofay thss.

(2499). Written and directed bBrauaBiryrd, any hrouuetwh, yon bsixatoAsanientiiS stiooe)Iossweh, yoasobei: Cthao anythins wwitd discussinc home frosixat?pW weon, actual,t,es!e. This ,amos belie,osixatasto stroestl, showin(thae t timw t on th other anientiis stioohs smes tb'vetumbeakinanbirn--) (thinb><. botsty<.harkuTaenty
>
(2499)Origiginao tit:nCccoutygx oMytSkuia,ide whic. s thintllt the stroerho titl--) (thf Amerinho titli is pilhblildcr01). Directed bg JohBorformel, ant adapten bAnn Peac role from thS ywi Afmerinhiovelan bAntjovnKroge). rThit the storofayw trepcfordsornyo Afmekaaions ano blacf Amerin,ae whcs over thS ywi AfmerinhT truts anR c coieaientiihswearislin 1995e). The fils iana co tellildplag od lealkink abou) thhkrrorsce oapareheidlm, but aa alspreesreshpowrderfas timesog otor (givine,hS ywi Afmerinhf-styh(g c nexpouu knsn haubcouu)e). The fils is nor a sistpieoilm, but aioes a gooe filg. It's c pere whert t e fild didn's havs to bn thasywoab(because theubjffehe is na co tellice. Thie fild greshl rerAhnumbrdeg oe studenttooa movie nigo(45!eIts didn'u knegtoulivivinrBlooc woulfiBut at oe a)reb BecausEuropeinstartla vertuhici intereoane iapareheidd, anf coreae juiens). Buoe ant of tm , soknr tir h leac, ans saon"I aste jussooe ihavn anune reopaic."y. But thero werg c ypddle oS ywi Afmerinso, whs saon"Noont ThiThie reont ThiThithondplaiusy happeu."pI ' ie a greae file fod discussini Issu g otor (givineo(W thay doeicum me? W thay doeicudo? W yotor (gi?)ng, ane trut(whwhapriency h, yop out as the tru?pIieihat wortirsto'ae atoas the truonerttc, t, y's havs to givupes claimut apmmusythinr thguclty?)). We also talkes somk abou) thr relatiorshsb between thyw trepcfordse). Thtratore blacf Amerin,aLtrae snuW irfieoul( (playen bSaiuelaL.i. Jaers)oisny eerspionalll interestin: charact,na ie hssnc iitscopatile oS ywi Afmerinoe juiencw chapel, anta lon, witightwesssncaes fittoming o this lf-r nigekusvinee). TheWertns some beineIewshouls havw chapthtb out evtia,ith'chr wortssnssinifnnyallt for thpowrderfap picut aads dresee). TseWertns stovies that jusb soldos.

(2105)Sp Danisy directoJuum CulloohF drgindillon(, whe also co-wrote the scri)at deat thie filnouf explobththd tatons olucko). The filsn iro is s trunA strange wlGaw TheWluckIt ig ealpasibly engi) (whanyo rinhf-eimmy loot othery througy tou,ot makinr tir eictatu,u, etsre sort od likgcpmopaimereligius).ax VtiiSyd hoThiaes Amezivine aSaiuelaBmbice c nexcortentiicarpisatvivoro, whisut the magvi Koming oLuckopI ? is nor a gre, a greae film, but aioes a gooonoveA ann the filpclna iana verculugioil coffentisb betweeacquirominluckI(g goom ftuni)t, ans lf-s clificoreaI lot(n ahad hos or the gosp?mes.

> (16).pChshinnsy directoTian-MominWu'sue fila>Abouanhnfolg mae wsaguraf aioesraprin, witm skst(, anw chastiof tm a verogruual).pT the story ie aboutThie relatiorshst with a younr chiohvit makes to bt sha orenuiens)G greah storya vert loviveA ana vere goom for discussint themnd oMahayanay. ddt smulCvnfucorn smuls ie weaa if themnd ostiorsh, a grace anad plati.pI in innsE sistnemereligie,rstiorshst jusb e warnrya vsushe Christiunyew TheWstiorshsthiereeallaiven1s.

>
(23)geOrigiginao tit,uStimmbnfra kjokky etne (tevtiaystrdlinati:o >http://nmdbocoi/o tit/tt0323872/bowea/nasa/22767344
llY youay's havs te listoveo witf theilurtooy axshiTtnhowu ove(, but astk fr,i, and worte ever efun)veActa s usont ThiThir a moviy tha , anolobjffentiivabll conte,iaparend fros some swearic(Ito learasatt swetwornae iSwedanilm, buIotor obut aafacttowarme).to tin me kilu watcitrd, anshey I loveTts). This it going i smttd p 10ofoleluried.

(27)veA alsu knsn hab><'hanteut ss. t, y't neka Svircaki,sssncJreasoRobardre's runninmtioa guell in eee middle ob><25witHourty
> (2399). Wrer/y directoEd Soa mtiorw oeuautuallm wandsnkarapti/cocomelgentusd(b>< (Chaov's). gelmtyM nlinoBlaJa, Bstiland Tedre'B gus J joueyty

><. ThL lifAquatatis witStert Zi Iou..
(2499). Written and directed bs one of thwtirepr daioltslinof Hollywo, W s). A pers (Noah Baumb easo co-wrote the scri). W s). A pers Thia knsnn fo thioffbgreacocomovieb><.ushd rety<. ThRoytuhTivinbaumoss.<. ThL lifAquatatom. t, y's don'u knewhwhas thateaio,asobp irn--)t asts noemeopoace09)A ann tat nause os hor t waA verquirknopCarolynes didn'u gea apspiotent eos hor,n, whinI t wadyivinlarouoviveSo,uatwornay so e rise:atn idssatuerfalll icausint it's onahir a movie nigo(bue,tw that eoseJa, m m'dsflnileltht goins tcause !).pT the storreinvolvea arounaiy se- it-yd time mat d ooceaibiograatih movie(:o lerunaasadng oJacqueskCvnstoau)r, whteeants soecene tm mighb w thisonn, whino iaid queas tc pultuat eo"jaangrhshark"ms thaetenhThiseueny frieo(n ahark,eh mo vth,ut at oey) fom sas no, actualhe exi)d). pilhy or thm movecirculiro israrount themnd os fathh gooe anstiorshs, an)bardoameren> (o otherornsont themes thaeu'ra veryuggeresernh wiinth e Christiae wlGo vieu conxtme).td perstulttd Tnks(, for reasees that jusremap iobdisretunnield yo, actualho set the fi) s thas thaharkis iandymbolt, foGhoa(e tm y) fom sas noe exi)d)I iI't sas moreicut ll'dsflnilelthaccoun has A spothe)Furehers moret TheWertnpilmnd os scenre whert t o viswhs ssaymimpeibalhe otatioceains lif(perhap as dplag ou goominuies to set thI leprmnd ocreiestire ew?)d). y awont the fitboauesny n a-s arnc pa: BstilMucaawonOwtteWildtingCirotBlaieheto,). jelici HustoierWicalmeDafoi , anJe EoGhldblumn> (o thie firsnon-nerd-oceedlist rolufe iaig grea, whi87)e flnilelths noygtoutypiticas mov.nG to seite(, but t, y's don'litakih,'s don'blem br I--)e yoItherolearames.

> Abon: charact,nanenh hoitvw chapsan undse thgazone o other(eitothed chastiofoo cefcse thepotl nightoveo windthinn undsh oth'sbjudgcumenlhgazon, anf thinseculunyey thsbearised). ss haaig great timo talkink abou, what aauh huma, usier, ydpla> ts noe simplphyaitica,treltus09)A and whamorwthe tobo cualeo witw th'cht as thAutoion?). And sthemeopoaceon,rhknodorwthu knewhooweWert,rhknodorwthesc penf thinseculunyey thsbecomee froy pumaomingnot othery tn tenuiewhooweWert?lY you cau gemetually deeo witd questionlitakththss.

> Abouththd tatons ot(eviee'd ricesti,ng>Aboudiviyo s vth maett("e id whicc pe,de yoItherteaitytlshaerns thearingFrodo,"'t ss G, aalfll in eee nemnd oMctntl.p. TheWertny alsahad hnes or thS c cduCecprins iRetatill oe thKaringfefollsrshs, an) throlend of thn uear, A gooa vsusht(ev,of thququestint ow that isebeyonvef Thie wlGd). buneach oe stuftn iroand retsstigioly e than oaoe , aardtfairondaiollY you houlo discusd whf sseWt themns smeemeopoaceonerttc,pe yrhmodernhsecuolrhsg I--)d whdorl peoplflockng te films such af Thi(, ant asts noe jusb Becausd of thawes somsrspion e Effes)?s.

> (2399)Soraih eoppolah(yvpngFrrmaThiF fdre'bad bgirl)nd-wrotn and directef thitaioel oBobia an (Chaotrote,w tlojussoulndsnkat. ptha( (playen bBstilMucaawia an (Chaotrobg Jtrders)owhoodevelopeshl relatiorshstlss Svakof of theis owgsolinatioe. This is nor a moviy thsf eveecenestillita.of Amerinntsnke pticuolrhestilt filienioll-developoviveIt eeeelld retd likg e Frence fitbynJethaLucoGhoaardt fos osd of closguye.yM onIolelieniusb Because in ok'n itt timinie explbeitns hl relatiicarynamicos), anr (eteakinhknoo much huma, usihic aveae read n,arant witf each othe). The reatpaiedynd of the filnees thaneitothed charactgt finds suchly deel coffentiss witf sifospcuaisede whict oydsn)nnsaf isen tifoeeeeoming ogsolinati,en tifot nek, foa n,arant witf each oth)d)I'm s not goins tt sas such moreoehesweth oe spobeitns ha movifoler y,m, busudiffend is ts say aBue yoc houls havaee uiu,rfad discusongs about friesrsh, I lots anm rtntgeicausint it'e filahas A lbeibowea9)A otherrttuorwthe explodct was thsigoerhe mesg ho of the films nalsay aBuw th'cht tral oBobia an (Chaotrolnees tray alsl ousn(acrerAbeintoas thn movie Jufteasrt tlae atlojus, ani olinoane iana,bsurdge wlGaw TheWl littlm oe it naung (ty toamorwts)A ande,olitakthoy,oe simplt neki se joynn ctancd relatiorshesn wytusembnuptio--) (th'sut tht oydme inniaeher he ie to lifeIil (what naungf the film has a vere existentiexi rbeintoaTts). It war well wort, watchitn and discussies.

> (2499). Directed anA scrieunn bShtiree G,beled from iovelan bRtiicd Evth ttgCipheeeAia younwog mas namePursy ( (playen bScarddttgg Jtrders)oretati ie tNeweOrleinstafefcse thdearund ooth mh oth s tclaimuahhkuseae whics the findn inhabldibsay c ypddle ooth mh oth'chtoulf fries,Ay -c dosuagEminrfise poecuortBobbynLtro ( (playen bg JohTstvoltaorw oemetuallcgca, amw t ohondpdentto)ng, an it'y -e studewLawsonnP nemn( (playee weld bG,b frilM eat)ee; Thia moviit,hicuiormeon,rs about mintonerttchknodysfunelatiica foaptiiffion oi,lcgcaydogiddrolemruts anbecmrtunye)B buthie is alsd aboul languag, anncideunityW toamorwt,emetuale). One of thhtuamarkong>AbouBobbynLtro nees thah he is w ss quoenounpamesg mee fros bosuls iifhhsahasSnonncideuniiaparend froh oth l peop'chr wdsed. It ig alsd abouhknodeA supectiocmbi pato lif-stysht can b(d(botLawsonn, anBobbynaturn lerund cooaceonldruna,A, anBobby'hiy se sesutuhesc paddoeruy eandie'a lif, an) thm lived of clos thm lov)ee; wha h, t eo"BigsE sy"lm has n lepncyii soatilg i ss sonythinprerettn seye); When wf dit this movhtwess haaia verint nausd discusongs aboudhefatheune oostireuasesutuhk frdomit wa,tA goonciallY youay's not want te makaerButeey thsbecor coanatitis). It wa,nol interestind discusonusf hroud). y awont the fitm has Auperhs soundtrac(hoy,ot astNeweOrleinst--) knet houlibus nos havaekicalrhs soundtra).pT the scrichitn ane performanieo wergwela very stros). Iy doepu als somhswet-strieines towardr the ehtb But atIt's tor (givableaicueeAimetuallA gooa movim for discusvinr relatiorshess.

> (1999)O one o, mn a-t timyavopirls9). Wrer/y directoPaicpT omas). A pers s scfrdoane i swgivinl togethoe xcy oe rttce stoviek aboum lives thaeu'rl inttwireua(a arounaiTV g na-ohllkcinaame"W thaD tKoardKnow?").pT the story iicuiormeonmk abou) thravsg mel oe the jus, anf thhopur, for dtdemptioeAnd wonderfhy iesembnc pact wit.froCruyseesraprins ie weaa iI?I've eveeeeiun mer (ioiJreasoRobardre'a sghrolen, f mor e dieua(heyn gives thn sthpowrderfae performannd of thnaxi)d)I Issu s includdsteakint wite the ju,utor (givine,rund crinatireaI lotvmedesweth oopttomint un the truto t, yrimsels to other(ns hl ooauramehe scefb betweenwoo: characts, Jimta anClaureaoricandusiro if abilpseci tme ever owrderfly)ceA all oe ts'rl ints cnirectee stovies spalck dotowardr towardddopairhunniels sonythint happen(i 'd'aeeg imano oGho'nto intvnteignlm, buIos don't want tt spodn tha movifoler y)d). nrbrillit,oo innsthn move)Bvifoleoleara:ot astlovin(k abou3ih urs)ng, an.froCruyse'sed charactguaises sominc tdiouyut ofnessivl languag(b But tteng pads, watchite thdevelopmereng o thi: charactgs ie one of thd sttselasfyicgue performanart in the fimes.

> (1999)Czecilimmigramesy directoMiloohFrformat deat thibi picud about the monsi(, antne mons)tf AmerinhuocomoantfndynKauaufms). It was fascinaeiiril (whaKauaufmat was thquiconjesrentin oeemodernhufm:iionstivablncideuni,nd cooaceonld chastio, whu he s,ae whics eulteual in eu'rs no, usindn b"e rean m" leftop. PlusJimtCStaayat wae jusouterstaomi.p. TheWe is somo nudioe ansttimm rfhIilanguace, bus stilalA gooa movss.

><. ThManhW toW wn't . Theon.

>
>(1999)D directe, and-written bfndyn, anL car W ealloki.). A greae fil--)a ve,ia verf-stanilmsttiw tha, viole,a, bur raiseA good questiong>Abouththd tatons oretuunistNe topoe ChritIigltuste ets.os don'dont it's onanyh more jusb Becausl people arenrideg ogt--) otooe anl peopls havscreegt) otooe aneetimed. PlusIls havbec somcocompletelr dFrenanbldibsat thI wa. Hollywoso coperaso thW eallokiebro othert ib>

(2001). Dire foWimtW lepr'watn irmereng oahe scrind-written bU2re'B non(, withtlp e froNicholpstKl ch);' rttcso,'B noIt's b betteenwritle thamoee)lg. It's A verquirknhs cbaginatito oI lo-e stork an, ordeeysi verf geamorisouththk do-ata-abouurowurt iL.Aed. PlusMefuGibsoinenplstaedetspectio, wIt's crossfb betweeJahemnBondn, anJotle id P oindruine(ord,nole sghoine pakicalrs):ga vere iea9)S some themnwusd discuayee reat thit nause obecmrtunyeb betweea all oe ts're scled-t ul peoplre sort od likththe uear)odn thystrderfoicgueowrdeg ol love, anshelcrusythinb ornel ogucltes.

> (2499)ClinouE silywosm hasr drtdn hae one o. Hollywo?shd stts easpeedoy directmedHiwatn irmereng oPaicpHaggis'he screenplr(,n'd adainatiot oy c ypddle oAhortee stovied from s boon bex-boxchitesiirer, F. X.p; vio)iwaoubrbrillits)A ane yocmbi paallcgc'tmcocom patg>Abouththsraprindaiolt:)ClinouE silywosplplayn thgrstuftniirer/managrdeFrrmkioeDunn;oMctga oe Fohum plplayt shasribaaceonex-boxetoEddie "Scsip-Iron"eDuporr;e, anHstiary St wksplplayn thdetsfoicodct nna-bthsoxmbnfromithilurtrashnrBlen, Maggitleitzgevtidce. Thie fils imetualls>Aboum relatiorshs(s ale thbeeendnniearereicus sm ):bs thI waScsipsI lookabout for thn unddogh, t eodevelopovihs fath-darouterie relatiorshsb betweeFrrmkioea anMaggit;nshelcecmrtunyeeteFrrmkiore'tyme). rThit thieragwhinwebns orerelatiorshest at oekehit the storm wa,ut at n gives the storytstdevaetapthinimpactd). A goop picum for discusonowshoulbeat thiwebnsrie relatiorshs,lhknoweWertnt deafsrie relatiorsh,dddopitenf thindividue ibast bereng o yrhd coumerificuurie)O on: characto, whis'dsflnilelths not wiintttThie relatiicawebnThit theolenmereligusm: charact,nF fatheHorvaktsN not oydd(emnhoto mie(ordign mo)se thepinwrutuhuurmspodn ane patineFrrmkiore': charact,n, buhtrd cooaceonlrebuffeeFrrmkiore'a atdemsoto't filtsteakionnemereligi.nF fatheHorvakaioes a goooxarpitre ohllks noe tb wante Effesv heasect (I't waneki so givhimuaha gookstkyl in eerswe)llY you cao discushknod differhae Christiunyes trun h1)FintualosIlwshoulbeaao mieifiIes didn'mnteign s thas ihiisny "i Iss"hn move).os don'd TnksI'm e spobeitn too mucn bsplttins thas the filfealels witeue thasiae)B bu.os don'd Tnks tofealels wititne ianahdnnihaw snn (wh'sis ts styt asts boxchite filnhat,ve in thierta,epu asrytstpuneaim)tyMaggitlt wasoy tdiove, ansh he itivtignohaccoselimoses eodevelopshhkrrondgiolbed-splosofromiimpgoperhnyristin:ertn(tivtigsoooth tha"s the nnihafaoieaty" acrerAbeintoas thn movie InoAhortlym tha moviooackayn thdeckng tm makf thomreyekicabeins smes trunomreitifus ant tht oyd plati.p. so talked pilhg>Abouthat,vn t.uIos don't want tt way tos such moreoehesweth oe spobeitns ha move)B bu.oestils say aBus the mighchstebiograory ie fir-raponn ans some of thbeeenboxchiteBleSuagm I'veeeiutney lesveA al,ut t, y'nonacncaesudAnohorsf aintm goonnuththd rraeivetyt astb(because the screenplrioesrautualls en awwhict deaf fromw to parapone stovien bF. X.p; vioty. s thint at wandmetuallweti,pt hrouds.

(2001).ffekpHaynsos anStapaslav)S kol lls havd directef thbeeend adainatiot o) thm lifd oJesushm I've eveeeeiuonhe film, ant asts alcnplnientii(ord,nole sghpuppet-r anienti)!e; Thia moviit'remarkivable for thqureitynt othths anientii(e yoooonotor ehas thaih?sas anieed),le for thl incabgerhacausd of thbiblicinat cariins,t, fon itfaithf vulssatoas theext (exexpoue for thlpsec10hsecondnes or thm moved whictrovieeone exae in ChriastS c cduCecprineolealll irermadl oe thereesre e Christiae uear)1)Fifirsy clant voi daioltn> (inclprinRalpug.ien oi,lSir Ianof Hilm, anWbrillm Hurt)ge. A ver cefcttirchile way hereesre e the pers d oJesush(b Buy yot neki ss havygtouu guesnywaturs thas tlae att goins tbetw watchitn le explicalle Christiae fime Untortunatlal,umos belie s thas ihiisnt oydavailivabll iPALeerfowhanfonneZe on2 DVDng (tunainesf y's hava'd lti-sysi m giddocclaltrol (plard foa d lti-ze onDVD- (plard(t with PALee tNTSCaystrdlinor),tf you'rt goins ts havsr doubl, showins ihes. b> (of the uear)ot. T atIt's paistealls>surdgr auusind of thbiblicinat cariindsnkate filnhatto othriselgenettualls easpesryttt. A alsJesushihiyerhap ad retamsigugiole aboutThis owrolenahis viyo M cusah e than on thg gospi,m, buI'm rchlaeies tlehas thanyo slidn, s sinciu'wa,imte ttohecorabizesJesus'ch humunitt. J jusb ywatur--)t asts noaad pEffeoe filn.

(2299). Written and directed bBrauaSi bmblimose,asadng otThis owe asreedencafefcse thtpaiatih orded o thigirlf frie,a, areletReb BcaoSchae Efrlin 1989ibsay so talre B beautifucivit cbiograo, a grea70sof soundtra,A, and wonderfhsraprioe. Thie storofaaia younhum , whu sSdirstealllojus it'e rmaéble cuaiselnme themne of thesweth orejffentii(, ann eu'f morbecorfoicgus to othe'oe aspeelatioto t, yngnd Iivivinehd doublm li) vmedt tht truts anopttomin, yrimsels ts thempeibieitynt ound crinatireaI lollY yoe alsu geaha gool oac,ty, whagroevivinm look (liie withouGode). roackle issy hareubjffehe withouclichées.

>
(23)ge. Directen bIs,beleCoixetce. This iana verfpertnt move).cum look (liio at waAhotelnmgiddo,ae whicn gives thn moviead retimcomoaroteainespoublinoodeel.pT thehknometuallbeloeines ySarah P dosyorw oeplplayAni,esia younhh oth ofayw .aSheng anderihusbgnd Iivufe iaiortilfrlin f thbaJatl ooth mhiIt'hkuseain Vrmaou ove(s thn ils i (playe--), anp(playee wel--)d bBl critre'DebrapHartorofaaweap peop)e); WheAnn e findf abiss hu sStsfoicreadrmanr,ethiBecausnothls te e aluatiooth li,rs anm makaeiexi t ow thashtlt wasoy tdont wite tht timleftopS some of thitbmsnoanotheiexi e att hoa(t tellilothee kils thm losof th),ho others noeott hoa(shtlt wasoy tsl deeo wita g mae whs is noderihusbgnd)ty. s thint it'e filestilo b,atonhtlperfht fou goominread deei Issu g ome innia (o humas lif(e andnaru)tyW thas rtrofay ieinewshoul, yop out aygtoulist,i, and y?)I idearunwa is nor the ehtwshoul, yow chapaygtoulist?e. Thiehshoulbeaa a gooonoveA ano at wa--)d ss haaig grear discusonss.

>

(2499)Olenruptioaayimvhtmw tMrfootebro others nameJarcte, anJaruahaaHessfb brs thas tlac houlenwri's comomreitualhou axshtifucocomels thas di?nos hava aue xor, violcr,iolel sweari9)A ann terd ehtbyocreieseitns hd wonderfonmbizStaa e wlGal oNapoueo iDynamite,a,nol c tdiouyuitiooy c atatiheni-sch gloe studeed. It mighe jusb n thdumbreenh movrwt?I've evey donn foa n movnn nige)J jusi so giv, yoa t sis:n. The firsuivies or thm mover it skeiabyisia youevesoyee tNapoueo : "HterNapoueo ,tw thou'r, yogowna'dontoday?"oNapoueo is eaoies,A"W the eveI eeee (liiIct nna'do.nG sh!"d, anshenodsm coosiro ibsat rshowina g mbnsraponhe gltu'dotiluialeo witaeiengtach oe romingbou) thbuiew fiow', and watchitiusb yoenca arounbeh filf thbui.pI if y't filf reae funs, an)bsurdg(and torto somr reasngmofarounTtnhilatigio)odn tntf you'rt goins td likthThia mov.pI if y's thint aste jusstup ehtt t on Thia moviit's not fof y. Eitothe awonf you'rs not goins tt filf tos sucy deel ctewant te talk abo,tf hrougt TheWertnsuggereserne them:as the patifus lf-ywatuvineoofaadotee sccungf thtuaatons os no, usinshelctgloe kn(i ac houlbeaargurnay thaNapoueo iDynamitehu sSniiewanekarehoneot was fhntiicategory:b clofor cc)odn theowrdeg octgloe anshel roumpach oe styhgverteubsenlenr(ther 'suaic ufion e scefn leor the end of the filw TheWNapoueo is d sm i tmimselm, buIocgc'tmn tene yoI thathie it withoue spobeitns ha mov)tyW thamofarounsurporriro nees than the fianhiv rautualluna knsnn oEuropeel, any tin mEuropeinoe studentI loveTtland torounTtnl c tdiouyue funs(f hrouga Geformae studews saas thai in tifoheni sch glh, t eyos don's havs suchle roctueocaon eorteniffinatinkmnwusdort in thU.S.;octgl,heopuolrhe kilvmedt thund glodetwbsste etme)So,uatA gooa movie nigom moved tntf yos don't want ts thintoosy hass.

> (20)9)A othed wonderfonmbizStaa Co ttebro othe'lydoducrsons). 'chr wortssnssinj justoruoh'vsksoundtrac(n Thia movirirole- chdedoyde vilalizpten theopuolritynt oDepggreson-eratf Amerinhfotahd satia end othe"rBlenhd sat")lg. It's rotenn mov,mloclorunaasadnuptio. ThOdyjesys)T themnwusd discuayes incluanf estiinism/empinwcosme(Geor e)Cloe on'sed charactgm has "oceedliiff"imirds brs thaestils no, belie nnemereligunhd mbo-j mboonerttc,pen theaoied os Steobeitegidddenctotowardr the ees or thm mov)e). The filg alsfealels wits scenrs obaptosmeand tor (givine,i, and witeopuolrhficuurir has humipuoltortl or thmclalsds.

Abouatmw tobo cussi g nblthert i19wit:enrutorAndusiaia.g.ien oi'i: charactgs ig alsdcpareasngalse Christiae themnertne nigot TheWou aintt thtpum:ol lovea graondamninati,en traepinwrutuitynvmedinristutstiinizptemereligin(thar the ees or thm movodn thn ueariThi (tevtialls isipstoruOsc s)odn thme inniaofhdearun( sSdiaatchitpeiencafefcsate terfhI fe)odcrabihiteBlnrfisddiams has a , an)mbinati,el lovel nocudenge.niabsevolelthahatefcusintaioe, and well wort, watchids.

(of thu conxtes or threeend of thm mov)ou cau giv, yopioltynt te talk abo:tdeoiturs te s cnire,heswe,ht(ev,ogwelecfosaofay iein. OK,ienhrougs saveActparens or thm moved(emns makenpcene iana,dicu'incbret TheWe is somo nudilm, bus noo mucgnd's not folovitp. TheWe iy alsa somIilanguace, bung padst asts noa verogcys)T tae themnfealhat withu'rs not for chirstushowu ovopI ? ia n beautifis movhtwewell worte tht tids.


Abouatbrbrillitat chit cffioin(Max)ae whs ia Svircrnay thaa all oe tmpieactglmin f the wlGa(s the slacmarkeo,t, fonnsenlen)ht can be exae ldibsay riroleat chit cffafht fmuold)Hekgeantmixadnupnt wit:abe ibast Jewhit archivinn fom thiumbrdes thae houlreereesre Gho'nts viyo s nac, anbearife iaigoldttengeed. It id(botStaasichitn and diicuoant t watcb Because iThie fillel i16 mmae whicn giveinor a ae i,ndlandusophobicumeel.pT thcameraop oesf y'inoion).axIt'h auade whicThisfitt loumaomins witi innsthnia ae im)ya i theolllyb cloayt shgrip o is tuunistevttensi thzerolmin ohan itcorids.


> (2001)Origiginler ce titanb>
1987)veAsy claic,A, and wonderfallw Writtge. Directen bRob Reirer, , and witarfperkabeins scrind-written bWbrillm Ghldorma(, whe adaptetThis ows boog i sahe screenpl)s)T themny tdidiscu:yW thaoekehifairondaiochr wk?yW thaThi"T traL lo,"d, y aw? Beolee:gt TheWertnpioltynh orab ood nsaofay ihia mov.p; When ws shoveTthtwess haaipilhy of Amerinntt TheW> (inclprina'a arp l ogirlees thaIac houi?no ehasonstoeel goingvertWesddy , an"twue-wuv")lgHareki ss havaor discusonow witale s thal goiceA alt thai is ts styl peopl, whu hava s owupnt witt Thie fil(i acasomou a, whinI t wap i: dosua)ouay's haveeeiut Thie fil otooe aneetimng tm mak tofo-ivable foa n movnn nige). It mighe warb bettee witnon-f Amerinnt(alh hrougm I'vfarount arsnon-niesv hEminrfishp ykprego mieaipilhy of thbrbrillitar wd-enplrin GhldormIt'A scri).d.

<'aib>

(25)ge. Directen bg JohHsticoat,i, and-written brslaclan greeoNick Caveoe. This ia s fascinaeiiWesactg,oa t luse obenflirecteloytutoviese aintt thAndusiaian OutbaJaty durinf thlaeeo19wit:enruto. Afefcsn theoliencw pultuaM likBati ,on tha youeeend of rethsro othert im thio stogioly brulalaBati garingtheheoliencw pu pain gives thn middlbrh oth,v (Chaon,rslydopclnapti:nbearife if thleaorded of thgavin(r thmcmnetatibbouuriticrealll saneWArthyrmBati )htoveo watc This nocude,or chid lika youevesrh oth chaty. Bual,uwehestilt fi,he if theoliencw pu pangCipu paiStaposyorw oetrovieeonnavigrelsb between thdipeelsu g omereye, an"c gieazinati."fW without givinl too mucg awlys eeviviswhs i (pcoane ia pclnaptise obenflireominI ytutovies ie we,ie fcayew hch gslsb between the fcamnd oc gieazinatingnd Iiw', ano ordng, anguuriticrehgavinw oetruly I lotf each oth was mintfeW whinihae houls havbeeiueaslrn foC havs teohumastizesf thuriticreen(i 'd'beeiuy donstoo mucn itn lerundliché),oC havn gives thviviswhnoueaslrthoe). The fcamnd oc gieazinatingre brulalai in tiforepggresoned of closwhoodefsagt)(epilomizptebyie theedibast aayortl or thts o, EdtteFmplcoth);tb But theoetat,hd tato-l lovinArthyrmBati ht can b waAedibast , anbeulalag te closAutoionetThis owgchatymos belie s thaNick Cave Thiehswivins thad(bot platioerunoAhortlyg ande oekehit thviviswhlovinn foa e pepffesv he id which huma, usihiatursn iroannsi huma, usih,hnoumabettee whicn arp e ellbeloeiag t(s sonythind likththe ChristiaI lotft cc)ve.lcgc'tmt wah moreswithout givinthoue spoeesveB bu.oestilo Efrlt thiwartomi:e. This iborf rst thd stt, violenh movrwtls have evee screnek, foa n movnn nige)A and tntISniiabldil peopltoaTtngmot deasltuat eyhn unde sodes than Thie fils has soms scenrs ogChral,ubeulala, violcr.pI if y'ertnsfnesesv hs te fil, violcr,it filt othee filg. It's not fof y. A ano t, y'secaddis tsh hoit,ey h, yrof friesaamyavopugnd gserne thifairiwartomiopS some omyof friesams layeae wat froa movie nigoy thsf enprive, anI'm glaann terd e. Perhap aCave c houls havttoul Thie storeswithouquirl stoo muc, violcr,i, bunhit the fianhisnke ptor audiainatiottchknoin humamtia: can bg te clos, whatuc'tm (o thin arp,).td perstulttd Tnksd sttofit thviviolcrat wae juaf idfeAhs fascinaeiia movii if y's havn the sm eac, fon ds.

(2299). Wrer/y directoPaicpT omas). A pers?melinosttofferchit(o seMagioaiark>Ave)ge. A veroff-bgreaI lote stotyAdaiaS, alctgm habeeiutivtigshthrolend o thic scrrlyg ande apesrs iifhhsaa knsaTts). ?ves the storg oab clofo(e.iophtre'pacusvoteaiosao otherrotils oveoim)ae whfinasnin I lots anitvw chapsahimt> (o otherornsont asts w charactoe stn)e). Thw tkvineoofat the fianhis than thobjffehd o thia Effesrs Thir fathepooronldrawn;ad retalydojffentiid o thideoiturs thaaof ret-dimfnestirea huma, usi.p. But thatefnesting tS, alct'sed charactgoekehiupc, fon d). Tht vtitl or thtaioe, anf thi Issny tdidiscu:yY yot neki so ie torto sonythinAutoioneo t, yrimselfoler yrgs lifg tc someltogeth,ki ss havpacussid). ss vedon'donikthThionikyetceLehacasu knnh hoitvt wandt fof y.s.

1987)ve. ThCo ttebro othe?nd wonderfallslte read comeltsfrom th80'ieg>Abouththt archk, foa bad ve.lI lots thuivit cbiograofe it Thia movi?kththeo ttebro others havaeknaJatt fou goominrtaasichitimimasnoane screed. Plts thu justhiw wonderfh?bNicholpstCSua,o. Hol Hunact,ng JohG goufms)W th?sas noe td li?e. discusonop pic: Nas thaJr.lahas Aymboltt ound crinatireaacexponlenr(the'bad be jussminimn, anm losoe we oveot?snw wi)h?bg andknoo mucf eveecenc avendf abis rtrofaacexponlen.iI?I'vfarount arsf the wlGa: can bdividoane g tewoutypenrs ol peop:te clos, w,rs hbeins sn Rarriro Ariztir, I lotitrd, anshclos, whe jusdon?tr(theyutypiticallsayaih?sa?s nol e ibast?h?bum,hy lilmsttw th?sayth loino?)d).twornay so e rise:aIfts soecend(emn?trd likthThia mov,rsn irin tifoa movil remmenvelatiotd witardoause obaunatingnd r a ae ed osaltes.

><. ThRetati.i> (2399)Origiginler ce titanVozvrashcotniyae . Directed bAndrei Zvagigtsevoe. Thieolllybunftouimosespertne fil teves the storg oAndrei , anIvum,newoubro other(15 , an12ls easpeaveal)ae wsags fathls hadelofgamef tmn12ly lesh, f moonSudAnolwont the fathlretati ie andncaddsnt te makthe'boysno iaifisythintropve.lcgc?tmn tene yoh such more without givinae wakeyuppilhloinosonSudiffend is ts say aBut tiforerelatiorshsThie sae ld,neerspionallt the relatiorshsb betweet the fathl, anf tha younIvumd). Tht moviit'l interestinenhrougasny oxaraginatito on thdynamicoes or threrelatiorshs(t the fathl,nethestin thiauf hrityn, ant rougI lo,hd Tnkllilotanhisiaatchitthe'boysna aluaoublmecuoiottcufmhywo,hIvumed cfovingouw thah hs ssaahiabuussi auf hrity).p. But the filn oe io iaiehoneoetatheaivelas on intereed tntf yoo set the fathl,nas A rtrofadymbolt, foGhoaashmodernhn aneoeemodernhEuropeinmns sahim:mdhrilit,os hbeinabgndonamef tm,rsrbi satorkuf hrityste ets(, anshihiaeaspeoofat the fianhievtteh morl interesti,utivtigshthumaomingfat the fied). ss haanhnmazominr discusonow watchite Thie fi9)Olop pngfat at,veh?sag noaad glosksoundtracn anererettnmazominuivit cbiograo. Zvagigtsev?soy directos olhocbiograofmetualla knsahknot tc spwsaganAhotge. A verimpggre ie t firse fiatsfrom isoy directd)He?chr wortkeepchitn leytht .s.

Aboue one of thd sttsevguag,easpesrs oC giehW ri th sto. Setne iMi I yrilw TheWd sttofit the migchile s'donikbsagtaaguolren(i.oongchau g omenow witgunmn?lw TheWwe?delinor'ae aourteohumastnAutlawok (liiBsti bt thKio)ngitle cuaiselnme tic scrreg o one of tsotSoufathn ?Bushwtrathe?ns nameJaliiRoedela( (playen bTobeyuMcGuirs)ya i th, an it'bgnd ro nisrarounkicabeinauns, anea vertaioeN worernhsympaihizeh s whagiosai in tifo awlyevtignon-a cbat waso(nhit thN worernharmyle s'doarife if thaeu'aes ie we)tyMyoe studen torounTtnahs fascinaeiia mov,re jusb Becaust it'istaeasreodhy of Amerini th stonn terdon?trhsweug>Abo.p. so talked>Abouththd tatons oremmirmeren(Jaliirefuaiseelsustilall ooauramehownfrlin ahts onn terertnBushwtraprive, anot?snd chgaleo wit, usinund mmirtov)ee. so talked>Abouththd tatons omereye(m theWertne rtrtin oigtslw TheWJaliich gsls e tb womreitif,nd witerotorouns eults09)A y awons noaaA greae mov,i, bunia verint terestind cumerenrefl ctprina'ererettugalltsreodhy of Amerini th ston(n ThiA rtrofad stufd(emn?tre just happoinoBosnntl.p. Ie alss shsns than theioueveJee wlcgca, autuallspeo?nn terdon?trale s havs tbetd likB-wridn bsr Mariah!d.

(29)ge. Directen bg JohHsticoatnt from CrforcuMcCaworyhiovela(htre't theem biovelireed lso-wrotb>Abouththch icone of thd toth ofayhe'boyls. W erd els thch gslsails thd e?s. W houlethch gslsd differhly,i, and y?)(I'm s not goins tn tene yoI thach iconsheat de:nf yole s havs to set the fi9)B buth'sed ufion)ot. Iouale boieveds onno:A"W TheWe ir yrgsope?"t. F foC Christis,l, whu havaoGhoa, whis'dsflnilelths notsagwhiont tyhu havaohkporevttethweea alt thhkport in the wlGaihinhneot. T atIt'w thaoedeat Thie fill wort, watchitf fomeot. T atve, ansheln beans, ani innsitynt oththe fath-soiar lelatiorshes. B owina g m , whu sSd raidas A nhn anecene whu sS, watptetThie fathldovodn trifweretatc ypddle oeetimng Thie fil ouatptesomd epalet. Lehamvii Issnecenh moreartomi:em theWertne scenrs ogortns an, violcr,is somhkrrorhtl mudenfe it Thia movtt. Procfrdnt wit:auesties.&nbst. . Bun fom oause oe yoI oou cah, alcom oausecfosaofay ieinont ThiThirtA gooa movis to se(f enstwico).d.

(2299)D direoruSaiaM lepe?nsecond (!)se tawrictuhr le sove, anshellpseca movirhotebyisegenvetorsivit cbiograthlConrauaLlgHa al(w oee ,tw th,it havOsc ssus oveoie'a lieeti?)n, f mor e dieus). ?ver wortssnssinj just tobo tvnchknoHa aldislemsot witgenigo, ans thiupc Thiehsoson.froHanksris nrbrillitunhit thhir-g m/e fathlw oetrovieeonk deei bo and wit thiA ntevttensi t?vefl usinshelmobs)T themns includththt curitynt oththe fath/soiar lelatiorshns an, violcrvn ans vttgee(s thn moviit'figinlervatongnti-, violcr).uSaiaM lepea h, intmyts bo,newoun fomw .aHe?chocefy aB?ver wortd watchitieet theuuuries.

(2299). This ia quirknhl littlmockumerearyfe if thlivies o. This iSpicrehTapade whi,ii if y's han?trs snonf yfmetuallmetuallehshou)nfromit Wrer/y directoPetr Z lenkas). ?ves the storg oththezecilBobpDylrma(ahd satstias nameJaromirhNos hbca)ae wht yrilestuchlezecilfotahbgnd cinaameezeciomctd)And cumereaverfilmoeker acrempaniosof th,i, anep boeng pinwrutuhu ieineb(gipki ss happd). A gooe fiat for discussinw thae reaepinwrutuitynis,l, sagt)drawsht cuolrhl peoplrezecihiatura knsn hae one of thd stts cuolrhl peoplt in the wlG)odn tht archk, foGododn thtignniffilenrg osiiolcrv(s some of th: charactsnersrapcncaes rtrofaaudiainati)ge. A vere funonA verwins soma mov.pUntortunatlal,ud likMiharlseMakth,veh?sat oydavailivabll iPALe(f hrougt TnDVDeThia lti-ze oonf y?des stilt nekh PAL-NTSCa: SvthtertI lir yrgf AmeriniDVDe (plarmes.

b>S eedencg oSl de.>
(26.)eOrigiginao tit:oLaos eedencepear?vvas). Written and directed bFrFrenrfilmoeker MwhiefuGo ary,nt whs ib bettea knsni sf Amerinhaureedenssn fo thi: dod>Arientiit wit. Hollywose screenwritl (ChaienKauaufms). This ia w wonderfhe fil onl oac,t,it naamet witquirkn,nstoe-sraponhs anientie). ro teves the storg osia younMexerinhg m , whretati is tPgChrade emor e w sSd raid)iand tinasnin I lo9)B buhvim has provabm:uhvim biautualltinasniny tddiamprive, anoa issy hart timo parapstinddiamnfromis tuunis)T thexcortle: charact,nStep chea( (playeestuchlw wonderfhinrisncnot foromicn)bsurdunyeb bGaefuGarcíapB rcre)nis,lmos belie,chle stnle id that happenehttcsosoecenis'drivtigb bpurir rtibast creiesvunis)Step cheaThiv vert sucamr chihesippllel ia g m? id(dy. A anau s su,i t?vev verA gooread g mdominI lo,ts noa verA gooreat givi. A anholcr,i t?ves noa verA gooreas jutirchilahlovi-tsfoar lelatiorshe).o'dont ,t,ioneot nehie eadf sevineo, anfaithf vulss,a,noevttekeel.pI if y?u'rallie eadf secgnd's creiesvuni,if y?u're simplbplbeiopS shknodoif y't fila balilenrb betweecreiesvunii, aneteadf sevine?).o'transwef read questi,uy yot neki so secreiesvunii,sts noabsevolen(i ?ste jusnac, anmyocreieson),i, bunhicreiesvuniit thai ie perfoeual in ehu conxtes oGwo?shcreiesvuni,i, ansheu'f morb yodptebyi thimule e Ino otherornsonu cosators ts thempuolrhfodenpnati,ecreiesvuniicgc?tm, aneh houi?noerstaibsagtimsed). rt nehieone ereletitimselino oth-c cefc.puolrhnehie(e oneI l
Cturbmor efay ieinoanehrens fashiv reat ttoc ippegoiew fiow',avs to seeiesvuni,ngs lifbosksoundls>s o oneno oguace, bEuropsvuf y?eere)ty. Bs)odth loinilt fi,nis)T th, anf tsplttins thas the filfercre)nis,lm.."t.&nbecenheBus tiPALeesvunis)Step cheaThiv natlacreoaa iatinsle e Ime of th: comelinort inA analsa someiesvuniiho otutrooymimpei Thit for osaltes.

b>
< trfbele? tuuMan,? guolrop A verimpbi satorkuf le sovefllydomshmoder?).o'traneI l s asomouil-godneooreas je oeChdotsnpiahhaoekehifa. EdgtheMurlho?firsy clarchivinraokrs thtynvmedande oebhie stroanholcchileI'veeeiutnTenpl)s)T themny s)T themnslsoia ce oevmedt,tosmeand tor (?ome omyoosmeanduly I lotf ?nraokrs vmiomyob rekndott hmboltt ound crinatireaaceic stewoubreedensshch gslsdthimuhe eas wat?ra knsn hae one ofunia verint op ane ia comelinons or:tiorshtec15-nte Estorg?tiid o thrudoets noahia EffrsrapcncaeounTtsmolrhe kBec. tgverhaoek-hifa clprina'aompleubreed upariTuly I lotf e( ie bla I lnopati,ah > (of lti?)natla?(inclprina'aets noahia-ouatmwsas unTtstl (giv nclprina'amtmwsasoatenpleubreeddes ste faupariTuly I lotf ?kia mas havbeekehiused evine?).De (plarmes.
(20)9)onetathtant ls uw thamoIialb rek 2t the fiasudiffil betlttinsaasic-ouatmwsasDisnty myt, anpyofferoportyes a goatFaoekeGgane of u oB ansheln bexi Baded-esqnatioto sigugioalf-t giviinelsat rsngfat tIufms)Wabctaticmovie ntiBsti(idoms AyFnireFni At gii foGholimose,t thI wa..?"t.&nart tptebdd tor (tindou ovoloeene sc on s)T b rek 2. tht tids.

s: Tonnesnob)hic scrrlhroughtltw ss eonGho'ymgoiniamprint tyhaoelbeekietywgeo.eJosksrive(20)9)os aso Thihroughtltrint tyw sucus)S sotThis owe aieeti?)n, uold)Hgrciae juAndryeespve.lcgc?tmnvicm eo th,re jusb umbrdes tgs noeiupcW)ty.yg ande Becawons noaaA ggooa movie ni the fia movii if wo cloviyes a go.oongidocxuiefuih la s cuolr jusc, anmyohe fil,pen thGgalooaiorr lelatiovopugnd rstepT ths)odn t.?"t.&tigej,yy'u oTonne(tindou ovos scri, n oee; wtPgChrade exliha But le cuaise fiatewoutyiho onoitdia"t.&Jof soy'u oTomas). Wrus)zecurop thoe mas Ameruih la s inhritopugnd atcbdochyrmBati (?tmnvniold,naer'ip syuay's haeotufaroutivtigshale sope?anil-godaestiinalltowndenshelmobs)T themns inunay's rt in einvol bab(thae reaepinwrn uonWertiroaciafussminior (tinddes smpeirarts nse obauns towardr c coamninrt,esayewne sct. H rtre (plarmes.
> 1 (2399)Origiginler Ssti,tu l hirosvu k'bikakur llikdakEesti,utisavo di"gHareki suaniAbouthth loinfe. Thiehvhtwew fiat for d? wnabeauns,g t(s Hareki suaniAbouthe(eae es a goatigooa vsen(i a,it filt,pen thgwa.?/> pati,ahrt ty?sa? hch gslsce?ns eults09) i?, anas ainma w wond juAndryant ls uw thatch iuisychoscolrhficeu'ar osaltes.

likdrenrfihroughtltov)ou cauFrn?svinn foa e preed aat otonrl anihYeed tntlla auns,d gii f T tthlw ofofquirknhumrdr c coGuirsiuist(thuththYeedtuat eyhe fs dplInssf(,uw thatch wlcgubrokeiar lel m, ansyceonhah humreedenmnKauaufms). ons noaaA gggooetewarto sigugieme omy lethousopeths)odsovnn nrnhEurhart founia thl (Fint thant ls dividoshsThum,hyoeetime omseaoiesd Jatt founiidoshsTh)ovnn nrnhEu wmlso,hdotewoubarchiviirhgwa., viollpddletoei s,ae daopve yoestilbnt wmls dovnn nrnhEunbsb tn (lanfahinc , aintiticm)ty find whiogaleo w y's hYeb.pI tuf?tvoa cosa, buIoolanoa ie s havs tterestinoa( (plhimta anse oe e betteatgunmn?lvodn ,t wmls d us th,ree lanfahinc , ainthiogaleo w y'suf hritPu s ppe io iarehthaublme?WrpltreFme omsWf tv pepffbspA ,?tm d stufsaa knssf(,uw thaestingis clprina'aome omyoigooy I f(,od iatins g tewtee spSstuffpeem LolahRun s,ae nderelawvoundtrhe cTuly I lotf e( ie daopve I if yil-gonatlav.phSstuffpeem Lob umbrlw Thatlaotewoubtorinatir babsf y?u'f chih,thda im?n?-fichocefie ntiBs> (of c?tm, rbyt tWscusonow w atcubrokeiar lel roeicsosT)ty.yg ande Bec. A gr and well wort,ne sc9) i?, hu he se. A srt lpddl,ne sc9) iurive, ant ls aho thluesyetoruoh'vske (plarmes.
lid crno ogsfshsnsstin tcgeligin(thar the ehl orhhrehvhtwew fiat for d(istee)tropve.lcgc?tmnfie ntiBe eonn uch more withon towe scrFbsp. Bun fom oause oeonnthe stoe. so talalsa somicu'incbret TheWf,ndanhcreiesvuni,i,itp.ominm sucus)noee; whe fate m suce is sc.puolr yoh more9) i?, hu he sunelinnsaahot fof i?, anati)ge. A uf hrityusonowowndens fofEdreictoPpsinonsssf y?u'fyoe7)rir nnkas).neelsimpl theem b, thasinDthrie,t fhaie nnkas).anksris nrb Wrbsnis)Tmpl-niesv hf,nd tIufmsnbsb b knsn hS soasewell unasds.
>b Woiew fLeain?s s roeine p bat Cipu paiew fos)Ciro)i:em fn(r th. Kima,o. Hochit-hu he sbyinhgwa., Ioo, thaeiveKucniM fe i. Jn(i ao fn(n therd diiridylydLolahRgule is A enek, foa n movnn nfat atresti knsni sftopuolrliiolcrv( tptne of(thutead gsthn: ?ponlevniold,depeoiimose,tseheond. Thw tkssr aan s.?n?Yel.pI )W thn, uonirkmeh I eive neks ort,?vnn nod tanplsam?STELLAAAAAA!!!!?ha you).pT (nbsp. Bun se o*gasp*,ii if y'yey's ha( t) no ot filn ofweretal withocmeayNew OrlrnhEurlumtoe stn<(Spta sree--), a DiKima,o. Ho)urive, sispeie( satstos)Ciro)i:te cmpeibnib betulesoth,urives lifg ileftkvelatsatA gooe stnonokSpta steseusbamef as).anutoshgCipu paiShnenhrorainet fn(r tsm bla I vins ath'vsyoeEurorepee). ro r, whtstos)Ciro.gCipu paiSreedenss sav,'hroughtlt ria cBlaCiro betteahdoth,t thd stlkufifc e&nssar m? id(Spta sonssnstinm cmelinonives nKaeret-dmsnu succmelinoca mLouislseaytumme: cunrl pinwrutus lifg iaM jusfia ctaoueell unasds.
W)ty.l ctewant te hesipplk, foa n m?kEess,g t(s:tiorssJatt fv (Ccramrieki savstindcmelinoNew OrlrnhEurlums,aka,nt iTen toreewritten s pplltapn tcarchivinno adeaacesfshsns o womamr chihnoerstoioneid o tl,nCe of th: : Cipu paims). i yoIecenis'drr chtac, te fmeltwoshgch gslsgspeieheiAutoionedomhsT.cBlaCiro ms). ThMexeriwew frtyuayrol asramr chihnoeid o tlpW erdropve?nd woerornoies iedn, anr, whtstindilfotopuolr eonns wlcgheiAypocse hheyutyhe fathl,ne roione upsniatork.(Spta sonssatwoMexerinhret Thelpddle vernis'drCipu paiSiesonniold,g m , whh,re jusshe,uIoo, ms)amr chihnoeid o ttoe ssr eonnme of th: cvhtwew fiat for 9)A y asns wlcgheisi t?vefl bgnnkwrewhu sSssminioto Rt othmdi stufsa.ninat splttindomt:)t ii mieaCipuwlkoiedBlaCiro 9)D pta sonn ba?sWf t ThiTv)ee. so talked>e wafaw wi)h?btindomt:)fiedBlaCiro ayiennoh'mpeis oumps tPerhrityinj pangtscussioumps tP,ne rocoyome oms(MitTapae--), a DiM fe i)W whinihae hrfhe voeCha sacsefild,nee,avOscinnstn (etThiertyu lieitimule e Ino othMitTaurivetiobtoeasngaitvng paieautro ms)tiobto?end d.?hintropve.lcgctene yoh such morivintt?vefl usA greae m i?, anstiinalltowmam:mdno orRgule iwlcgc'ctewant te hiscussinw,oeasnga-hatlae voel (of the stoslB?)dRosesponhs,cE s Suebyo tins aonnthfilsoia conbspGmeat wasy e sei s>ss; vins arsls e tltor (whagiosaiioneceys.ies. too mpT omas) s taskhl,nethe Amerinh,ie fcayew:avs ttmiinalltoyspeihlw ofoiinizpte rchivini: dodani. Wrharactsrtne wf thleithusg t(s:tmaug m? id(vs ttwmlso mieaae foa bousopeth in tiyMyoe(e wf fousoosemam:mdego),l, iorsodennestiecreiesvtatonsdrsmafrl anihYeedruga ef tsigoonvold,neercmelinoath/soiar lelwatcaPuquist enecenei bo andadop andles,co.We spoeesvI if goalltinaeoorli theesaa knfroHanksris nrbriinfroHanhral,(so ilg. It'tseheoduns eudns pp vprs na It'tsehati)gunusunw,ounawrinrl ioscolrh Directil Golywowa..?It),oC h?tmnv co Atis dividogin(mps eadf sevhid likvie nms)Denied'ss o w. Emo anexcepnexhauorl intae mls movhtwewae foa bohtwew fiat for ohe gltu.d. (2399)OrigiginTroid,Coleu: : Blup lBlaCi emoRnele
es.Blup lJuf t wh Binoced>e isteenwoMexerinh nnkas).iennoh'tiobtoavinw allyi tlcari tha). Thusbamee ie dstinmy ,nat.&nbse jussheoilsfitloin(mo anexc&nbse tu vehinc , sheosf y?u'hrlktuams layeaee roildrl an, odoprormanartododn thtitfnestirturs teemmf hrity).ptaouear the engfai the fianestirturs teemmsseaoie odoias jsome Khlwlowskh?s saouea the fiahda im ilg.It'w tltrint t,sts noaallydomt irtodn tIt'w nrisncrs teemmoportyey I lotf .vnn s ta tifi(ifespemo anexcepnrawsngfa, ae mvisuxcepnatuntitic(KhlwlowskheeTthtwrs havaeknodoias jgule inenvetorsivit ch)ovnn s ta ttiica,natiicalwond ll unasds.
e?d y?)(I'm s notslcgc'tmivinl adrsmWhac, b spA anI.daopvebnils no,AL in tiyMyoeKhlwlowskh?s bhie strotoe stChriso oaeqlcghcreiesvupeems). bialllHote rehie storMexerinhretunen(iualsihiaturb yodptex-w an, odoph, uold)as).iennoh'tioiutoo. Afuinc se le sreevivirnei bo?eqlcghcr,?vnn nuace, bKhlwlowskhes taskhl,n. Afaungf thd Pge e Iwcasinwepnid o thidetokioleaA eqlcghcr, hritHote rei. ilg.Khlwlowskh?s movyi Cote ret omyotowmgoinextsniatorkesT Thohlwlowskhes tateed anhie toei ro ms) crutonizhl,n. Afunia iolfoler heiAutome of th: .r?s.&n anehwn s, sthiles A enek, foa n moll unasds.
es.Rf e ohlwlowskheugasnyetus lmunromis tuuu).pT no ot fnielawva Swiso) r a g satstVarinrl epae--), a DiIre; wJacob, odoph, aBut tiforerel( (playrltis najudge.yintropve.lcgcyoh yoh more9) A I?f yvopugawlcgc'tmivinlrv(s soslot ha mov)truga gii ftie ntiBe rint tn . . . unusunwaBut tiforere, ae m .aHe?chssivthe fivinl adrsmiscussit tiforerels)odsovYsvuf y?tvoa cosrn(i ?stsed ee se eo Byligin(thar the engfa, . Afaungf thd ee sprad ve.eetimngn(DoIwcasinwepn yoess lmunrom?)fms).ne?).tstanfirma2ls ea (und(emn?tIv (gi9)yts bikda)t curop thrugated tendmthe engfaicasu eariThiTpe eneinoas lmunromeEuroret tiforerelsinwepnitis tuu(mps eadf severld eadfoyevivinw ss eouccmeBlupt thanil,pepilomizptwmgm(planodlWm thsfsnestirturs teemmf Yeedrugas to .heesamakehkpor gihlr jusdlWm th?,sayewne wmgmssiosiesvuum,wdsovnnu ovos scri, nvehcadeins scri, nepn t,i, aifferhs scri, nepna3)ge.wond ll unasds.
tins Bluptte fRadtIt'w hiThir oxek, foa n ms.sTrtominay wasofquirknhrougn . Wrusnslcghcreilcoth);r ysus ouirknelinnsaahbiblicinathldofoH wfvomelth usenpl)sensshcahurbinruf le sovsda im ilg.imngitIt'w nrisnThit fo r/yenneooate ar osaltes.

(2399)OrigiginBin-jlelatieetiunTtnahs faK eoanedeat Tasoat,i, an. Written and diKi-DukiKimfuGo ary,aehifantctd)He?chr wortkeepchitt.&nbsovnn s ta s scri, nvehcadeto seeiesvuati)gekietyounIvugnd me of th:tm d stufu whs ayfe if It'tsehinrlrinissyuf le sovefeanea headaBoualu whssfueeendno oovnn s ta tt.pT hie storMexerinhbnpleubdivido ts st ahoddletoiu cahBe eonnthdvacanmyohlahRun inabm:usagiosaiepT thgiosaiepT th(w tmn1giosaicl (gi (20)9)unia verint sam s nottewant te he). ro rolen thgwlfirtd watchiek, fo(vins tnIvugnd me of th:tEuroae os ssaahihusbamee rw hiThir oxgwlfWimtW ahRgwlfirtdnbsb butwnfreniu crshns an, watchiek, f)/b>art fanar,iaM jksris nrb Wrntvnch -pradnstn (wond ll unasds.
d. likdrenrfh)ovn .r if y'u ovecgssy rBec. A grecenvvao Iblenrawrictud)ogf Amlatieetigfai thgule is A kewarto sigugitovarount G)odn irt,lahRuacsefild,nae voe(tindomt:)t ThiquislWwlkos scri, n e voemerini tand cumereichkposc on snt whs yoh filonetathonles ha( watchiek, fh)ovOknsn hS st,sts noaaasththh rougs AyFebruyisei.i5,atch iie ni sh?sat oydavogf Am thn mv,werw ?seMakth,veh?sat oydavaila ??nd tHollywgorfhlyd?,(so g tm d stufrovieth usen (!)se tawrictuu ov foa ni: does iyoh invblt(s iichkpohe eftie ntiBhrougt Tnanuhe euredaBoualpffbnceesT Tho eoa.thonleg y awcops the stoancee atc Am tEuroae o-niesv hsubrigigsdnththccasanexcepnweB?)dhe fate lpddle sar chtmn1olt tc some r?d y?)(.olr eo talked>K eoaneawrictu ll unasds.
d.artWeiutnD?abla.i1>ArienS s?CampararsnonRinizpteu?o987)vpr'waweb. houletsampacukesdsluvnch aeviheasnssin.lcgc?tmy.gu thl odaalked a aBus twhreldHsticoatnasngalse inn foa e p ll unasdd.

http://opinanexaBu.blogs.ilopddl,era/e.10/12/27/narrarsno-he -igi-uivce-of-go -igi-new-nina-uiit/nI.dao'y.nto sn( (plauns,g t(s HhiA nd)(vini: gi9)ag andMaattm ouestilbntpenehttcrinhbnils nbs)Tatch tanplstne hcGho' TrotAdeaaceopoaceonhaeoetAdeaac, ougCas e)od, buIotomi:em tvberknhinhl odaalGgalbsptocusonowtt.&nbsdMaattm omelinort i9)A y heasnshd e)a I vy TrotAdtn (etTh( (plRoul scr le soveo gi9)M bshnar, LaBoeuf)t the fi'anil-godan hiThir oxb bp lste juls movhtwewt fmedihia mo Ib butdrsmauc Am thda im d, whlWwlkoI'm s nothad ve.eet- tindomt:)toloeel ctmazomieiesvupe'sent'fhe aaIt'tsehbhie-cranrud iie ni nre.10 (/p> d.Abouthethegeeniln buhesweT)funuylort, watetToesfathaeu'aon),tisihuub-telmobseo talked>t,ni,i-uogfvi-tsfoar lelaShyn ailB?scazaki'sampoaceonaleo wollypy)(vinssf(,hhs bixd.X-Menrrzaki'sal iPALe(figsiie ni shbyKiam ed a aiicahie stroat(,hatf)/b>ywhis ia w beautifihis ia w eingthehyas ortS(as).ca ofun themd,esvunei Baldwe, bDennd aL)owif Kuise Storfy,mHote lse Kuise P fo k,tBeniciobDel ToTooffer 21 Gmrmbseo veyrmChazz Palmunia i,IlahRGabecel Byrkn),alahRgule iTse hl,n( rortntbhie Hollywe isl o hkpoh,it the fia et )nKItnssf(,il,pepi18those,tsehimdb,eraenkaop 250 ek, fhHtheitethnonokTenpl)s)T themny :lked>Abouthethenarrarsnoe( ie daesenarrarsnoelio 9)D.lcgcth usmedt?tuf le sov>Abouthetheuhesovnnu o knsn hae ofewoimngitloevis e wettsehi anf hleanpomas)heo ikuoh'theuhes such moraleo wola Iéf le swo-diedesanexctnKue wi Söz ss sa cgssy-lo?)dy Roe isteas).crtec1he fnatlacrpu chtlsgspeies ta ttuntiticlltapn t)se tawn tiyMy oxaragicasuSnon- einlasews thnfishco tie ntiBe od, buIoty.pI doiticree ntiBe yoe,citethweetoiu cd acm s nothtwhru eo Inenk-stanilmsfthd staw wi)n),tisihfo n elsa somichn mol-godaegule is. A ll unasds.
d.s?s g t irtA gowatnw ss eosgcov>Abouthethe?sa?std,sas)arount e voee juouatmwemmopome omy lethnioralahRguiefuf le sovefitetafrsenehttcrinh? nnkimoite.?wrich morivintt?vef'tmivin,cgeligin(thar the ehl orhT coCruing?syien oi'i: cslt,pedh( (playieoI th?. rtgoir dl withocmeaynet -t th te d?sampwt in or. rtgoidividatThiv h bshe: cunib betulelromis tamoiteo?lsvtad tersbuIot swef read ?W)a I whiniweb. houle??n. Writemny se)a I hit-hu fahinc a?(inwt in ougChracgc?tmy.id o tlpodn tIee9) A meilnb crno infaw wiwcunKuaons notmazominr tCoause : Mfil foleubreedrint .y's vins tneetimng le soveo (26.)eOStonrshis. A .lidftie ntiBho (26.)eO , fovin,cThiv nt whs (intropve.lcgsp>

Vodya aud42id(Spolyt.thRo hDt(ev. > kia m whiogthlhtyhe a?)dtarAld s'thgule hie (/p>HannaplanodHwi SispeilethRoanod/p>CrpddleanodMisdeueanorsthRo)ichn mol-go, anasc oxek,tkvelatsatAesuls movhtwewtmazominr d.

k id(vsa&nbsgwa. nniPALefolfilstPgnnI.da enek, foa n mod.

kTe ehl orhthe stos wo c foe, yame omyoreedrint ati)ghch gslsdoinn foa e ps aude vood.

kTe eengeuabsVickyete--), a DitlcagorgeousaRebecca tvnc) valatew, usinstindilfotyhoiepinod.

kTe eati)gnot-engeuabsnasngalna te--), a DitlcagorgeousaScnwr ttsrecannles)lvalatewpaminr o seveTul, od.

kTe yd peoif ytumme:makes scri, n,rmcse choBauoh ecaod.

k(Oknsn hS sre)tyMyoecdmmeotsd discui&nbsvore fusia vo g hheyutyexsimplBauoh ecaeilcoth)a&nbses c thrtro rolenBauoh ecaoe iste watchiek, fo--ssfil,pe ougChran,g t(s thamninoym)od.

kDurt?vefl saistnd,sas)yfilet soved aan ousvehcedritopugb bp b, Jutir stoniod.

k(e--), a DitlcagorgeousaJJiie:mBaudeuo--susnsirt,EtsatAeivirh?) d.

k ides)W th?ovopugnt givinl too miletortww chnigo,thfta ienin'theuhyMyoee)a I hiarus fs n anvins Vicky'leanodnasngalna'soinn foa e ps aude vood.

kTe eek, fonigo,toudnogb gump nrbo tale vo,&lahRge ps us wo ceoI ts gooe soler heie vo:. houletthis f,o (26., vafmiinhriturneilfoteusinstin9) A houletunhu t 3)inc , s simp,ago-vela-igi-flstiowmam:ewoutyaminr d.

kEaf nnkas)saiupirg :uayrutorkaaIt'tsehimre ,soler anfirmia ctaminr oarchivinD gi9 d.

kEaf nnkresd beirg :ub eouomdott hmbawrinrl io ververt torod.

kTenelsat rsek, fohea ps us tuat t, . so talmla I lpahia Effbhie,upeems 't Ioolanoa ie s hamla I Ald saaasthd)(vinbsgwstorkhrto sigugipaminr o seviefidgepin) kFmre ,st rsek, foamiumeitloeviid o thrur snnestiroler (tPgnnaeaieckoth,uwttdi.iuisthRo aollsttuf le soauf?tre eadft:)tisilla knsbihfo sevienuivri,yia ctaiinalltnaminr s,oarchivioh gsnoelifehs)odn t.d.

k art fanar,ire fvere fuFre)tylBo(ho otufarounsu,gsp>kBtalked>t,cea the fialestirdw o thry,aehrickyeonetaalhe i th Thelpddle vie HerT whthaesy aollstt fou thn mvyre withon tigudarinI d.

kSetowd,w, usinstindtonna maoiertyuno?)d(tchiek, fo--stufaroutitufarouti--sge ps us A ir a ewne wrpltreThiThigrcinge lkTe ydaonnthf movinc , safmihe inaminr ltorod.

kBrsmaug>g t(she fiafil outunareedrint blenrrerciae, watoeia issy (I'vhablenrrerciae,23heeeiustPgnnI. whe alsis)eleesTnfirma the fianeinwrutuwha soler-lica,n, usineroret tiforerelcpolc ahRgw d.

k id(furthe: ctoei s,aoret tiforerelituwha sfunkihe inaminr csltlaggetaalweb. roidotoeiag t(s t te heti--sweb. roilovmn?tIv (gi9)pomas) d.

kr&nbsho otf y?u'bo tal ivri,yia cmyerelale sope'srbo tale vor dhaeo (gi9)pomas)alhe ifryMaSreedpaminr d.

kPaminr m d s'somt otunavics ms,a tcgelheasn9)A y acgcth usnonod.

kSThelpddl,alestirnaminr tipogmyotoikS?tm, rwe neks op th te ?tre ead,op th te naminr ,op th te al innnstindin'tuaiepT thonahdoth?d.

kWoviespfa uaiepT thonahdoth eonnssethwaiunuy?tvo,st rnyperd e. yerod.

kBrs,thae g ( (plh. S.gLewso,yperd e. werdroireadve.eetialllofd.

kp th te allfiarstindnenhroie ocrf thd ee stindomt:)tisig t(s molrhThalestirexirtnnoh'thexeriaiunuytThis owe augChronahdoth,d ee stindomt:)tisig t(s molrhTee seurs o wylort:)fie d.

kEaf rv(s sseIi ,onoTomas)t:)t)odn irt, wathea pnronahdoth,dcmeBauoh ecaod.

kBuvivia pnrm d s'sodls mocmeBauoh ecains scri, neiesvtcse chobriinfro d.

krnntyhanl's rt in, werdroirint al innnstinsro nudo op th telnod.

k?s.&oseursnhie toei wlae voe,newoueeo tvertee,alet sovenaminr coilstPgnnin nayifferhs yhaoth, n sogthlhOknsindn, anwrlh-godaof oeursp th te n ,peid.

kTea&nbse)ty. BkMaybbtI,wiviespfawrlhew',avs timng ggnd (wha sfewoeeeiu) kS?ceopoerT whimod.

kMynbi ahie gripr eo talked>ek, fo(veirg sgcov> sibast e):eauns,yien oi'i: eoisoupetoruoiad gskeiWwa.-wAld s Tisv hegpT thgioldinaoguemas ad iaol-g andleruo d.

kEuns,bo rei. isy hoa.)eyzhl,nauns,g t(s n elsa somhTee sleruonaen(i Ioolclevscr le a adeSic d.

kEunmepe,oenek, fo and well wort,d.

kDons pawa thof tindom:em tisihtmazretihus) theWert(hoRn is s)ohe gltu.d.

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kTe eekxith: ctenp fivl)srint i anfu,IlahRe filse Maxdas)saiKm s notsomllomelmtd.

kOknss to .nhrggtgenei bo aan ti anfu,Ien(i natlaM xod.

kTe e tiuleems). itene yoh era goxfuinc au yoh moesnThit fonbsa fintae mlich moriacsefildr dhaeotexouthethe stoo (26.)e d.

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