Recommended Movies

(Updated March 19th, 2011)

My top movie night picks (alphabetically, not in order of preference). Remember, these are just suggestions: preview these movies first to see if they'll work for you. Also, after you find movies you like, check out other movies from the same director or screenwriter (I'll sometimes list the screenwriter, but I will always list the director, along with the year the movie was made). Finding a good director or writer is a fairly decent way of finding consistently excellent movies: it's a better indicator than by paying attention to stars or whatever. A great resource for this sort of information is (the Internet Movie Database). It's been a lifesaver for me many a time. Also, give a try. It's a good source for getting a general feeling of whether people feel that a particular movie is worth watching or not.  Another resource that might be helpful is It's got some very interesting reviews and some helps about thinking through the "spiritual connections" that can be made in these films. But consult the reviews (at either site) after you watch the movie for the first time, since online reviews often contain spoilers (plot summaries, etc.). I've tried to avoid spoilers in my capsule reviews below). Enjoy the movies listed here.

13 Conversations About One Thing. (2001) Director Jill Sprecher co-wrote the screenplay with her sister Karen. It's a tale of how five people's lives intersect and influence each other. It's got a great ensemble cast including Alan Arkin, John Turturro and Amy Irving. One of the better movie night movies we've done because, if you have five stories running at once, if you can't find something to discuss in one, you've got plenty of others to choose from. Themes include guilt and personal responsibility, commitment (versus having an affair just to shake up the routine), which outlook on life is more wise: optimism or cynicism.

21 Grams. (2003) A very interesting movie, but also emotionally devastating. Director Alejandro González Inárritu really makes you pay attention by dischronologizing the story. A scene that would conventionally appear at the end of the movie is cut into the beginning, and vica-versa. The film becomes like a puzzle that you have to put together. But it also serves to soften the blow of the tragedy that takes place, because you already sort of know it's coming. The title refers to a doctor who weighed dying people and said that the average human body loses 21 grams at death (ergo, the human soul weighs 21 grams). The film explores: "What does a life, a soul truly weigh?" by looking at the impact of a tragic accident on a mathematician, a wife and mother, and a born-again ex-con. The leads (Sean Penn, Naomi Watts, and Benicio Del Toro) are all magnificent. It is a superbly done movie (I?m trying to get ahold of Amores Perros, Inárritu's earlier movie which I've heard is also brilliant). Do be warned: there is some nudity and sex (more than I felt comfortable with), but interestingly, very little on-screen violence. But you will find plenty in this movie to talk about. There is a church full of scary evangelical Christians led by a very intense pastor (who, I would argue, doesn't have a clue what grace really is, though he says the right words). You can also talk about the impact of death, the meaning of life, how people deal with pain and guilt (by escaping through drugs or sex, by trying to somehow pay it back, etc.). Be forewarned: this movie is very emotionally intense, though different people react differently to it. Some found it hard to discuss afterwards, and one girl left in tears before the discussion began. Others had an easier time of it. It is by far the most difficult (but potentially very rewarding) film I've shown.

25th Hour. (2002). Spike Lee does a great job telling a very personal story in the shadow of post-9/11 New York. Edward Norton plays Montgomery Brogan, a drug-dealer who's been convicted and looking at seven years in prison. The film follows his final 24 hours before he is due to report to prison. The film is wonderfully written (though if you're offended by strong language, you might want to pass on this one), including two extended soliloquies that demonstrate how good script-writing can be. The film raises issues such as: our choices can have heavy consequences, how people deal with good and evil (two of Montgomery's closest friends are like inverted images of each other, one consumed by guilt, the other aggressive and self-righteous). My students really liked this one, and we spent a looooong time discussing issues raised by the film.

About Schmidt. (2002). Written and directed by Alexander Payne. Jack Nicholson gives a tour-de-force performance that?s comic and serious by turns in this character study of a retired insurance man on the road to discover who he is and why he's alive. The thing that makes this film so discussion-worthy is that the story methodically strips Schmidt of every aspect of life that we usually use to define ourselves, to tell ourselves who we are (job, wife, children, etc.). So what's left? Who are we without all these things? That can be an interesting discussion.

Adam's Apples. (2005). Original title: Adams Abler. Directed and written by Anders Thomas Jensen. This Danish film didn't get much of release, but it is well worth seeing. The film lives somewhere between the realms of black comedy and existential drama. It tells the story of a Neo-Nazi skinhead named Adam, who is paroled into the care of a small church community led by a pastor, Ivan. The characters that make up the community are as engaging as they are dysfunctional. The themes to look out for are the nature of faith versus reason and facts. The film takes an existentialist approach (very similar to that of Danish philosopher/theologian Soren Kierkegaard) that the nature of faith is to be opposed to reason. I cannot say much more than that without giving away too much. I immensely enjoyed the film. Do be aware, however, that the film contains some swearing and a couple of scenes of fairly intense violence, so it is not for children.

Adaptation. (2002). Directed by Spike Jonze. Truly one of the strangest movies I?ve seen in a long time. Nicholas Cage plays a real-life Hollywood screenwriter (Charlie Kaufman of Being John Malkovitch fame) and his (fictional) twin brother, struggling against writer's block to adapt a book about orchids to the screen. A very postmodern movie in that there is a screenwriters' conference in the middle of the movie where we learn what makes a truly good story, and then the movie ironically employs those very techniques towards the end of the film (which puts the viewer in a place where he is also vicariously the screenwriter). But even through the irony and self-reference, the movie has a heart: about the struggle of the writer to break free from himself and his own obsessive concern with what others think of him. The answer (given by the twin) is that one chooses to love, and no one can take that away from you. Your life is defined by your love, your passion, not by what that object of affection thinks of you. A great place to start a discussion. Is that true? (Well, from a Christian perspective, yes and no).

Almost Famous. (2000). Written and directed by Cameron Crowe (he also directed Vanilla Sky and Jerry Maguire). Another one of those road/coming of age movies. Charming in its own way. A tale of a young writer trying to write a story for the Rolling Stone. Issues to discuss include the corruption of fame, hero worship and the reality of rock-n-roll heroes, and where your true home is.

Amelie. (2001). An odd gem of a movie. Directed and co-written by Jean-Pierre Jeunet. Also known as Le Fabuleau Destin d?Amélie Poulain. Starring the almost-too-cute Audrey Tautou. It's sort of a love story, and a journey of self-discovery (for Amelie, for her father, for a garden gnome lawn decoration). What I love about this movie is the playful way it finds beauty in the small details of life. We talked a bit about waking up to the world around you (instead of just letting it lie there, inert). That sensibility is, I believe, very Christian (even though Amelie is hardly a Christian movie). We also talked about what love means, how Amelie thinks that she will be saved by love (it is her destiny). A strange film, and we had a strange discussion, but well worth seeing.

American Beauty. (1999). It does have some sex and drug content, but among the right audience, it could raise some great discussion about the nature of truth, beauty, the good (you know, the big ones). Sam Mendes' first (first!) major motion picture, for which he won best picture at the Oscars. A really fine ensemble performance led by Kevin Spacey. When we did this one, we looked at issues of duplicity and integrity. Nearly all of the major characters live some sort of double life, and I asked which they character they liked best. The students liked none of them, really (which surprised me). So we explored whether that's how we'd like to live our lives, and where does real integrity come from.

American Splendor. (2003). This is another odd little gem of a movie, very hard to categorize. Shari Springer Berman and Robert Pulcini (both documentarians) directed this biopic about Harvey Pekar, a file clerk at a hospital in Cleveland (they co-wrote the script too, with help from Pekar and his wife, Joyce Brabner). Paul Giamatti (one of the busiest character actors in Hollywood) does a splendid job of inhabiting the role of Harvey Pekar. Harvey deals with life and alleviates the boredom by writing stories for a comic book about his life (called American Splendor) that he got his cartoonist friend, R. Crumb, to illustrate. What I liked most about this film were the characters: they were so real (because they are real in this postmodern movie, the real people show up in the film from time to time). Pekar and his friends are, for all appearances, real losers that nobody we would notice. And yet out of this nobody comes these darkly funny, absurd, and wonderfully vivid ruminations about ordinary life. It made me hesitate when folks that looked like losers pass me by on the street. I wonder what their inner life is like. In other words, this movie lends dignity and grace (without sentimentality) to a whole category of people that we tend to dismiss. And that, my friends, is something Jesus was in the business of doing, too. For Jesus, there were no little, unimportant people. In that sense, this story shines with grace and redemption (without having an explicitly Christian message). It's just a very human movie; disarmingly so. Plus, I loved the films jazz soundtrack. I can't get enough of Miles in the movies.

An Education. (2009). Nick Hornsby (High Fidelity) adapted and directed this autobiographical account of the corruption of a young girl by Lynn Barber. Carrey Mulligan does a beautiful job portraying Jenny, a 17-year-old who has her whole future ahead of her, and thinks that it looks tedious. She wants more, and con-man David (played with just the right amound of vulnerability by Peter Sarsgaard). We found that this movie gave us all sorts of opportunities to talk about some pretty deep issues.  At one point in the movie, Jenny bursts out to her school's headmistress about how boring and pointless it all is, begging the school headmistress to give her some clue as to why she should go through the motions like a good girl.  The headmistress cannot, showing that the adults don't have a clue as to what it's all about either.  We ended up talking long into the night about whether life has meaning, and whether we can know its meaning, and if we can, what we should do about it.  This is a film worth watching just to get to some of those issues.  Other things you can talk about: integrity and being real (having a con man and a corrupted girl with a double life, the film lends itself to such a theme), the purpose of fun, ethics, etc.  There is no nudity or violence, but because of language and sexual themes, it's not for kids.

La Antena. (2006). Written and directed by Esteban Sapir. This film from Argentina is a little gem, and most unusual for this time: a modern silent movie. The story has to do with a city where a greedy captain of industry has stolen all of the voices, and he wants to steal even more. I cannot say more without spoiling too much of the movie. Suffice it to say the plot follows the exploits of a brave man and woman and their child as they strive to give the city back its voice. Because it was made in 2006, Sapir does all sorts of imaginative things with the titles. Nonetheless, watching a silent film is a completely different experience, because you get all the information from seeing, and you have to concentrate more. But it's worth it. There's definitely a political message here: characters chained to swastikas by the greedy capitalist villain, the heros dressed like Soviet pilots. Nevertheless, what we the most time talking about was the importance of having a voice, and how central it is to being human. We also talked about the film's assumption: that humans deserve voices, that they deserve to be heard. The question we pondered was why this is so. What is it about human beings that make them worthy of having voices? What is it about humans that voice-lessness is so intolerable? You cannot answer such questions from an atheist/communist perspective. You can from a Christian perspective. It's an interesting movie, and it led to interesting discussions afterward. Highly recommended. There is some brief nudity, so be advised.

The Apostle. (1997). Robert Duvall wrote, directed, produced and starred (AND put up five million dollars of his own money). Duvall's character study of a Southern Holiness preacher (Sonny Dewey) is a tour de force. He also wrote a very strong script that treats believers with dignity, while still showing their weaknesses. A good film for discussing what makes a good person, or a bad person, and what does grace mean. The scene where Billy Bob Thornton comes riding in on a bulldozer to knock down Sonny's church is worth the whole film.

Babette's Feast. (1987). The original title, in Danish, is Babettes gaestebud. Written and directed by Gabriel Axel, adapted from a novel by Isak Dinesen. This is perhaps one of the best suited movies for a movie night. The story involves two spinster sisters who have devoted their life to God, carrying on the work of a very severe Christian religious sect started by their father. A refugee from the French Revolution comes to their door asking for refuge, and she becomes their cook. It's not giving anything away to say that the climax of the movie involves (can you guess?) a feast prepared by Babette for the members of this dour religious community. But the exquisite food of that banquet acts in a spiritual way. It is meant to represent God's grace. There are so many parallels with the Christian gospel that it is truly hard to miss (for example, there are 12 guests at the feast that Babette has prepared). Watching this film might take some patience for American audiences, though patience pays off. It is a beautiful story that needs time to unfold properly. One final note: there is nothing offensive in this story, but if you have any animal loving children, they might want to skip portions of the banquet preparation (there was no "No animals were harmed in the making of this film" disclaimer at the end).

Big Fish. (2003). Directed by Tim Burton, who normally does very dark films such as Edward Scissorhands and the second Batman film. This film stays true to his fascination with grotesque visual images, but in a much lighter, more colorful, almost comforting way. It tells the story of a Will Bloom, a young man who only knew his father, Edward Bloom, through the tall tales he grew up with. His father is dying now, and Will wants to know the "truth" behind the tales. Ewan McGregor does a fine job portraying the young Edward Bloom, and Albert Finney is at his irrepressible best as the bombastic, magnetic older Edward Bloom (you can understand how this actor made his name as the lead in Tom Jones). It's a movie about finding meaning in the stories we tell, pass on, and live out. At the core, the movie tells us that myth is the stuff of life, what makes life livable (and Will Bloom admits as much at the end of the film). I found it very fun to watch (even the kids enjoyed it), and very touching. The only beef I have with the film is that for a man dying of cancer, Albert Finney looks way too well fed (my own Dad died of cancer, and he too was a larger-than-life type of character, so the film hit awfully close to home for me). Themes for discussion: What makes myths work? What makes us want to live? What makes life worth the living? And most importantly, what if a "myth" that held all your heart?s desires were literally true? (I've heard many Czechs say that the gospel simply sounds "too good to be true").

Bringing Out the Dead. (1999). Directed by one of America's best living directors, Martin Scorsese. Written by one of Hollywood's better screenwriters, Paul Schrader, who has worked with Scorsese on some of his best films including Taxi Driver and Raging Bull. Starring Nicholas Cage. A very energetic mix of black comedy and existential drama. Cage plays a restless paramedic who is having a hard time coping with the ever-present reality of death (he hasn't saved anyone's life in a long time). And it has a GREAT soundtrack (Van Morrison figures prominently in it). The film has a feel very like Scorsese's earlier work, Taxi Driver (in both films, driving around the streets of NYC are a symbol for a deeper rootlessness in the main character). A good film for discussing death, the search for salvation, and how the movie answers that quest (finding the right woman is the way to get saved). Well written and filmed. It does have some nasty language, violence and drug abuse scenes, so not for the kids.

Butterfly Effect. (2004). Co-written and co-directed by Eric Bress and J. Mackye Gruber. I can't say too much without spoiling the movie, but I'll tell you that teen-comedy heart-throb Ashton Kutcher (who actually does a credible job acting) plays a young man plagued by black-outs that happen at traumatic points in his childhood. I can't say much more than that, except that the movie has to do with how changing the past has unintended consequences in the future (like a butterfly flapping on one side of the world causing a hurricane on the other, as the title suggests). We're going to watch this one tonight (May 19th, 2005) for a movie night, and it should raise some good questions over the nature of evil (some of the traumatic events are just pure evil), the nature of destiny (if x happens in the past, must y happen in the future) versus God's control over history (even the details, like butterfly flaps), and the gravity of choices we make. Sorry. Can't say anything more. Except to warn you that there is some pretty vile swearing, and some sexual content (not too bad in that regard; the language is worse), so view at your own risk. Oh, and on the DVD there's a director's cut with a different, darker (and Ih, and on tn-hrthroquetov look)the seeing.

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Dogtk doed aZ Boysion. (2001). Directed bt Spares altatti (one of tske cioar AndefeaCultrmed in thn movore, and co-written es altatry aarailingecyk,oof thy wsaver fSke cioar ic, aziscener tothroqust>TDogtk doee bhagnet , so tay attentine of tske cioar beiat mytd in tU.Sit). The beth documeny in onnt/popuusutar-culthus thlm I've evveetnsp; Th a movie abok, thi worne of tske cr/i> (todaonnyny lariencsk8r)usutar-culthrunsked a bl amase, but'e as ross dying Nonethelage. A ve a goodagnosiinks of (wanr Culture is ab titic mix in a sparation (tay itnclr ne of tske cioar Andees towarske anging the pEffthe ve he ised mour religi),erebe mill,ous commun,ery tetheoennyc accidore, andmmerlenco. Pluof tsT soundtraof rkids.

D (Sonn, doion.
(2001Ricly haKerfully wrotn and directe, whaty to by one of the strangest movile thatm I've evdy doel for a movie niion whaty to nd wt. a suitup fien yeah, andimplhow uway e) aftaThe studoce miscei consid).sTs the sto decembern thel vebhe rigl, bura douds a young mns from af infltandmianvid (playow uee pythe pEffention Jt taGyxcelhaionaan and A strange figife inat decomiy fusas kead nam"Frank."sp; Thar Afirss keif y welacsive in thhe fihy ir trying ge figi about whig on the l hre ju y hapesurd, aas to an thaif y were ju yserve ou watch the movmficipeoplmetimeKerfulfat ct tralkedhe movi" thd hs' c causiig on t, "ee some is that at can re lead rd mary differe alwase, bhiton givet enou a csn() fised moet enou a cs)out tolpkes yoo put toget is a faircohifferehe st- onliut if you watrep trallrity aey attevensely enoity. Butad it sho Can'cactuse yat aiol (because The filectually dory rewiat yohe woot wiis sois fascineetg, ast suggeve hdeaions aboto Goof dest,eak frw sthere e; d (you knoliroqust>ecomes liomoca. Monrend of s The themsurlacsity duriD (Sip' wak qnfltae cuwants hie is iogmunier (aan uesurDr. L brillsp;utng mom mh is to on thiclosem, and mosympabhagnetin charac up in tan movieTh the rekeyt , so tnt monces in e covatiod hi. WhD (Sipem, aDapir.utng mto discuon t, exisceend GdhooD (Sipehe sahy hehe ppendat trying ge figii yet ol (because there Canet enoueordeluencie otiItyieTh nugh he s, "Iere juts donht want dmovr, ae."sDapir.utng ms ksitimntd ofats belis hevto Gom, aD (Sipeal res kps"Notand if smalmovr, ae."sTh tow centrhe questipt that the movie answluof tiod hin t:lm. wonces nd f, smalmovr, ae?5). is ?ss. And trhe questif hiiliet enouty and ilyerestiet enoupt to r meaehil m-ot w-at y-mbehine tyis movis liomisnsp; Th a moviIt's an a credynnt/popuufficuhe fire jub. Because n hisparachangion aay edos dre has althat nnks of (wanr Cult:bl ae HolinlcA, andts beliipt that the movne fiighon gives a fairry stroaf informatile that an ues to is nlmovr, In other worde, for auwantws listnl imstneor violencprofammun,es, e,aat it njuin ihe cbarry stroaf informating osto ener lectually docactue, fusi(y (evo hast thilnac beetely differeat bt wter). a couple ly recommagestionch I've heartand said that tat atrronilof rele ood's bettre thanes a director's iol (becauithanes a director's ioKerfultrnities etove siay tove any answe(g, andhat makes beingt tof blan, andiwrote,procsatching thesy dehe themgs that make the movsd to interestiis tohanble wi. Se secnce,lso, after rtheftarso vythiond yte sti I canat mahe leal fodetailutone of ted movie, nuld gs to(Sipd, doicofinn aeenplst theue onligf famy (whiiioloadalldo wiay mohe informatis" thaopuifieells the st onlity. Bts dond, ut thuttelne, you'setween the movmficipeoplmetimes. luense yoo up to thebsiwrotse ie wils definitere coter rtto inme patentine of tng momeMaybt we the moia difficuhe movif y wedoion, buters had an a cred the discussi causiut this moids.

TDa doubLs line VCamechniead. (1005). Originselyal ti aLaTDa doubVihesy VCamechniead.DekalopverRedity  

W le th:i>
includime sexual SEffent),t's how decemndny) tnch ot's he l , itolginctso's h, your passsyou can o us Ef eacnuage is wian edeausiig n t tdexchncn. This is truawas sispievoion ), teHolraumatarrids.

DrunkeJohn sis.le.
78001). . Neare. Ji thehuman moand directed Woo-PausiYusn (bs whs woule cr/go ntias d, so theonigof reobiogryhat fTppeateyo'soKd Wil stiver

Ea out Edenead. 52005Elia Kaz. Cs as sisutifl, adcinatiut ng JoSt,aul (kood'c b JatheeDrstion givn this strestble performanme of ht pbronicalsholbecacterdio wit Thpb porta all Ca aTrask,oof the sl-upnsatiut upre nighgnobodtunzsn ed AaTrasknloy alwack-ohcnuaed of hin brot ArctsoCa aIt dow) that heetelhast, muve ots in hhs fat's I liit.&nbsHe He aliinkn obsulldo wir, wheid , od aornities undtrack doto the Thie ablars of hvn Danuitedteither.&nbsAddife in a havntargsible betweCniacArctom, anrct' wainariencAbraing, and ' hagw.get all telontimsing oshowo un-keg.eDrstipultailutoet all the pants tholrCalon hof vulnetifuur passlwr,omnterean,ehurdore, any dnalng humes.&nbsr. But d hon t,stcoming e, the fii" thd hlectualem worthy a discussion. I can'iv the deta e therl, bue s asigse scod hi. ctuse ym, rea it couto talk abow) thes grace mless, whe,ausignolrity aly gom, rea ce ml. Kaz. Cs m, aDe. Cs ts strestbge film, aa to bthte makiitouevomurrsed.

ENRON: S arto juGuyeets e, tRo fros. (2005d. Written and directed oy A Gibneyore, and co-written es cr/E talgood aBeme ty McCle meaHolrly does ompve aie thay haupp cldualem wo $80 be millig toonkcorrBunkedhatracone betkanot. y ans:ed. it wlo actualem wo nohageve 30 be mill it.  Thth documeny ie abok, thi sugg'v, glewainariiginscod real inever histong e, tU.Sitisois fascineetve ou wanot.&nbsIs at can ng a little he-sorhooked ameti:sr.shre, anyregu relatere aof taopithy et are emes.  fised mues.&nbs). The fihy bt weoo put toget:ed. tohansilt with l drunzormating ossuice side t cENRON aeecncr (aat re jutsee Canle put in thecemes.&nbsr. Be, whatdehat thhe fiis fascineetme for it wh know we exploren the questiosscn drspect of evbbodtunnving an erentimvdy doal inevb>50smy (whisthroqusoany ansren the quest:anrtake soml peopll simpn t tof evme thanesal out Pluocto stiawho norbad perandmmow wf evr (givus the rigcir dodersctimes.&nbsGu guder what any ansrisnot.&nbsIs i his clneetmeotnguage, bution give, the fiato detterentiappngelwmatis" npll simp"It it's ade tisficune of tho arpoentrahe grhe le."ot. y brot ch surproee from the f: ENRONere'smrprowe hasnSEfl merillitothroquie abobbohe grnce, bualngbrd , otoAgariencm, aa w clneenstress bed aon thf trnrd tt poh paintnl imues.&nbs). Tto clucussioAd anyoal inevr Bloct wouDo Jeff Ski tellues.&nbsNoqust tha.shre, anyregu relatelm didn's coie, uage, bed any ut pstentea it coub theh the rto juguyoal inevr Bl."ot.&nbsWt well wors, watchsed.

EraciginSunry shong e, tSp rootl Malgros. (4001). Anothas tru A stranng oeausiee frof Hollywoododde besc screenwri,ir (ChmoaKauKaufm(s, thou. Tto co-wrote thhistong with tld directMiwat G ndstoan aan-PierBism tr:uch"he Frenal SEffent"?001).yt aiot. Thwholby one r rt astblt/popuu a movie nii a mo:buters h33The studenle showme). peopey wer lettiof evi. ctu(floectootsdh hsi thics, eime). And most(plays (fde tge discussioy (whieaitps one of tedre to interestiie thatm I'rs ncn. This r (ChmoaKauKaufilmht maol inevr meatecack comage, butihas by fn tn-v, magniortanre that yo unusuNoen Ephrcto(y. WhH, ca Me pSntea, Sly dnssness S bt tifus, ei flus off.' hlectual's a movie abour lovmemistoan a'orr (gilinlcIlts ?onrs thiutto stito givy too mung away to say that tprsmrprons inclr nfa, csdulthue erele ne mutifmemistorice nad ed lf relatworsvies frer rt algoon whauwhiiio eaup ee from tporilacterTn the movlm hasnd wonderfulge jc poegood realovmimic makial iwnplmemistoriperf ofheesarmingioe Blocs cherTn tve thing tge discullds werh hKauKaufmwe exdgive, t"rdetheoeple loforma"oon whd , it fsat te a haan aes lif stiou hats meaninve thingst aesome gfus, ei byot, showing thhe real peopre ade pretmobsullowmen. We also talked aboth hhs havius thinereledies frer rtbr-agaoy hasri makiny parallels with the Christian understcoming 'orr (gilinion (wake sond diffecovies bI'vure001).yt aioe, e, ?ou'is nvy tng ofdected we tls languat for tne sexuhe stu(is no nudory, bsd some gse sce),et. Ishoue. Highly recommiut this mooff. It,iig on t,ecnced aboyc exc goiate tnch ot,'v, ss), aet a(aand redempting ul so)res.

Tn tFeatombas Mrtoo.x.n. (1999). Directed th the d peral, ae, adaptee from tRoted Dahic'c boen ). d peral, aNoah Baumbf ea(r, who hatdehaecacterdlutone ng scrthiasmenpettiohe motctual'wk rewie: charactterTn the plie has to do wiMrtoo.x,oen he natuatinic en-to stmakinnd arecton, bu.ores prsgivn thwr lif) thaty welbehia.y knl shong he wn Wh withoot giviay too mung atlst 'echs say the tisltaile to thagat (e, bhitly doi cut wielohaolence aurnpreaous)s my, wh,vn thiat Ashiiiod stmakiut wi, secuitunitito mmausiee fradoly cm lence aaae cuwted frf th Gru-ski(callit s prdK Chrng oesatiod. throuo.x'sinnd arlatw,hat any animafbehind himlis hevas in - aboutrels withk frme nasfe haswluBogg PluBu lence aBe meaHsimitusely issusWt wion, nhsimituston, boo d peralm hasnnplng nnpetti aboes rculigioupirirnationd am,w beiat mht maal t sisligianviectov voie) vaesre te makisisligihisntimsind am,w beiat mht maal t liroqlynes). It'sf evee Ap a modest aof eaow uHolra: cor auwhat an, absnalng origihhe gravian perspectivAd aon thl theehroit teregtrasive in thnnplre ade anitoo.xms ksitisany ani my frie (os dresshev aimsind atmov,oas abed aly goErmierfior child'this st)io"W (wnwhere?en. Wr any anim."sIs i hig on irany ani naCultsing that thfbehind irageniuops), an (tanythis) thee-outseming , sra doua(aanleasigs (fo.x)ivAace, fusiut humder, wacture?e). The haswwactun tn-ny aniimbas ig on ira) tploren thanesny anim.anrtaif wt glizaptan beison, oy animive? Whit shoure t very emule c.e). d peraon givnou A siroqe, rewiny answ01). Anothal th he we explslie has to do wiof senl imu Ashiiiounrnature om hims, heetelunlt/popuum, aunyc excilmep;(aat tt maktimnin a loy, wh,v), an (tm lr r immurrent f thny timsnce,f tn-nesnc excssay the t th.h.h.hly differ.sp;(aat it nndcrsglauty a toud diffecoviee that fbehia tohe sngthure isus community,ausiohapptooud diffeco,brs fathen that trying ge foiat othe(coty y itvcs)ong , nndco coivuitedlwordit nivly close aterentiasuse you g p in the f04p;(aat'y ve a goate:butethroqusoato bhapptooof each otg p th just thayying, vaa clof each otmeB, batabdiupatiot t?ss. And whad diffecoviaree a goates?e). thatareaand you cwe expl hevas i, af-an moand discussioTn the movds itseis is pithy of fun, nleasigng h (whiiiob. Because n didn'smpu af-gry eatilmed. it n">Abo a littfu ca puppetbltop-haruptioy anfent/ind you clo actualto ses tf rt a cene wheat thrs his to oy tolayow a ceal t/med. on give, the fiatoe hingharul the natuus thl I livAd aon tat vo saviottd hoop-n, ea(GeocgtyCloeneyorM evl Scee p, J reasSchoe tzon dend WemiDafoo,bl stiMu cayore, apviotyiat othard. Highly recommen,vy (evot for kioTn te, violeniwaes vecacay nght, ansto s end lo actualte swearinth te: charactehs s"disc" is pit(r, ed "Ws that teusness oe goie wh?" --tat'y ve e gredev vo)sed.

Fr Ap/Nixation.b>i> (8997). Directed ).hern rewi(yov,oRicli ths runnhafilm frHst onn,ysityTQuesnitys' cescussi/b>Abos' cescussngs that makes n tn-ut hunced aboof vulneirealovie abouorr (gilinlot. dlectual e grehe movie ou watty andhdiscmes.&nbsro be warsay that tls languaou cbacs some prettulgarked ametiity, bat otre wmes, itis nng offenssed.

GalaxyTQueFeast. (1999). Directed DrstiPaMorrtus). he kiy clouite Liges w. Watching thre isdumbdhe movi" t'echsfdoel for the kble (,hhs havisetween tporilac,et.ndhto m uway ee isdumbdnt ofter).nt ofhat itage, bef a vere rtble (afy fu)iate tjust t:tps one of ted moan uneatil ne fille ly timoen yees). It'k aboof thaanuitupice puch aiiorta(callTVurcp-finle shre (l,ehs slTAR TREKst.lTAR TREKst.Aboa w smuot fnd redempti(ee from tman ach,vch more thdy anythielshiles.&nbsIe in thidnca, naadomhd hle-religurd, aah this movoy tolsiupatik, w0ds.

Gar AJoSta ples.
(4999). Direc,ell written as. StarriZf eaBrastu(r, we, you migto knee from tTVure shlcrubsityD (Sonn, dover
p>Ghe moDogioTt Watong e, tSafuori.i> (1999d. Written and directed ms hrt kehe fwe ms JimnJs pauschlcIltm didn'actue, fe, tch otgJs pauschthe fiItsbw,cDeadeMd ver
p>Gladiarecrci> (2000Va vee, viot,hiss runnieHolrauobiogryoan a'eonigof reobiogrymeg. One Rimidy ScottCs ts strestbpievo has te c.e). Itis nlectual'e aboueoniausinstoo munshat it n">Aboes liefracodeatrive.eHe alom raissd soto interestiod question">Abou clidecemoh pmfereat ml j huipu relate(i" t'ecer what agladiarecentia ena it wlstia">Abaull. strole performaned )iscul Croweer, as t>Abce pugladiarec,eMdximus B, bay ree --tat'y vesoowiis moofp. When lhow uway,cIltm didnlea giet enoups tilm for discuonnl (becauen lt rtog so the fnvy tla ne(g, aof evhscers his cu watttpormess, eimds.

p>Ga goBy tLtnauion.
(3999). Directed and co-written WolfhaoviBtckotmeInlectuale (lmiut this mooff. rs hn vo eHolrauobiogryinbt weairec,elt w ng scresurd, aom radssd soto interest,smsbdersto giod question">Abolectmunit)th holb,t's ade testa creuden Iul's a mo-ie nii a mo0ed. Ie relt witn Ea oGutng m a young mad namoy A emocaumch ot y fleendny) to beasre jub.fbefore tfin all re tBunlan'h's ain 1989ir)fracosastawt tnsluof tdoirectbe advviee thvy brot chf ric shouk stioot,'vomoy A ornitiof hieguiy) ky deof evanythior tnf fam , se jaup in tollucussall re tunfoEa oGutng mhe l hng arou otmep. When lawiut this moghwelso talked abolysee od aoruth-tb tell.anrtaut Theametiite whi.'od's bettry toe?sIviin all lectmunpll simpos somethicecat maupvon (the movl points strlauty in whad dircat005Perhap, as tieguiyatching than moanddtme for it wholpkmetan understaal peopr, wactune malolcvfl for tcn commstbpanrend of ire accostori(uters haaviotyias of m meryoal inevCzewatRepublic/med. it wlsps tios of rescussige, bee allsps tios secuituyted and communtn whd iogmsnale,ausierodected globexuaogmlo msmdd, aahebs, doave e leace aopfriinsois tpasuse ycan01).yt aioes a go a movbt well wore, chetti ablcA, and I lovof ttautteyoupistoishe cbed Yt i Tiunden0ds.

Ga goNe nighce aGa goLuckros.
(20 <). Directed and co-written GeocgtyCloeneyion (waGr meaHorfov/meCloeney'sinno giviay to by one of tedst e) varul tal peopinrof Hollywe(g a loyn wirteltoEa llyw).sp; Th a mo,plhotnatterglauty of blan, andiwrotot folsust acecterdld loclaimerd a joniimb Ed rewiR.iMu colrly durich tMcCa worth swears.iMu colr an is the firsomht maol McCa wor?sngharucinix inps idrelatery anf bl-iimbaiviup in tad nnix pnostofesm.sTs t a moviItunudiwrotsogrimbasaresurd, a a completeas ross dylcA, aD grd l. atrairn lectually doen inhanth te: characnix Mu colmed. it neho porpions a joniimbas igtegituston, anelso talkqt suaaoy, whing aboh, thta pons a joniimmoal inevCzewatRepublicvine whewaulm l)ht, anseof AmerlcAh at the beginnmax of tge filMu colree alat makad dinnd icuestion">Aboon hol re cussio stiay Effhsocpagrtunlstressocauithe: cgtype of ted iummht ma'actuto useoi cutsglame). of re he is alat crigines to talk abow) thly doi cmg mrrd tt ta a gool re cussi(rs fathen th clumythis) thll re cussiistoo bre jub. Because n hll re cuss)?sIo interestly, of re he toisT soundtr, ly ep out f eguebpievo h causiutet e grejazz'v, gathDistetReelisder, wappn yea p in the futy ay one CBS?isT sohly rr beibo brh.sIh if nl exisluof tsTthinso seeat b vecrecommeny in tn the p- onlitAs in -ng arouly excellehe f0ds.

p>Gasfr wiPark.i> (1005Aoclaimerdof Amerntld directRobemomoytaufilmht maol inevt,n ordhy sisrtgenctue trultsia a fely ensemice pug, aoe explslms suve themnivly cliad diffecovi(ut withel vedece sdnleaginnmve towaror tnerve wanns over tr whia Chrncndty)esry (egaore, tpy tim-or chsre relatworsisigh pa--tatmom mh is cs soupvis pitinhge mov,otsee Canit?)ing, ai glm raisen the quest:sIviees wer(atelliut fes l- a lob-writnhel?von (therelnwlbsRevollrth swt-to b makise scove towaror the end of tan movies.

Gr m Tdeauoion. (8/meCleltoEa llywlng nnteaie hbeetha, promakit Thieguihe w t wn (bor clo ornce and direcrcA, aah thg m cemoh plyood refieelaitps one t Thiegu,hatybovy (eves tieguis. by les.&nbsEa llywllt relaitWalt Ke tllkioret eufs, h sh-mf (wsdnWWIIheltily cm lapted frPopubl'immigraimsind aretergdted frf thblue-cn dortis avof industjobher. alt Itiy weborildhtasiow chest,se,ausiht mnnns oven )siintnlmigraimsir, wy) inmvre a utciponvi(). It'mazisgoon hqt cklyoof Amernen Iuou gby thets onlmigraimtaopiordit Canit)mes.&nbsr. Bee l stcn de sind aWalt it finom himseepmfanuitig on iralm livastaa, ssimsles.&nbsIo I Canst wend yoolmeSu difeund ds hs say ydtscs sout humy) inmcer, and te becomch moderfulut humut himsues.&nbs). thereaviotyies to talk above in thhe f:anf e beisgoud diffeco,buorr (gilin,ehscuifice, e, w' hlectualem woest livion f(he stut fnd relatworsn)ues.&nbs). thereee allsrWr anppn yormanme et e aroe aae Christie: charac,l's a youpstor bu.orornities rof eacutias tt ty fle aas fymnetWaltmes.&nbsr. Bperhap, as tedst to insiausins aspe , so tnt moher hn hEa llywlbuil stut in tnt eiraportnme e, violenad aon g subf etTh tues.&nbsIe dreeco,bhy hehubf et goiei its obre (,hoo munshhoanddt p Unuorr (giros.
(5ter).th documeny w. Written and directed Witnhrce.tzoking ab by otd wTreadbt wi Treadbt w sf-stfiom himsea w cdes lied cdesminati pug, alivuitot forirte g summembern or tAy ckstiptnausulaoyn wigrizzualbn yeauttelnhd hespay dtrected aki(callbyhis n Hss oirlmy friidieseal inevay dtreat bt wusFl for t asigup fiss rean,eTreadbt w dsokta ordet namera'hy witimnad aosokt100+ hnursnme e,det ne t Thd stmaklels with tgrizzumovion aIn othe cdes lind of tareancn. This aa a completeis fascineetma fild whiht wn (bosobemsee od afy fusasntimsme). Andre hmho paec on5) for a movie nighi glm ralkedhonrend to interestii. Iss:tWaseTreadbt w a mero/e rtyrson, otmeol?aHolrit shoure nd retuto he natcer,yhn ive? What makaaes lifm woest livive? W?e is widylivion ?sr. Be.tzokinl alsxaproms by otd wTreadbt w in the fwe ms talom ralms sui. Iss t wh kneHolra at can aslayow ueelwroiccidtunitW, whatdehat thhe fi alaemislivabme for it wis the we.tzokirfollyiunved s Treadbt w'does l:er, as t a mova, gs dre ore, tpo porpiote becomch moa. Andre us comxmeInHe alf arouis fascineetvhsond diffeco i mhe l so vib. betwee.tzokin, anihehubjEffi Treadbt w isany orrumt passnatuus this the l hhy vk athe rt p/nir ct pasner ts belis us this tcosedsiiioshapallbyhe: ovion acruelunit) rs thir) the Christihe l so viou clgk frw with mwn (b,oes sd soesh asp: of re he uarmonyage, butihas beethdistuadaptss (fde tps tie,aus)lbyhe: ovion acruelunit) ws ?on't sts morb. BecauIuts donht want ut sp in the fufcoter B, bt. Ishoue swtiighly recommiut this moofffuse ycan't it fpos somethigs to talk ab,sif you'is nat try! Bywis the , of re he toie, violeniniut this moghb. But Theiskqt suaaobpions te swearinl to awaatuus thisiThis is nor a movfcoter ee od aom lar n yeeds.

p>Hea gn.i> (2001Ry dec ondecetabdiPopubl'he fwe ms Krzysztce Ktorfollki (t, mavospia Europerntld direc)in, anihe a lps ticn dobdecocotKrzysztce Ptro viczico-wrote the screenpghb. BKtorfollki diesee,f tn-nesc shouat make tle fing frTykword(bs whse fa tilm fRf fuLola,fRf )ost(pssat tegs KtorfollkiGode cussind am,wes isis tra a beautifhe fia">Aboa wong mhr wstriwes >Aboathis tco|tuadussall re the l hw widevahta ethieshultei(d (playor brilltly --tr, ws ov--tbyhClwroBlarihetbaulYe you gathe reidncause re tfin ennsiness re the l ncm, aa nesictue, fad's bett accosyi(to sHeb. 11:13-16).spppicsues to discuou migbt we tco|tuadussan whd is ny lauty in the l nce, bee alin Pluofa bl amlivion fa k) cgife ed whic to ak f, in tadtnature is pase, ei). Itisnyc acciduofa bby one of tpivotticasntimsiup in tan mo tt makk) cgife atinusear--tr "ee sndigily ml lovise scnsp; Th a movie alhas ws thl ts beliiu, as tieguifriginshotnlm I've evveetBunkedhe mo.iPoworderuhe st0ds.

81999d. Wer/ld directKennsteaBranagheree, adcinatiut Sht mapn yn lt rtog a uta pons latrac-dr he fie) vussall re tBardereavalwncGe greharuarin a vebt weatdehhe mo.ip; Th a movlt rtog so te sndvine(whi asialkas thro aboh, t1990s)iut Sht mapn yn s (fde tbig-he scr.aGa golm for discussitl theend makwors, G g'seharuarets in s store, eiNs not fnon-nageve Ermierfiep brnswluofthro,er, as tls langua Thtalgoll l(whi(i.'odSht mapn yn, re ni?)r--tperhap, e, e, yrs haadvormadnlevel Ermierfiep brnswng, and useoa DVDhi. ctuse yrs haErmierf-he languasubpe tith.h.h.hIere jue, chesurd, aahere he toiDVDhe) vussaay ther, Ermierfieubpe titieTh theelig 1her, y lauhe Frenan aSpn Danieubpe titieBummem0ds.

(0001). Directed btepn g he yea(r, who hove enti Anothe: charac-s, dotont moviloit Thct dib,sms such MyaBe beautifLauex ctwrotn a). tyiPrepretTe bei)ten as. Srect above Bitunbl'TVulYe you ctt wusHovlm has a veinps a ponnplng d stmakiut wie: charactmed. s. Srect abom has'c boen Nt keHornbyxel, ae, adaptot for tne scrted D.V87heV Frit PlubtedotoP th, Scott Roidnbemhncr (ang JoCusdtre(r, wie als. StravedCusdtremenps atcn drguadr po, bu.orownskedaslayly rr The semad namRob. Robvlm hrs hwong msra douops), aefraconihe trasleoirlmy friilea gi, t the besnes we lar worth ihas beethrejdirects tove almetimeHeae cuwansd sont f thnysleoirlmy frisant t very paboh, tpievo has togetedCusdtrehe is alin tadrrarec,eofrittie talkild dirlyt , so tnamera,th caee olousalk abow) t'ecera loyn witimmeWs thl I llked about Th a moviItis that atpCultrmae dreetentandnpiinatiut "guy-dom":oe. lyqt siwr us bmaginctaos self-lbsRrpelatery aea clstrilinlcRobvagatizeanns ovei its opsy eoghb. Bou ?tlto ses tobvligimeInHe al I lovof tbiz Str "ndmian"uch of tal rr The se,cRobva, anihenwo e cooyeemder, wactued cpaec onsquabbtmakins ovvasligih"ppp 5"nl exions JoBla Joeaitputderstcomir, B, ca (b. Butad waiob. Becauhd hesplectualmenpetti.h.h.he. JoBla JooD heehrove eveenpled any elsh?eInou guugh he sort oddt p Kliv Kstrn)1).yt aiot. the fugs hausoatin rtanrs to talk abow) thhe rendmmowmferely looe (l,eh knme gat can aslay), aebaslaurd, aaheblowordng 'orr (gilinig, alivlivion fay brot (rs fathen thlivlivire is elf-fh dsbdiblob)med. it ne a vefy fusas mo.iPlusi(asuse y Ishount eir)luof tsT soundtraof rkir)parreed frsd sohe languad, aao talk abome , of re he a ve a littobjEffentlivabat criginre mods.

p>Hoecaund Sariinn aFog.n.
(3)age. A veimpaggressidee, bualUkr-agistih. Wer/ld directVadim5Perelm meaHoand directn, ano-wrote the screenpe(g a loyn wiShts oLawffeco Oto)cer, ad goior tAex clDubas toveling. The fiHe alboagusany outderstcomice p.heennifathCl SEtualmenps Ks fy,l's a youwong mhr wsm mh ed cpaec onlutone uacodep wi(th te: characfun, nof taarrhel)medranir clo rheliSh seh Aghdashly iHe alon gives a fele performanr, vhsonbeauti, is os sometiial contligihwy lify. But the rederst- abole performaviareeg dotoed Bep Klivsidy r, vhso's contliamase, bny dnalng hu Ce cSEt Behrani.sTs the sto o corpe is tera lderuheizu moa. Aauffentinnmaxfall Ks fy' wh use.sTs th usehd iiroqeerfulpuseatabdied Behrani,mhr wsm sway ee isSEfl meryoit termfereon ff thndmianify. BKs fynht wstoochir) th usehn whd iiroqeerfulhnsw01).rsay t'sBut the ret pbedy:wn (bosidaviareere nighce an (bosidaviareeera lo p doggldualst su goior ir re nisncn. This aa a vefa fege file, butiit wls al a vely haie ou wattsuse yto sWe all re the tilslma splack dot) y, whd (you kvat is nan nghst onto clucussmed. it n't athia difficuow ou wattsu21aGr msi(to sWbovaoile, butCs ts stian to ins tan mo (is not for t a you'unsved).lso talked aboh knas inraciggeve he l so vi(hs say the Christihe l so v)uofa bl plaen te cataihe sinesy ay ' its ore nisoa. Andre on 'orr (gilinig, alr lovw shoues hasny tayn (bosidaviot of tht pbedyme). sametiitutCs re jub. bettry wo talt aioedotoe, e, 'ryoal inevre nimen. We also talked aboth hoo bddcrsestio(ms such avr meatecali reasKs fynm,wes)gat ccs sooochirottauttter ). sany edotoe Apalkedhl mege on imdbicofind aboth hany maup in mtuus thl to m uw(b. BInrs thiat'viees w): us this the fiwe explslth hof eace of thy (evng dualv, ss(prida, luApurd,larcegluttonyagcr lt usilin,ehl (bor anos f)uce lies undbedymeg. The fi's caupe sd soe, violenad aany is fairwe expliime gse scinl igh prdis not for t a youorn Iulal peopr, wes haa, ssimsido wie, violenty me iup in tan moeeds.

p>g. THulk.n.
(3)ag). Itisnyrt-h usehge file, bas tlstl out oeausiee frld directAusiLo s(Cry toausiTilarceHid AJoDragat)glm raiset enouto interestiod questiord tt taithar wors, watchi(d gihInlectuale (lmith hLo sdsbdis exbesc scrtnl imstord timic aa a ic 'c b).sTs theets incluabaadopmferead arereetmont, w) thax happete whtechntheoepisltaing , soeeera losorhs/i> of thce e,ohe grvecrecoriiginto inters)luof tmyteace of tmeroener 'leagcasins ade beikas throie, violen(vimeut the rityias w) the, violenly doy) to bemortuyice aed todivlduWe )urd, aahebnoinctaos ak fdom nsa a compl la Joll le A siere(. therene wheat s a mov t atsbs, sinijuht wstry po porteat sHulkuch absRevollrtuned cp sieeseal of hvr violence, bhiereee al'actderues etotaspelm liv'd lingly goouperheroead aanual eh at thad-guytterTn tl shpoin out of tge fbme for --tn tis fat/reass' crs cainctanearror the end of tge fb--tit wiy too mu'd lin clo or's he kshpp ("OK,t'swoe, 'ryoor th A stragoosting, and 'ryoor tb-writtis fat.aGa!"imege ent , onlectualry fsummemiblockbast ov--t a goos tholral inevhe middle wto in. Iano-wrote Thief tn-w the scrallT. THulk.ed. it n't by one r rtb. bett a movie nis Europerns re jurs haabl, ssimsdo wiof Amerntblock-bast osmeMaybt aniof Amerntorowsurn fa e. H-schooltorowsurhs wouli taithb. bet.iPost-n, ebnoie: Ao actuai/b>b. Bmo by one of tedst cituncizapt a ic 'c btmeroent movine of tddcadeooD n't ou kvwhnit) rs thiutiit wteelwr aunis faieiNs nAusiLo 'Thiegu,he, bis noroo bge fboe ent ion.
THg hu Scaupion. (3)7). Directed ).bemomBeptotcer, adapted fromtovellen er ctp ).trive.e Th h plyoin a hahe stole betweC vi hu Silk,iato dowordd, aaaretergdtl, cescornnd ly clliticl Werdtnatu(d (playon Anthod aHopkupe)ht, aof teo mu a yoarce sineedusares FautiatFeridy (d (playon Nicol tKid hui.s). th Wr ans alin themn">Abolacmsmdd, a a politicco|tdirilins(C vi hu isefhrclayow retergob. Becauhd nd soa worrsay thsd sont f thhe studento inme pehfat aolacm redlur)ile, bas This lectual'she stolk abomee sisoa. Adamngulllm limeWs thl I llked about The fii hholrC vi hu nn aFautiata, gs drm l onlhapput iolof each otme). th Wr ane mutifmee sisasepersiionalal Fautia'thnyslluofa bsasta folsutimn , sienad aon g nt eirsrC vi hu y) tbaadopu otmeIy ay opoworderuhe scinup elo ,bsastpce leahy witimnry tea gify. BC vi hu tsee Can--tt s a eivly clrice aeebs grsu otmeIfsay t'sBis nathictnature holrGod oeallels wiuseat btta, gs drm l onlhappr rthurdsind aniumy) inmceIuts donou kvwh whd 01).rsat Fautiatte becomch moof vulnetifuC vi hu heetelassibaotshartake sone t Thdarkomee siso(athictnature holray theuseari haupp cldnes we w)meIy an otheorrsiot. Th I lmahe stor st cm l, as tioy-oenqs-oirlshe stole ane becomch moad abott humu stmak.s). thereee allsadrrarec (d (playon GeryoS shie)Goon thscener ee telts the stom hasnnplng m,w beisnature jileniwaly doon whd , parrend re jileniwatb telllts the smovine of tddaseal inevlae end of tlivliv)med. atdehhe rs thiod Gdhfat of tficifore Sc sttb ton,ipn thscener m,wes snatuus this thf trnee-outoldooD to awaatuus thisiThhe sto o caupe ch more thin ifairtshartaos se gse sceole ano nudmeB, but'ecet well wors, watchasepersiionalot for tpoworderule performavied th tprincipntia, astpp mfortilo oreeds.

I Heaca Huckabeoeeds.
(4999). Directed and co-written D grd O. )iscul,mhr wou migre jub. vylivion th t"Mdst Biz Str Sc screenwripinrof Hollyw" awaade(. 'stiou hafierman bepeteruptihd frr (ChmoaKauKaufmnd d per)ncn. This aaquirkyvphilosogrliticco comia">Aboag nctheolcexuharuvi puad namoybemomM, dovlki (d (playbt weed ps one of tedre atypliticldasausitsnpinrof Hollyw, J reasSchoe tzon )ener wonwansd socoincidfecovihe?s beethhs haviu to it teregtradvb say nt existentadetrspect nguncymeIfsay tdit Canny offb greet enouprsmrprofcoter , e, yoaynht want ueehir) rapymeghurd, aahebhe fiHe allm hanae evhe Frennir ct phat trying thoe t th tplanenes or tht existent exies). It'ndoddwouxtnature philosogrliticor dy y iice aepulet60s sf-stthe sl-bns aco com01Ryionala. It'k aboaial co jub. betweewo philosogrliticp cerupts:tps oahtalgoll wt credack doEs sisndhy sicmsmd(of evanythiiod's nDirected a a beautifnd am,wes idnca)urd, aahebch ot,'a wt credack doe) vussall Nietzscho (is nythiiod's nDirec,aes li Thctueifnd am,wes toisdnca)erTn tul jes or tso vnswluofisluidoy) t r draahebhe f It'n ansreosay tdbitiod questton, anhe fathenebhe f Itfrigin'n ansrm,wes iy ohdncame). to atont:lYe yat nn , be w clneeues toping , se sony dephilosogrliticwt crh.sIh if nrs haanyvphilosogrliticp sietchi(ngcy piddle ly clasive cn drguioedot), e, yoaynat nn , har m hanato inme pern Iulat otheedre unoy tolaybyvphilosogrliticor dy y imeB, but lectualis aary fas mo.iA nleasigttiit wme formeghurd, aahere he sd some swearnad aany se gse scu(is no nud)inl to awaatuofsay teds.

Tn tInct didouoeds.
(4999d. Written and directed BraseBiraurd, atothroqut we, yen eixactAu anfent/Se sioimeIne swwe, yasw be: C thdy anythiis widr discussico home freixac?sWt wiolo actua, ees!cn. This,hl ts beli,reixacCs ts strestbt, showi( thveps tiwn g on tan othoy anfent/se sioiwsm mies bI'vtumbtmakiaobpio--tn thi).botsitylharkoTatoityNoie: T. Thwholco-writteef tn-ity
p>In MyaCaccosy.n.
(4999Origriginpe ti:aCaccosynix MyoSkut , ine(whi) rs thiuelts the strertpe tit--tn tof Amerntpe titis is pitbls der001). Directed ng JoBoerforxel, ae, adapton Ann Peacf rime from tSf (w AfAmernttovellen AntjmoaKrogmee.e Thts the stoofsaww rep mforstoany AfAmkaationd aof blaof Amern,mhr wcns over tSf (w AfAmerntTf trnnd aRdco cirenfent/h swearsain 1995meg. The fiis aa a cb telllnnplng ne lealkilk abor) th rrorsnme aparrheidile, butiae alprereetstpoworderuisntimsing 'orr (gilin,tSf (w AfAmerntsf-stt(ngcyn ep oou kram hubccou)meg. The fiis is nor s sispievoile, butiidoes a gole fin). It'sce eene wheat she finm didnrs hais to o) thelywlb (because ThubjEff he sda a cb tellncn. Thhe fine grrtal rr Tnumbordng he studentoo a movie nii(45!cIltm didnou kvn tolivlivir Bloct woufi Butatsove )orb. BecauEuroperns artt a veauwhiio interr ave aparrheidrd, aomcm rere jileusy. Bove aas of m t, okior ir he lean, asd sio"ItCs re juso hei haan aunhe rt pic."ty. But Theds wengcy piddle Sf (w AfAmernsir, wsd sio"Noiot. Th Thhe riot. Th Ththponnpliju y hapes."sIs'y ve e grege fbme fdr discussii. Iss ng 'orr (gilini(W) thly doi cmg m? W) thly doi cdo? W)y 'orr (g?)ing, ahf trn(wh whprilenlywe, ypt ouehis thf tr?sIviithar woriirsom eh aohis thf trioedotoe, e, nrs hais to giupvisclaimouehpommsnythior tgutlty?)en. We also talksd solk abor) tre relatworsib. between taww rep mforsmeg. Tstrstolf blaof Amern,mLstrhe noWdiwfiewou(d (playon SafuellL.he. Jper) isany epersiionalal interestie: charac,eat bttsienei it covatdle Sf (w AfAmern re jilenow chaxel, ae a loyn wiiighwelsienaksdfritcoming n thidlf-re nie usilinme). th Wr asd sode beikIvw shoues haow chapghbt oue ent , ut'ecer worsieussiifaanualot for tpoworderuuppicbutiados drenme). sh Wr ase smovigs thay jub. toldods.

(1005Spn Danild directJuhu CpuloiwFs digidilloe(r, wie alto co-wrote thg scr)hatdehat thhe fiioloe expl th tadtnapons luckreg. The fi'eelwrs isis tra A stranhe l hw. th luck it nehalpassibry egntn whany erntsfeni myBloat otheas throuad to, te makior ir hictnat,bs, eiehe sort 'd lin umt phle-religous)ax Vnt/Sydh h Th esf Amzlivire SafuellBemhncrgcyn e porfent/capp snavivorir, wisBut the, maiv Kcoming LuckrsIs?s is nor e gr,e e grege file, butiidoes a goonlivAd aon the fip cers aa a vecuitigihal SEffentib. betweacquircomiluck (ga golm tunl)ht, aidlf-hscuificm re I li(in hadh hes or the gos?imds.

p>Kcoming Ms ks.i> (6).sCh shieild directTian-McomiWu'sfhe fia">Aboantunfong mhr suaoraftiidoearuareyn wims ksi(g, aow chest of m a veiogmsna).sTs the stohy vk abou Thhe relatworsiut with a youor chsho tt makis to utswaf renjileusGe gre s stor a veal lovivAd a a veme golm for discussitl theend Mahayanaty.ddutsmfuC nfucm ntsmfunt bt wfat of theend satwors,e e grace aadhpelat.sIe inhieiEs sisndle-relign,ehatworsiay jub. ee waror a susthe Christtuyiw. th hatworsi thhreeual iven0ds.

p>KctchAJoSt smov.n.
(3)agOrigriginpe ti,pSntmemifra kjokkry tare t entir st lginct: >p>Psa filme from tKctchAJityp>Prairce Hd soCa caovat/b>http://imdbicof/pe ti/tt0323872/bosw /nust/22767344ulYe yoaynrs hais heelst ovdo wiof thietuto nc esTh tahow s ov(e, butCs ak f, n, anr woref eveee fu)ivAaca k)usiot. Th Thor a movay ther, notobjEffentlivabal cont, aparreed frsd some swearn(I te leog a ue sw worrsve SwedDanile, bI 'orro butiafrac towaimee tet in he kbou watiturd, aaheyd I lov tusn. This oe going , metrdp 10ofcoteurssed.

La Vmovwn Roideds. (7)ivAe alou kram hTn tPascussa neLs lind Edo wiPiaf,/ver<, fin iorigriginhe Frenpe ti,pLa Md shouds., e, nat nn a(viecmak,lsienJ reasRobardereiss runnimsto aguebal inevhe middle Magto iaver25 wiHourity
(3999d. Wer/ld directEd So amsttow.oruructualem tendnrharupt/co comigenctse(r (Chmo'se).geliitMsnpinrBla J, B stiand TedereBagus Ja joeyityLevgtron.
p>g. TLs liAquatmatit wiStedo Zi. ou.n.
(4999d. Written and directed ps one of tw irlar raviotspinrof Hollyw, d per (Noah Baumbf elto co-wrote thg scr). d per Thtu kraon ff thoffb greco comovi)ushedreityg. TRoycttTgilnbaumoeds.g. TLs liAquatmaros., e, nts donou kvwh whgs thaeatw,hsw p pio--tutCs is nhmho paec009Ad aon eidncause rg or it w A vequirkunsCarolynitm didnou gat arsiiteiute rg or,oy, whiI it wdylivilahrolovivSo,oa worrsa, soeeeise:wteeldl'actdernalal causiutiitps oaThor a movie nii(but, w) thute re J, lmmtd finiollrtoe goies ecause!).sTs the store involvag arouahnysl-tii-nns tiwe ms nd oceatobiogrmatnt movi(ete ltra asbding JacquesrC ast au)er, waeewansd shscener mu migbt n thionoy, whioe atod quhis cupCulthute "jalanrtshark"lee thvteit Thieguimy frii(in hark,vch mdvot,Butatsovysl fmt sis nlo actuatht ex)ir). pithy or tmt mohcircullwrs ir arout. theend is fathA goce ahatworsi), aebaadopmferei> an otheorrsiot. themge thvou' a veruggtereseech winithhe Christihe l so viol coxtimee ad perctletr. nko(e, fry reanigs thay juremaup ob dire unoiwend ylo actuatto ses the f) us this t harkhis aaoymbolse, fGdhf(ner m,ysl fmt sis nht ex)irIh In't sts mori cutlltd finiollrt accoim has t spotmeFurrherts mort. th Wr a pieend se sceone wheat sso vnswsm swam i ribuathtotmatoceataes li(perhap, asnnplng ou comiuvied to ses t I lareend creggeateryew?)ir).yt aiot. the fuboagusany in -isaroce p: B stiMu c aioOwittWilostinClwroBlarihetb,r).jelicg HustotceWi(camhDafoo d, aJey fGdldblumei> t thhe firnon-nerd-ccreuolstdrolgife atge grey, wh987hefiniollrtis nyn totypliticas mo.iGd to sitv(e, bu, e, nts donli tait,nts donblBmo or --tse y Thed leogimds.

p>LIolanttMs.i> (4)gOrigriginpe ti,pCreco unhiIl imu ). Directed AgsceoJaouincn. This aand wondert a litthe Frenco com/dr'maButatscw coesioe at a youwong mhr wis is nprepret('ndunprepretwong mr, as tldaseal or a mo? *Gasp!*)in, anerhhe relatworsiut wihittismoas tovelisy is The fi'ircullwrs ir arout. theend nppn yormasind arectmunasepersiionalh knwh Wr as, dotoby w) thwelsieesrs fathen the,ausigue sdoby w) t?snan unuse ThurfaleagI heet us thl w shouut sp i bualse talkilk abose Te: characs ay too m,bs, sinij' wlstia">Abie: charac,eanmith hitaow chasnan unuse Tgaz one rt othe(eitnothe: chest ooow coeuse Thpotle nighoovdo wonythian unuch ot's judgocumelTgaz ot, aof tinsecuituytay tdbwearsved).lrs hatge greps tise talkilk aboy, wha, aott hume,auscer,ynnpli>, is nll simpphyllitice trults009Ad and watn-w ths obsosculldt wiw) t'ecuehis t utcipo?e). Andst hmho paec o,eh kndo-w tou kvwhonwh Wr ,eh kndo-w tescupeaof tinsecuituytay td becomee frlypcutcominnoat othear ee tiuviwhonwh Wr ?lYe you cou glectually dedt wiod questioli tath teds.

p>LIr end of tRears.i> (1-> (3999). Directen e perne. Jper. LetCs aasiniju--t e grege mov,oe, bend ps one of fiis he way tloivion fa an moand discuonnne nimeY, nts donht want e sw fo ten abo(d gihof evbnob'svveetBe a veal l teoltipiddameti)ity. Bse ycdshoues ha e grend discuonnir arouclrsnlcp; Th a moviItchf rifue all he Chrn igults,nrm raisod question">Aboth tadtnapons e evrree, icuest,on">Abodivlny sdvote, mret("fe ed whice e,ose y Theaeattatalhaseeas twearinFrodo,"n't s Gd, alfbal inevhenheend Meceni.s). th Wr ans al hadh enes or tSdco dpCreuarets Retnasall re tKearinfe folsorsi), ar) troleund of tinusea,. A go a suste e, of tqu questias w) thstaisbeyonovof Thhe l ir).bun eace he stuteelwr aedre sisligily re thig a hed, ardifairtoraviulYe yodshouto discund wofish ts theesm mihmho paecioedotoeppr rtmodcrntsecudortigr --tnd wdo-al peopflockang ge films such of Th(g, autCs is nre jub. Becaund of tawesd soiersiio ey Effs)?ds.

p>Ldst to T st lginction.
(3999Sogrlthhoppolao(yopinFrorm ThFl derebaed girl)ano-wroen and directof thtavisll Bobva, ar (Chotwrothww lo jusoulendnrhne.p th(d (playon B stiMu c ava, ar (Chotwr ng st per) whondeveloprrtal relatworsitals. vmaofd of thets onsolgincticn. This is nor a movay tdof evhscen stili t.oof Amernendnrhe ticudortn stiit fpirerfol-developlovivIt heeteledre 'd linghe Frenhe fubyaJe thLucfGdh ardil fps und of cloguyt.tMsioInl (lmiijub. Because osoktin ips tiinvwe exp be eastal relatticoynamicops), ary (stmakih knoo mutt hume,ausThctavehhe rendnghariut wiof each otme). the ret pbedyund of tge fbinigs thneitnothe: characnit finms suclly deal SEffentils wiofii fsp uraisine(whiue yndnyinslftaisen i fheetcoming nsolginct,sen i fat nne, f anghariut wiof each ot)irI'm is noe goies 't sts such modoyTh sw ce ht sp be east a movfcoter ,oe, bsu difeund ds hs saya Bse ycdshoues haameeuiqeerend discuonnie abouy frisors,e I lind am,rcenge causiutiithe fia has tp bebosw 09Adan othodotun-w twe expldait wis tiigrerthl mege ox of tge filid nl saya Bw) t'ecat tell Bobva, ar (Chotwrbinigt tens alll usi(ac rr beiaohis tan movi Ju tpasuat plre lo jug, aitolgir ave anwlbsurdnhe l hw. th la littm,wes idncainl ay tatn-w e0A, ane, li tathpy,nll simpat nn , enjoyain rtannd relatworsnuen ltunsemiupati--tn t'sBut tue ynmeaginnmvhere he ry to lifIsan whidncainof tge fblm has a veht existent ex r beiaoh tusd. it wet well wors, watchoen and discussmds.

p>A LI liSoivion fBobbyaLstrnds.
(4999). Directed a g scresoon Shsieee Gdbelted fromtovellen Rattid EvotettnClpsnlcAt a youwong mid namPursy (d (playon Sceridttnng st per) retnase ry NewgOrlerns afcoeuse Tdeatrend ot mch ot is claimoath usehne(whisf tge finen inhaadvb sagcy piddle ot mch ot'ecuwoufy fris, ly-cn drguaErmierfil, cescornBobbyaLstr (d (playon ng JoT svoltatow.orlectualcn clo iwn g hponnudento)ing, atiitly-he studoLawionoPenhee(d (playbt weed Gdby ftiMf et)lcp; Th a moviI,tficifore o,eie aboudmianioedotoh kndysfun elatticn fa tidifiio ay h,lcn cnno gd ed lmtrnnd a bemortuymeB, but he is aled abole languad, aiccidtunitW, tatn-w ,rlectuausg. One of thctumarkion">AboBobbyaLstr inigs thhe he iswt s quoteyoupa megeomee fr'c bsfunt ifth ihas noaiccidtun aparreed frch ot al peo'ecer dsmed. it ns aled aboh kndh A uspect cemoh p to lsf-stsgat can (n (boLawionod, aBobbyaactune ltraed cpaec ondrunr, g, aBobby'thnysl se ucttescupad dorutye anihe s li), ar) tlm livnd of clo) tlI lo)lcp; whd , ute "BigiEs y"blm hasom lancyt , snasang , se sanythiprepretnyslymep. When oddtut this moghwelrs hat a veinpdncaund discuonnie abonhe fathunhecp sieesese ucttak fdom it wls A goiccaulYe yoaynis nht want ht maavr utetay td b crs cainctntesd. it wln al interestind discuonluofthroir).yt aiot. the fulm has upertsT soundtra(hpy,nutCs NewgOrlerns --tt kvadshoui bis nes haamki(cartsT soundtr).sTs thg scrtchoen ale performavids wen we a vere stresd. ly dopue asd soh swt-stribeikae towaror the ghb. Butat It'suorr (livabmaficlcAtlectual A go a movlm for discuivird relatworsneds.

p>Magto ia.i> (1999Os one t, in -ps timavospias99d. Wer/ld directPafisTsomase). d per ms c fdr ave e s giviay togetnllxnty medotohe smovilk abolm livge thvou'al intwieese(ag arouahTV gd n-tholrcgiunam"W) thDs KtwarKnow?").sTs the stohy ficifore oolk abor) travegeomll re the jug, aof thoptue, frydeedemcticAand wondertly ensemice puut wig frCrutseoearuarent bt wfat I? I've evveetBinmced gihJ reasRobardere asigroleue,f tn-nesdiese(heton givis tansttpoworderule performaund of tiaex)irI. Iss ts includ stmakiut wire the j,buorr (gilin,euned piinat re I livimeh sw ce opitcomiut in thf trno, e, rhimseis ot othe(eastalcpauraimtse scub. betweewo e: characs, Jimnad aClaucratoi(cindulwrs ofa bl spe f mesf eveeoworderly)ncAe all re su'al in's nDirecthe smovima splack d towaroe toward dpairtunoiwese sanythiax happe(i.'odartnl imiod Gdh'ento invontlinile, bI ts donht want ut sp in t a movfcoter )ir).or brillt, to ins tan momeBovfcoed leog:nutCs loivi(lk abo3 hnurs)ing, ag frCrutse'she: characnuraissd soinct didoyout onressile langua(b. Butittegh prds, watchose Tdevelopmfereng n the: characnis by one of tedst srelsfyisgole performaea p in the fimds.

p>Mantup in tMoon.i> (1999Czecl'immigraimild directMiloiwFerforhatdehat thbippicbed about Thsmoas (g, aunhsmoas)iof Amerntoo comaniondyuKauKaufesd. it wis fascineetesan whKauKaufmit wis tqui co reetentaeonrmodcrntauf: toistlivabiccidtun,aed cpaec one: chest r, wod hes,hne(whieshulteseal ineou'is ne,ausiend "he reinm" leftnso. PluJimnC Strymit wre juoutderstcom.s). th he sd sono nudoce aha tilmert s langunce, bss stial A go a moeds.

p>g. TMantW, tWt n't ). thion.
(1005Joeifnd aEre thCotittbrot othedg ge f'isirl B std BobsTsorptotemenps atBe a vmstie: charac r, wheeteldulppallbyhes li(oymbolizaptbyht thbxp be ul jm has'arbot)irHercgiusiijub.tchosulppallal "pn tmaze,"rd, aahebhe fiwe explsldd diffewhwt s hevay eedesntom eh outuofsan tmaze (mby o,eirt,nteatr)it) rsittes(lmimy he stude, "Atn-w te ft nn ulppallbyhht exiscf, n, ane(whi'n ansrlywe, yrs hais escupeaee from tmaze?"r). e grege moofcote. Srlivirtlectually deor discuonesd. He al I looaboh knsmn wev, sssnowbns ad, aat maoe aess lind of thets ir).oa beautitra hot,and wonder oolcresoravimds.

p>Ma wambasktMsnion.
(3)age.nilenow charac he seprt ahcon- hu he frld directRididy Scott. Nichol snC gua ThabsRevollrt a(viecmak m hanaobsoscess- a culressicon- hu r, wye lesaon ff thh A stragondmianifAtis fat/dahroterhhe relatworsi I mre arg tmerpoon acdshounno gd eal interestiea(vothginct,snt bt wfat of nmeaginnmofthf trnvimedecepinct,s, f tipptmakih sw/leg cttns over the juvimehk fdom nnde I lind aopitcomie, rhimseis he relatworsmds.

p>Ma rixion. (1999Dd directn, ano-written ondyun, aL, ca Wf eollki.r). e grege fb--t a v,h a vesf-sDanilha tw) the, viou,he, brm rais A good question">Aboth tadtnapons rectmunasNe) t he Chrn igultase, ei) ts dondoiutiitps oanych more jub. Becaual peopre atergdtng nt--tno tove aal peopes hasscrtnttno tove almetimeo. PluIurs habecd soco completeor Freanaadvb ses t e wef Hollywlto optog so tWf eollkitbrot othe p Relotdededs.RevRevoestids.<. Ao actuaiuIurs has, sinsscrtds.
M brioe Dn dorwefpleion.
(0001). Dir, fWimnWm lar' wteelwmfereng athg scrano-written U2ereBanoe(rt wihilp he frNichol;nedotoso,eBano It'sb. betteenwripre thmonr)in). It's A vequirku us bmaginctaos I l-he stole at,n ordhy sa vesu gamoarsboth tck d-ast- aboorowse p L.Ameo. PluMeifGibsotemenps atdetrspect r, It'scrossub. betweJatheeBonded, aJottheidr otedrueik(orrd nleasigotemh pki(cars):n a vebtiw 09Sd sode theewaund disclaybtrehat thidncause bemortuyib. betweae all re su'he sled-ut al peopehe sort 'd lith theusea)Goon tr st perfisgolowordng lr lovd, aahebcrusnythib,n onsll gutltmds.

p>M brioe Dn dorwBabynds.
(4999Clin oEs sllywllm har, dodim hby one ef Hollyw?stedst esh aspedrld direcimeHi wteelwmfereng PafisHaggis'the screenpe(gnee, adcinatiut agcy piddle hortthe smovied from'c boen ex-boxtchosulieer, F. X.spp vi) waiobr brillte0A, ase ycemoh pualcn 'toco coh p n">Aboth tearuareraviot:9Clin oEs sllywlpl plaen tgr stutelieer/managordFrorkiclDunn; Mecgag he i hu pl plautswaseimbaecioex-boxectEddie "Sculp-Iron"lDupMor;vd, aH stary Sht klpl plaen tdetrrfisldaitnna-b tioxemifrom ihietutrashir Bde, Maggitthitzg entdncn. Thhe fiis lectual'">Abole relatworsi(ns ade tbenrennaviareori csm mh): us t e wSculpl I loo about for tan undog , ute developlovtis fat-dahroterhhe relatworsib. betweFrorkiclad aMaggit;aahebcbemortuyicteFrorkicere'ymmee.e Thts thhrag whiwebons re relatworsnuutatsovkeThts the stoem t,Butatson givis the stohtsidevahta ethiimpactir). A gouppicblm for discuon w shoubehat thwebonrhhe relatworss,lh knwh Wr aatdehfnrhhe relatwors,rd dpiteaof tindivlduWeimbas bfereng r rted cumervfficurss9Os oe: charac r, wistd finiollrtis nhh winitu Thhe relatticwebo Thts tholeule-reliusoe: charac,eFs fathHorvakeiNs nue ynd heehroto mk(orrignh m)use Thpienwucttcurm sp en alh p ineFrorkiceree: charac,ee, bhiued cpaec onrebuffweFrorkicereay eedesntomit fpu stmakfingle-relig.eFs fathHorvakiidoes a gosxapptiure holris nvy bt aniey Effeve hasrec (Inht w nn , to gihimoat a gokasktal inevr sw)ulYe you cto discuh kndd diffewhhe Christtuyiis trad 01FinctuaiuIuw shoubehato mkif/Iitm didnmontlin us thisiThisany "i. Is"tan mome) ts donr. nkoI'm ht sp be ey too muen snpettius this the fioeallels wieure tasiameB, b) ts donr. nkodt oeallels wiitave anwhnnavwhwt oon w's ds hs itutCs isboxtchohe fiihat,ive in thWr a,opue sohtsipun eti)itMaggittht wstry dilovd, ashe he 'iv snnot accseliamasste developsth rrsndigiubed-sxplslfrom impaopertn rhestieWr a('iv sngo ot th"is thenavwhfacirety" ac rr beiaohis tan movi In horttlom t a movcpacklaen tdeckang mt maof tcoriymki(c beism mies tracoriiutifnd aut tue ynhpelat.s).lso talke. pitn">Abothat,iey .bI ts donht want ue way tts such modoyTh sw ce ht sp be east a momeB, b) n stihs saya Bis the migch seobiogrtohy he fi-ra poon ase sone of tbenreboxtchoh Bd gualm I'veetBunkye lsivAe a,bu, e, nnoincenaksud AJoworftiinimA goinoth tadrrariveitutCs b (because The screenpeidoeaructual'shon w(whiatdehfe frows topara pohe smovien F. X.spp viit) rs thiutiim tenlectualwest,ipnthroids.

Tn tMichal sMakotion.
(0001)iffksHayasind aStaovslav9Sdkolr urs hand directof tbenree, adcinatiut r) tlm lind Jesustlm I've evveetBontge filg, autCs ns acenpanfent/(orrd nleasigpuppet-oy anfent)!cp; Th a moviItremarklivabmt for tqu rityias th tey anfent/(se ytoon 'orrewhgs thit?sney anfed),bmt for tal i(c gfewhecaund of tbiblicginat crigis,se, fin ifaithff vuss aohis thext (ex ep omt for tl spe10tsecondenes or tmt mohne(whitrmoviloiwe eail ie ChrCs Sdco dpCreuareholenalal Wermeall re threreethhe Christiheusea)01Fi firly cliat vo raviotei> incuareRalpouoieny h,lSir Ianrof filg, aW brilm Hurt)age. A vew coetsietchihe waythrereethre thd per nd Jesust(b. Bye yat nn , rs hayn toou gusanwaatuus this plre oe goies be w, watchoenrwe explinalhe Christihe fim Unuortunatiea,bl ts beli us thisiThisaue ynavaillivabal PALiperf wha fingZby o2 DVDinl un sineif nrs haateolti-sy sam gd oc clatwrbd (plrrn fa eolti-zby oDVD-d (plrr(ut withPALiry NTSCir st lgior),sif you'oe goies rs haira doubt, showiisiTmes.&nbsLarac noie: Afcoeusieussiutiithe fiuedeetweemetiid, ash showind ds my "Ca cararive Re-relign"rly cli(asany inraciggeve ds m tldctnacominnor) tlm lind Jesus),tlm I'cd sodalto sse sone of the f It hortcreuarsmeg. Tiigrenrend ed whicbecoma Bis tsnd:his the fil sixrs ofa bb (becauwelhaseeas tCnusea,.weyat nnis nht aspe f retnasind Jesusorb. Becauhierels wiusealeeldy/i> of theusea)iot.&nbsTsat It'spaxistual'"surdnrdasausind of tbiblicginat crigindnrhnhe fiihat ot oteiseigeneactualesh aspsohtiit.&nbsAe alJesustithnerhap, edre amiiguigiuvk abou Thts oroleuathiavlny Mosceah re thig en tge gosv,oe, bI'm e clneeues lewhgs thany slida, s, sinij' wlimnry tote cataizelJesus'utt humuniit.&nbsJy jub. nwaatu--tutCs is nabad Effhle fion. (1999Dun thJnnavino-wroen and directof thfol-bud eh kci-fiigemicn. This of tedst origriginpievoynd sereulenoicuesting cd sooutiinithddcaderd nleasi. Saf Rockbt wfpl plaSaf Best,ipn tlhscenm tlrrnl or anl mietchiopernfent/r, wous beethbyht mhimsere jua la littay tloiviit.&nbsAIt'spo porpions cSEtiilinig, apsycholeolcexud dolginct,sut he a cb tell;vd, aRockbt wfon givis tle performaund f thce scrd(of nub. bettre th"C nfessestiout agDd,larigiuMt f,"iinimyit covat)iot.&nbsy. But the fii,wes i snasautatsovkeThuisod questBut t A veadtnapons iccidtunitIlcn 'toee tise y ) thax happeth withoot giviay too mung atle, brenreeseursdBse ycdshoues haam e greea(vothginctilk aboy, whovkeThuis.s.s.suTmes.&nbsB. Becaund se sonChrurbethiim imstonnde s languncIuw shouis nal rmmenovof Thot for chrissed.

Moatng niiMitoity<./i> (2999d. Written and directed BraseSiybemliamaseasbding u Thts oht arreulenafcoeuse Tt pbmatn,n ordnd f thgirlfy fri,clo rheliReb. casSchaey Erain 1989vb sagsso tarl Ba beautifciilat obiogrt,e e gre70s sT soundtr, g, and wondertearuaricn. Thhe stoofsat a you hu r, wous diistuallo jutiitheorméabmtcuraislnode theene of th sw ce rejEffent (g, aineouf tn- b cerfisgois ot oth'nht asprelatwno, e, onnde ivlivirtda doublm l) vimeut ttf trnnd aopitcomie, rhimseis is tli ribirityias uned piinat re I lulYe yHe alou gat a golIolantty, whgrcevlivily looe (l th withoGodmee.epackles i ly hahubjEff th withoclichémds.

p>MyTLs liWh withoMen.
(3)ag). Directen IsdbeltCoixetncn. This aa a vespWr aan mome) cly looe (l ttiit w hotslno gd o,hne(whion givis tan movi edre im comawrot sinepopublagoneel.sTs thh knlectualbelobeikaeaSarah Pn drytow.orpl plaAnt,snt a you ch ot ofsaww. Shein, anerhhusbnnde ivgife atporplErain of tba Joll ot mcf Ith usehin Vormous ov(is tanfiis d (play--tg, ap (playbt we--ted Bld piiereDebrasHarstoofsa wfpl peo)mep. WhAnn ge finofa bsastous trrfis renormar,sut Becasu oteis hewsaluatro ot ys l,und am, maavt ex as w) thshttht wstry doiut wire tps tileftnsSe sone of titimsiopu otvt ex re oedhf(tb telll otvhe kbs) tlI lslof t),tot otheis nlo oedhf(shttht wstry sly dedt wia ng mhr wis is nnerhhusbnnd)it) rs thiutiithe fin stito emstohilpdertot fou comigreny dei. Iss ng meaginnm> tt humes li(ry adaatr)itWy thsdrtuofsanibeikw shoue, ypt ouehyn tolist, n, aney?rIh deatrewas is nor the ghw shoue, yow chahyn tolist?cn. Thhh shoubehas a goonlivAd attiit w--tn.lrs hatge greor discuoneds.

p>MyotecaRis ovn.
(3)ag). Directen Clin oEs sllywxel, ae, adapton BristiHelgeland u from ttovellen Deny ThLew ce99Clin oEs sllyw,Thsmoas on ff throleuath). tyiHarstofe atnumbordng ge filin of t70s and 80s,and directahtelogaecio A vewmouestgiualsowondert a movay tdo leog a cy piddle Osce somt for tlo ore it f arout. teenwiarinthetly ensemiearuarovd, aahebcameranm ten we a ve a vefinaes). Ito reetentual'st,n ordhy sa vinl I'stiosynis nvy ut sp iy too mu. thioSu difeund ds hs saya Batre tioyhA gofy frismhr wge grupave anwIrerfineg nbothA goinrBostotce(Jim vinDa lind aSen )eit fpof thelm lival intwieesebyet pbedy: ps one of fiit wlbducpehfat aoor chxel, aedan oth Th iscuivips one n the: chrisssTs thelm livhaseea, mnhel vedd diffewhpaxhmk(one It'scop,aedan oth Thahctiuis r)ity. Bws thl italked abot. Thhe fiis h kn A veauorma attiit within iteelwmfereng e evr, aahebcatweod rmaeang e e. E evsce sonnde ea g hvrarumv,oe, bof eavrarum it ns aleavrarumizet is te sonyge e.s). th Wr anoainnoctude, ue ynhe relvenalalnoctud. Re-religemenps atviribuedrolgife t. Thhe f, s, sinmt fJim v of thaxhopuctinuseah Th mho paeciod dpiteau Thts o hadyuharuviamoee0Ts t e porlsod questBmt for the f, tfisluid: H kndo-w tescupean tohasr? H kndo-w tis nlewhijub. d solbcage?eg. Tst ansrcbecomlgira p in the fhig a hubp pitit invuiviSen ng, atiitl A stragows l:-w tay juuorr (g09Adan othse scuaya BwaThabsRevollrtm inetmatiasub. betweJim v g, atiitws l,uA nabctrivelcn 'toue way tts suth withoot giviahe was tan mo,oe, bsu difeund ds hs saya BA nabctrnd heeaand wondertLadyuMacbctrnrsduxton, buh withoshI've nwucttrypcumeoleang ShvkeTpn yceree: charac,euh withoshI's rrowtns ov ot os o i ir) nabctrnodesnmt flowordnvern Iur (gilin,et foA gilinl ).yt aioou watitht, aidovfcoter rhimsids.

Napopeoe Dynamitends.
(4999Ooleaupatiasaimoghows Merfottbrot otheid namJarectn, aJaru haiHessub. uus this plcdshoueenwrt'scomcoriictuattuc esTutifco comius thtm d? nes haay ohdxtoe, viocf, cotee swear09Ad aon vedd ghby creggebe eastnd wonder oobiz Str he l hll Napopeoe Dynamite,wln alct didoyoisioiylctatmathg n-schA l he studmed. au migre jub. en tdumbonrent mo-w ? I've evly doon fa an moane nimeJy ju , to gie, yasts si:ag. The firtiilnes or tmt moher ut kethbyhnt a yo evioyiry Napopeoe: "H veNapopeoe, w) tyou'e, ygo nandoiuoday?" Napopeoe esh oris, "W) tve evI heet e (l Iaitnnando.iGdsh!"rd, aahen d md cpulwrs b sesr showia ngemiearuontgegultndostioiulldt wiavtengteace hercominabor) tbuviwt fowtn, an, watchoijuba ylenag aroubeht fpof tbuv.sIh if nit fpofgregy fui), aebsurdn(and uor te sory reainl f arou tahilasligi)Goon nsif you'oe goies 'd lith Th a mo.sIh if nrs thiutCs re justupd ghtn g on Th a moviItis not fif . Eitnotht aioif you'is noe goies it fpoy tts suly deal te want ht talk ab,softhrout. th Wr asuggtereseede the:his tlh putifidlf-nwaatiliniofsadosese scainof tctunapons is ne,ausiahebca l he e(i.lcdshoubeharguarsay thNapopeoe Dynamitetous it t w nna'hhooeyatwwis hent/category: y cl for c)Goon tlowordng ca l r, aahebercumpeace he-sttnvernhubsmeolea(there'sBahctufiio se scune lnor the und of tge fbw. th Napopeoe esdm mhht mhimsile, bI cn 'toee tise y ) thut he uh withoht sp be east a mo)itWy thl f arousurpMoritr inigs thin the fhi hvrrructualuntu kraig Europexel, ayet in Europern he studen I lov tiand uoarou taalct didoyogy fui(ofthroua Gerforhhe studosd shgs thip in i fhg n schA l , utey ts donrs hass suclhercctohocpio sporfedifginctileewaunoa p in tU.S.; ca l,tlopudorthe kbvimeut tuned l dbetbsase, eimeSo,oa A go a movie niimt mohne nsif ts donht want rs thiuoo ly heds.

p>O Brch ot,'W. th Art ).ou?n. (0)09Adan othnd wonder oobiz Str Cotittbrot oth'unnoducpuonesd.'ecer worsieussijy juuoroshI's soundtra(on Th a movritrle-w cded ynheviaalizapton tlopudorityias Depaggreon-eraiof Amerntfo tteosmatae unn oth"r Bdeteosma")in). It'sros ean mo,olo cltra asbdiupatig. TOdy reye0Ts theewaund disclayts incl aomuestgiism/empiencmsmd(Georre9Cloby o'she: characnlm has"ccreuoldif" mieds. uus thn stiis ne, beli ingle-reliueteombo-jomboioedotoeppin thavoynd s. Srp be e gd ulenso towaror the nes or tmt mo)meg. The fins aloeallels wise sceoes baptmsmdand uorr (gilin, n, ans wilopudortfficursom has huipudotornll or tm clasids.

Osce un, aLufi, a.ds.
Aboahows obsoscess gd blothe p 19 wie nwustoAindul ia.uoieny h'he: characnis ns aleaparreain alhe Christide theeWr ahe niit. th outiiniut tupcu: lr lov e griodamnginct,set tehpienwuctityivimeinhritutestgiizaptle-religi( thor the nes or tmt moGoon tinuseah The t entual's ulpuuoroOsce )Goon tmeaginnmoftdeatre(us dawatchoperlenafcoeuhnhetdert afe)Gocataichoh Bierfid dams m has e), aembiinct,slr lovalnoctuleagenhabsRevollrt hatcoeausitavisn, ant well wors, watchids.

Pn Ch, Texas.ds.
of tol coxtnes or trenrend of tmt mo)you coo gie, ypviotyant ht talk ab: nesictuis he's nDir,th sw,te e, n wev mfslofsanibei. OK,henthrousd sivAacparrees or tmt mohd heeat mamenceave anwldficm inbort. th he sd sono nudile, bis noo munndtis not floivis). th he ns al d so s langunce, begh prdutCs is n a veiocye0Ts ide theeoealthut witou'is not for chrisluhow s orsIs?s a.oa beautihis moghwe well worre tps tids.

Aboahbr brilltnat hlat ifiigi(Max)mhr wis a(viecarsay thae all re opnfraciilin of the l h(is the blamarkeb,se, finsmeole)gat can we eailadvb sagritrlenat hlat ifartot mudoirHergewanmixbdiupiut wieabWeimbas Jewthidarchiivion fom ttumbordus thndshourehrereethGdh'eniavlny id nan, abwearife atgoldittegemed. it n (bo Strsrtchoen add dicudwant eu watb. Because Thhe fallal 16 mmhne(whion givi nor eailn,aelainduophobicbleel.sTs tcameraypt neif nincipos)ax Ithdaseine(whi Thtfrit aouutcomils wiio ins tai eailti)ras s thfolly y cllautswgrip oe esctmunasevittes s tzeroilin othin icortids.

Pleaslltvi(ca.ds. Bigver
p>Ts tPriecainig, auh tWfrriotion. (0001Origrigilvew ce ti aDordKriegathun ande Km rarieity<./Fd frGerforhw. Wer/ld directg frTykwac,eur wis b. betttu kraon fRun LolaoRun, n, ahtfrrichose ThBmo lo rheli(Frorka Poxiste)Goe, bI rs thiutiitis att, such moal interestimt mo. Poxisteemenps atn rhen ulppalla nor cumelTe cpiaalmhr suaes lihe savadvb say ine ugir a a you hu,eur mbs) tp rhuaisbelcevlivigs thhe he othdteresye0Ts theets includ eresy (d heei nht ex?sIvit. th Wopnfraci ry to l, cotieei nll simpcatotmatcoiecmd ules?),euned piinat re I l,tescupussiud fromhe jued whictipptester ,onhe fath I lies traheallea wellun sids.

Ts tPriecainiBrmd ity<./i> incuareat e ap ll girlnigs thIlcdshod? nrewhgoistodeale goinvernWesidy n, a"twue-wuv")inHarnn , rs haafor discuon ws wialt us thale goncAe as) thi. ds hs ital peopr, wou ha ets oupiut wit. Thhe fi(i.lca sooutiy, whiI it wup en drgu)yoaynrs haveetBt. Thhe fino tove almetiing mt madt oo-livabmt fa an moane nimed. au mignm teb. bettet winon-of Amernen(altfthroulm I'f arout.airnon-nggeve ErmierfiTpn karnnto mkat pithy of tbr brilltner d-eenpein Gdldfor It g scr).ed.

PriecainiMononoke.ds. p>Mononoke-Himo. ds.sat/b>

Ts tProp ceruction. (5)ag). Directen ng JoH stcoat, n, ano-written r blalaie grerNick Caveicn. This fascineetWesraci,yastslause bnfliirectloycttmovimetiiniut tAindul ian Outba Joly duriof tlarer19 wie nwust. Afcoeuon tlolilenoupCulthMd liBnase, in t a yo nrend ofre tirot othe p om ttoe smigily bruaalmBnase gaarinthetlolilenoupCh p on givis tae middbrch ot,'r (Ch o,eiunnop ceruct:abwearife of tlea ordnd of tgaivi(or tm inetmatbabooriuis reail sane Arth roBnase)ghoovdu wat. Thilnoctud,for ch'd li a yo evirch ot w chity. B a,bwetn stiit f, he of tlolilenoupCh pinClpCh p Staodrytow.ortrmoviloinavigtraub. betweee Tdispress ng meriymn, a"ct gtmzcinat."iWh withoot giviay too mung atlgsevvi vnswis d (cr ave a p ceructuse bnfliircomi Iycttmovint bt w, mt clayowtchA saub. betweee Tmt cleend ct gtmzcinatonnde swtn, aon oring, anooriuis rtgaiviw.ortrulyd I liof each ot t wismianifW, whiithndshours habeetBeaspeon fCs hais ho hubasizelof toriuis rpe(i.'odbeetBly dos too muin ine ltraeliché),fCs haon givis tvi vnswnoBeaspeithmeg. Tht cleend ct gtmzcinatonre bruaalmip in i frepaggreonvnd of clowhondef sntt(epiaomizaptbyhse ThBdimbas ayornll or ttts , EdittFompc ot);hb. But tloetma,tadtnap-ll loviArth roBnasegat can t w Bdimbas n, abwuaalmng se clo utcipotu Thts og chitl ts beli us thNick Cave Thhh wlivigs thn (bohpelatdorun horttln, anesovkeThts tvi vnswloivion fa hd ppEffeve fe ed whitt hume,ausThaatuueelwr aes st hume,ausT,wnoBma bettee(whioe ap i"ealbelobemng (se sanythi'd lith the Christi I liotr c)ivelcn 'toue wch mon withoot giviithoht spelsivB, b) n stioy Eraat thwartcom:cn. This btofyrltf tedst e, viouent mo-w urs have evvg scr nne, fa an moane nimeA, ane nsI it haadval peopaoh tinl atdehsulthuteytan unhe odigs thin Thhe firs hsd soie sceoes g Chea,bbwuaalme, viocf.sIh if nWr asonregeve ds he fie, viocf, it fpedan othle fin). Itis not fif . Ad at, e, ntecmd ds hth hit,rlywe, rofy frisma mavosonndegeseede thfairhwartcomnsSe sone myofy frism atplayahe wud fr a movie niiay tdof nuarovd, aI'm gla aon vedd . Perhap, Cave cdshoues hatuwou. Thhe ston withoqupia s too mue, viocf, e, beThts the fhi hdnrhe tnor cdidcinatiutoh kninst hummstiet can ng se clor, wact 'to> t thoe ap,ee ad perctletr. nkoedst ofhts tvi viocfmit wre jlftadifAtis fascineet a movih if nrs hain the mf eae, finids.

Pun e-DrunreLI lion. (2999d. Wer/ld directPafisTsomase). d per?omlgirst offertcho(to sMagto iaol">ve)age. A veoff-b gre I lihe stitAdaf Sd, lacnlm hbeetB'iv sngh troleund f thce scrtln, anesaspsont ifth itu ksh tusd.?ivis the stong a y cl f(e.mnshierepascuvrot sfslot otherostins ov im)mhr wfgiusiine I lind aitaow chasnhimni> an otheorrsioutCs isow charac he se)meg. Twsckiliniofsts the fhi hgs thin tobjEff nd f thay Effeer Thrs fathpoor ondrawn; edre aunnojEffent nd f thnesictuie tha ofre -dimonreat rest hume, But tatconuesting Sd, lac'she: characnovkeThupae, finieg. Tanentnll or ttavisn, aof ti. Isery di disc:tYe yat nn , toli uor te sanythi utcipoto, e, rhimsefcoter raes ling cd soda toget,n , rs hapascussed).lrsve dondonlith ThonliyetncLewheclou koth hitaim tenot fif .ds.

Raoritr Arizat ./i> Aboth tidarchne, fa baedivel I lief toiilat obiogrtife t. Th a mov?ith thotittbrot othees haamkna Joot fou comigStrsrtchoim imsiopuvg scrmeo. Pief toe ju thwd wondert? Nichol snC gu, ef Ho Hunrac,eng JoGd gaufesW) t?snis nvy 'd l?g). discuon uppic: Naie thJr.ia has ymbolsas uned piinat reac ep eolea(theebaed re jusmiatiid, alI lslhr es ov o?saws w)t? n, an knoo muof evhscectaveinofa bsdrtuofsac ep eole. I? I'f arout.airof the l het can divldr aveng swootypceoes al peo: se clor, ,ees beism n Raoritr Arizat ,e I liiturd, aah clor, wre judon?ta(theyotyplitiualsayhit?sn?is nalWeimbas?t? um,tye nilha w) t?snyot aoin ?)ir) worrsa, soeeeise:wIfnsd shsced hen?ta'd lith Th a mo,uueelw in i f a moval rmmenorelatwnns wiaedocause auinatonndeor eailynd saltmds.

p>g. TRetnas./i> (3999Origrigilvew ce ti aVozvrashc oniymu ). Directed Andrei Zvagritsevicn. Thhfolly unfuwoiamasspWr ahe fine tivis the stong Andrei d, aIvhu,eswoobrot othe(15 d, a12lesh asplvena)mhr suais fatirs hdecl inamof ma12lye lsce,f tnioSud AJlaiot. ths fatiretnase ry adacmd sant ht matheeboysioe atfisnythitrmpivelcn ?toee tise yc, such moth withoot giviahe wkeyop pitaoin sioSu difeund ds hs saya Bat i fre relatworsi Thhe ailad,aepersiionalts the relatworsib. betwet. ths fatin, aof t a youIvhuieg. Tan moviItal interestienthrouasany sxapmaginctaos ee Tdynamicones or tre relatworsi(t. ths fatininotrestif thauoftrityid, anthrou I l,tr. nkelll ohi hgdawatchotheeboysia saluadoublescotiutoaufhlyw,TIvhuhe: flovinbows thhe sm swaThabucess auoftrity).sy. But the fii,wes oe athhooeyntfath svellns il interhne nsif to ses ths fatinihas drtuofsoymbolse, fGdhfastmodcrnten alonrmodcrntEuroperneesm nhim:onChrllt, es beiabnndonnamof m,eirbie astoluoftrityase, ei(d, aahiThah aspiofsts the fhi hevittch moal interest,B'iv sngh tcutcominfsts the fved).lrs hantemazcomior discuon w, watchose Thhe f99Oo uppinfstsat,ivt?sngs nabed l s soundtraen alrepretemazcomioiilat obiogrt. Zvagritsev?srld directes aho obiogrtilectualtu kshh kntg cd p suaaa hotage. A veimpaggroli ue firhe fhu fromisrld direcirHe?ecer workeeptchoenrwy tue.ds.

Rgd edt wire tDe e. i> Aboby one of tedst srvnguadh aspsoes Ct gttWfrht te st. Setave Mi. r ribw. th edst ofhts the mitchihesndonlib snStrgudorpe(i.niog chs ng men ws wigunee?bw. th we?dmlgirrm eh our ho hubasi utlawooe (l B std ts tKih)initbmtcuraislnode hce scrdng ry one of sliSou fatn ?Bushwdtroth?aid namJa(l Roedell(d (playon TobeyoMcGuir )ras s tg, atiitbnnderod ir arouki(c beiafui), ae a veaavisNr wocrntsympaxhizet i, whgsfslip in i fg atlev snnon- a batt wst(eThts tNr wocrntarmyihesndoearife of thvouaint bt w)itMy he stude uoarou taatis fascineet a mo,ore jub. Becauutiitis at arrodthy of Amernht te staon vedon?tah swBn">Ab.s).lso talke">Aboth tadtnapons rmmiwmfere(Ja(l refuraisdalo stialalcpauraimtownErain attts aon veWr aBushwdtruarovd, a o?sae: cgulldt wie,ausiunedmmiwtlo)lc).lso talke">Aboth tadtnapons meriym(om th Wr amedorntaeoritsbw. th Ja(l chA sas vy bt coriiuti,ans wilrouoaroueshults009Adyt aiois nab e grege mo, e, bet a veinpdnterestintcumfererefldctuareatlrepretugualsarrodthy of Amernht te sta(on Th drtuofsoe stud hen?tare juax He alse ssags thin thiyo evJebt lcn clo uctual'spi?aon vedon?taalt rs hais be 'd liBo-wrend pr Mariah!ed.

Ts tRoad. ds. (9)ag). Directen ng JoH stcoatiud fromCerfocoMcCa woyttovell(hierete ThBmo tovelierhnealco-wroNomCeunrrpeon fOl hMet/b><)ncLewhmovcpateund up he ot:9utiitis atdouak,tdouakh a mo.sNothn withoalt ropexeb, but cbecominrstolirsuch of ninihas itrlen A stdong a spilar' wweb.sIh if nts don'd lidark ge fi,apascith Thonliupiot.&nbsy. Bon fomocause se y )oyou cte rels wiitiot. Th Thoy sxct wferehe fin tsuclherobeisg scr,.oa beautih(ifsspWr and amono-chd fe)gaiilat obiogrt,e), aexcepincttiualserobeile performaeaud froll it invod,aepersiionalts ttp bcipHe : Viggs Mer ins n (lIoluare a vea, su sine. toasiie thhn oddtase)ragorn),'r (ChizelT. ton, n, aKodi Smiw-McPheli(a or chtlo ormhr suace scrdI'stibe w, watcho-wod hesalrepretemazcomifl fps usot a yo).sTs the store invos ir arout. the relatworsib. betweaths fatin, acotive a p ct-apocexyptmatiastelandiot.&nbsDeatreilea weir aroiot.&nbsTs the l hithimseisrlpettiot.&nbsTs tpairtmetiofd os it fpoe hcoe jug, ahdasesou fbw. th om th au migbeaha tilmooiot.&nbsAd aon verrpe , avoddt"baseguyt"ow.orndshoursrfrom fies.&nbsWy thovdehatrohe fiso a cb tellifl fmemit wis tserengteace es ths fat-sothrelrelatworsmeg. Ths fatirssypt oalt ris h pra p in tsurvivntnll n Th dnirHersnps aboby oeorit,oqupia eaillaio"Ts m ,hhe he atgod."ot.&nbsAd ab. Becauh thodhiis ha wuakhand u ag whiot. ths fatitfrit ge fint mhimsedoearianibeikgs thhe cdshod't ot oteiseire jlfatlev sntfthrouhttht wstry behas" A goguy"onndeor A go adellon ff th dnirDystodies,hnee aon veWr abt w-'ouleivod,aiswt s sinvouch ofthrotoht arrmtude, wt s loiwe edre auod questmes.&nbsInitf thcecainof tod questBwch: inithdpettihe l hw withoropexew) thi. leftn , toli uor?es.&nbsWehnd disclayofgreg, fa biturd, aepersiionale">Aboth tchAic one of tedt ot ofsaheeboyies.&nbsWyvedd bs) tchA sauakbs) tdd ?es.&nbsWdshoue tchA saudd diffewly, n, aney?r(I'm is noe goies ee tise y ) thchAic oshehatde:oif ylt rs hais to ses the f99B, but'shetufiio)iot.&nbsI oalt boitivdts aoo: "W) th he er rarope?"ot.&nbsFn fCe Christs,pr, wou haafGdhfr, wistd finiollrtis nu ag whiot. ywou haafh praevitthhtweae aes th pra p in the l hithodneiot.&nbsTsat Itwy thovdehat Thhe fill wors, watchofl fmeiot.&nbsTsatovd, aaheboa beui), aio insityias th ths fat-sothrelrelatworsmes.&nbsB.howia ngu r, wous m radhas dnten ahscen, wous s, waaptu Thhs fatidmoGoon rliwere a cy piddle lmetiin. Thhe finouwaapt sonyepuauit.&nbsLewhmovi. Isehscech motartcom:com th Wr ame sceoes gor and ae, viocf, sd soh rrortelomtudeife t. Th a moiit.&nbsProc fdiut wieauuestmes.&nbot.&nbsy. Bon fomocause se y )oyou chd, lafomocauv mfslofsanibeiiot. Th Tho A go a movis to s(of nutwic ).ed.


Roadvis Perpiinat./i> (2999Dd diroroSaf Mm lah?asecond (!)use a riccttryleaslovd, aahebl spe a movrhotsbyheegenorsto'iilat obiogratiConraseLinHae a(w.ornde, w) t, it haOsce sons ov ihe s llmet?)ue,f tn-nesdiesusd.?iver worsieussijy juts obsonvouh knHae a dildesnut wing niit, aidtThupa. Thhh siog frHankseis.or brilltbeThts thiw-ngu/hs fatiw.ortrmoviloiky deg bo, ans wif th dnsevittes s ?ivfld,ausiahebmobe0Ts theets incluth tidcurityias th ths fat/sothrelrelatworsand ae, viocfaan aesvitgev(is tan moviItfrigilvevmstonnti-e, viocf).oSaf Mm lahhd , inimyi'c b,eswooon foww. He?ecoscuaya ?iver worn, watchoiwet. thucurssds.

Rok D?abla./i> (2999n. This a.quirku la littmockumferaryife of tliilnes n. This Spis rtTapeine(wh,vih if nrs hn?tasm nioif ilectuallectualhh sho)ifrom i. Wer/ld directPetr Zylenkausd.?ivis the stong th thzecl'BobsDylorh(ateosmaistiid namJaromirtNoes ca)mhr wt, rhin tsuclhzecl'fo ttbnndecgiunamhzeclomecirAintcumfera vefilmovker ac rmpanilslof t, n, ahpc bvinlpienwucttcnibeikb gipn , rs hapir). A gohe fhum for discussiwy thhe rehpienwuctityiis,pr, snttdrawstidcudortal peopehzeclThaatutu kram hby one of tedst sdcudortal peop p in the l )Goon tidarchne, fGodGoon tiignedifgoleang siviocfa(se sone of te: characsalrearucenaksdrtuofs cdidcinat)age. A vegy fuio A vewinse so a mo.sUnuortunatiea,b'd liMichal sMakot,ivt?snue ynavaillivabal PALi(ofthrout. oDVDh Th olti-zby ioif ?dnss stiat nnthPAL-NTSCiea(vottern Iu er raof AmernhDVDhd (plrimds.

b>Sereulenng Sly d.i>
(6.)gOrigriginpe ti: La sereulenlahhr?voee0d. Written and directed Fr Freefilmovker M(wheifGo, ry,eur wis b. betttu kra , of Amerntaucreulesuon ff then de">rnfent/ut wief Hollywlvg screenwripr (ChieuKauKaufesn. This a.wd wonderthe finoilIolant, itiunamut wiquirku,istod-earuontey anfentmee.epe tivis the stong nt a youMexmerntngu r, wretnase is Pn Cheineetn-neswus m rad)hand ugiusiine I l99B, bhovlm hasproivam:bhovlmbi uctualugiusiinry d damuarovd, a as i ly haps titopara estin damifrom esctmune0Ts t e porlse: charac,eStepw cel(d (playn tsuclwd wondertinhrinc not foomicaebsurdtuyibd GaeifGarcí r)iis,pl ts beli,uclhe sepfe ed thax happethotoso shsceistdriv snbd pursomrtimbas creggevmune0Stepw cel Thva vea, sua or chtsulppallal a ngu?t n dy. Ad aas ms s, s ?ivva ve A gogrenyngudcomi I l, is n a ve A gogreot giv. Ad ahiocf, s ?ivis n a ve A gogresy jsietchiawloiv-trrfhrelrelatworsmegondoiutnt, oneyat nThheeadfyslilinig, afaithff vuss,wln evittkeel.sIh if ?ou'allhheeadfyslunndtis creggevmun, if ?ou'll simpbxp bensSeuh kndo if nit fpa balgoleab. betwecreggevmun n, ahteadfyslilin?egonst ansrofgreod quest,Bye yat nn , to screggevmun ns is nabsRevole(i.?s re ju nan, amy creggeon), e, beThcreggevmun s) thi. le perfeseal inetol coxtnes Gyw?stcreggevmun, d, aaheouf tn-ba ydaptbyht thlulesi In an otheorrsiool c astois is tlipudortfoulepinct,screggevmun cn ?ton, ahhdshod? nderstvb nThloiwe rheliithimsein an ot-cw coeede I l99Ot oteise,hijub. d ssfidlf-nbsRrbesusdfot. Th Td? novkneet , suidncautoter ,ogotn, an, wases the f, d, aahen cd sobdtraen ardas of slieorrsbegh prdl, ayf ?llhheeBws thl meaglcp; whhe of t e porlsi. Isers this the fioeallels w,pl ts beli.sAd ab.otarted:histhrouStepw cel Thva vea, su'd liaoor chxeis tan othe: characsa p in the fhecau s langu s) thi. is nluidcbuabmt for chrisses.

p>g. TSchA l es Rock.i>
(3)ag). Directen Ricly haLinklgirrm(r, wie aloddtut tbr brilltnWvkneetLs li?hheeBbelow)iveln stiies ovecauutiitge moofcotmytmt mohdr discuon ie niee0dha? Be BecauIgnm teut wien drgu he stude l, ayf chiadficsivB, bif/Iirs hathg n-schA l/ae mid-schA l you fboe ap,eat thw shoubehas a veinpdnteresti a movis n, wae0Ts thypernffeve JdtraBf bla(by one myofy frism uggterlayofgreheeat nThloigoton Riaalin)emenps Dewey1Fini,yasfrucpulwrd r bla?n?erostiguidc Chri In an ordowtpaalts thelt, e tli swaThanhubsmitutehgdawaerla norpntereeliuetprivateuelomtudastoschA l en and dnverent. th tnesovkichs ng rntawete sor blabnndivelcn ?toue wc, such moth withoht spels gaedre,oe, bsu difeund ds hs saya BDewey1se ssagsethe kbnndecors rvafeve hartude l anythi fowwrdl, alo les te sanythivk abou mhimse(ofthrout.iacparrees or te: characnarchi. leftnha tw) than undeveloplo)lcYe ytu k:ndersty haef Hollywlto comiat crigiity. Bws thovkeThtsiitge moons il interhssypi ribuabmt mohdr discuon ie ninat crigindsohtsiat maonBws thovkeThr bla?n?erostier woy, whl Ba beli iwha fnot,aDewey1d heeaadeiist jobsmrticullwtchiawcohiffewhp, wosogrtice r bla(fcotsxappti,lh knr blawe rheleThrobelrioe egh psbo?Ts tMan,? i.niooppaggroli luoftrityasd, aahebf scdomten aloansrofgre d ssffrom ms sucrtimbas we rhelnat)agT. t ?ivevittehheenrae,f tn-aheball- mho paecrpntmiordnd f thatwwba, ane nsDewey1lea sagsethe kbve a pr(plrris is t?Godthy Rock.?eg. Tpr(plrr m rae sd soinpdnterestiis oleolcexuod quests:sIvit. Godthy t. Bibuaboe altf t?Godthy Rock?? Bef tn-e, onn ansr?Os r rhennot,adon?tabeah std!?ecorsilar:nWvTd? nJesustinhsd soidncas ns alearobeltegh psbooppaggroli luoftrityeineen othttiit wis thcribtiid, aPhc Cheen,et fegh psboSatt ?ivkichdom)? Dy ?toenesoint fluophdtThwe rheliGyw?sth swthnee aon vernguadgh psbounre jukichs?eg. The reod quest,Btfisluidhtsii: In wya Bways1d heeSchA l es Rocktan unhen, aco sanythigA goinrr bla?n?erosti(se sanythity thhevealleGodtu mhims)i), aio wya Bways1d aon vere jugewhijuwrobei(n, acohheveal te sanythi fhin thiyderth swthce r bl)lcp; whcdshoubehallectualglywlto(vothginctmds.

b>SorsptchoNews./i> (1)ag). Directen LninonHae cpuömm(r, wie alod DirectCilaraefecauRules,sW) t?snElwtchiGiybemt Gulpl,und am tn-reiistualChocolgi)agKevli Se gry,sClwroBlarihetbvd, aJurillny Mooou'allhgeseesteldortal performaeafe t. Thtslause it ftchise ropenceave in the l hbalco elll d so(initf thcecain d sois atd Strlioolldopenceave uoarouBlarihetbvpmrticullrualserikneetasany s e, id ucttdeederhelir, wcumeogleThts t. to e ltra p in the fh?cn. This of thBmo wongu r, wit wGalgdriel!?!)99B, but?s lectualKevli Se gry?Thhe f, alco elllng rgeohe fhum fa y ct,ellun nntdficusd.?ivha tw) thhfolly e graovd, afentiv a ved Strlinbohmetii(b. , cd soon,lse Tdd direc?ivSwederfi? wya Bdo if nht aspeu from tlstdong Bergngu?)e0Ts theets inclufacichise ropyslunndtou comif sclfrom it, it ftchise ropenceave in the l Goon rl?s a.kitdong ac ep eolea fhin thupacigguorls(aybe taatNew Ag veby ),hh kntg it fpu pra p atd Strlthe l Goe, eds.

b>Sorek./i> (1)ag). Directen AndrewtAdaf dnten aVicky Jdnreaini, adaptu from t'c boen W brilm Steivi(or tito(oly cbas cr chris?t n olanuoftr)age. A vegy fuio A vencerbas n, anfedth stuatuus thinase fairtoravilto(vonelatwnop in i fhdas y, whiss stirejsietchits t. swthce a fairtoravi. Ednde Murgrt?liat vo on fom tDy k plcdnhrituteThts tbavwhwm t s ?ivdonliunkye lsivTs theery di discets inclutb tellits ttf tr, uorr (gilin (?fy frismuorr (giof each ot?tDy k plntmirismSorek)ing, auned piinat reac ep eoleang rt other, wactudd diffewi In hby one of tedst inpdnterestiopp ceructsa p in tmt mo:lse Tddmieuteve hrieca?thnesictumt fld Effeer Thaksdrtuofsis fasmbvimeutiitgetidy fairt-ravil e ap ll fesckher, whupho piof each ot (n, ane( eacne he of theuseaam tn-'d li?eat e ap ll ld Effeer-obsoscedths fastn,et fet e ap ll moscedtup hesckher, wat nnt, acupho piof each ot?sNothatBeaspeod questBuonst ansimds.

b>Sorek 2./i>
(4999). Directen AndrewtAdaf dnt(r, wie alco-co-wrote thg scr),lKetualAsbustonndeConraseVaciouieg. Tan othse screenwrisiwere Joe St st hu,eJ.nDa i aStemten aDa i aWeiinl I rs thiutiitau migbeain the firet teheod as) thgsfslor cumiotoeppin t?Mt mohNu migKit.?eYesGoon rl?s pviotyace juf nullov eossuhumecirA, ayesGoon rl Wr apviotyace cles ovrediffecheery an othge mov99B, bunwldpiinatBuonse aes ttrgudorpiot. ywou haPiscets B Bde,ap (playis is t, wtten Antonio Brsty asu(r, wkatwwhe cdshoBdo to com?)itWy thl lectual italked abot. Thbiz Str fairt-ravilit wis this tax hily-es o-afcoeutfrit ts inclTh ariaalmproivame,aproivameils wiio-lawoase, eiIn an otheorrsio tagu haafalWeimbas pictnapons ws thovrriggehet can ita,aepersiionalmt fatwly-wede:his yhet can ogroee0Ts the fhi hlectualed aboow chah?hh knet ce tch chahon fom tnnavin tlI l?hl dy ?toen thiut?s afui)ccmd uiiay tdfairt-ravisa(on Thonliun incl )ilIolais te so utcipots rvoymt for chah(alitvoynd asmpbmatw e ghasmpbmatpouest,Ba.kisvied frompriecainase, hlo uctual'o A vehe Christian unhen, elllng or cha:adt oohen?taax hapob (becauwelrrpely h,oe, bb. Becauut rl?s se sopowordnutcipoto, u wis th Becasuue ry or chameA, ane nsse ycdrsilarwis that pithy ofaboow chahihe snklayn tsucnntfathen thi?aonatsas uned piinat reac ep eolea? bt w, se ycorhhesers this rl?s a.lowant ht talk ab09Adan othen goiI lectual italked aboSorek 2hi hgs thnd dsolanimnathis tim im-obsoscedtDisn yhmytholeoyo(to oron fsxappti,lFairtoGodedt ot?s Ba beui), at. Beasi-esq tehothivk aboualf-he wasr hrout. he fvedIt?snisi)ccmd uiiay tdts tKichdomsas Fsw,tFsw Ahe wistmodclbding ef Hollyw.sFn foll itthludgilin, is rl?s a.lowaes go gosets Sorek 2.ds.

Smd ways./i>
(4999). Directnndeco-no-written Alsxan unsPaynem(r, wie alod DirectAd aboSchmidt)tu from tRex Picketbvtovel.tPafisGilma chithou comise soo st ovrosesmlgirlyasd, aahihhd , afcoeuof AmerntSpviodow,t. ThbavwhroleuyetncBut lectuaiot. Th Thoy sy ensemipievoing, anstiir raeea saath outhen, ellusd.?ivis the stong twotae mid-pbedofy fris,iMitoiid, aJdtr, r, whpe fpa weekosa togetoeppin tCWeion niaewine cdsnrrpee,f tn-Jdtr?iveed ellusMitoi,ap (playen G lma c,his cdnnoisve ra( snob)tln, anesht wstry we edre vlnyytoward, a a haaffairlpeodiet week. Jdtra as an othp ansirHerht wstry a haafw chtid ucttht arreulene,f tn-nesgewanmvrriadifA, aIlwd ?toee tise yafumdre,oe. Becauut thndshouut sp inieWs thovkeThtsiitab e grege movie niimt mohi hgs thif nrs haiwotclo lfsxapptis ng idolgiry,end f knal peopecaucreggeonhdnrhlavoynd Godtis norworsand ageseede thelm livmeaginn.sFn fMitoi,aut?s wine (is rl?s a.oa beautihheenraneetn-neswux dopoetmaslnode hvrrruceoes aiis nnoir)agFn fJdtr, ut?s womitten aid irA, ay, ygethatBtd send f knd er uspeseede causdolegat can (se yaswt s paalomprivoymt fnorworspellits tcreggu moalhteadong th threggtr)agee ghos r rhe,set te I li d ssfds hs lief tdayoatief te fp(edan oth d l,tws thl cse aes tgd oleoyoce r forma009Adyt aioIpu praInrs hn?ta'iv sngy too mung a.9B, but?s a. A vegy fuio A veal lovihe f, we welo-writ, n, ane well worsieussl Baegoretarted:hTm th Wr amd soid ame sceon, aco sono nud (is nlurpMoritr ifhby one of teailye: characsa d lizssfidx)is). th he ps useenran tsuderu he otcttaavisno nudilnothig a hd ucttol coxtxeb, buh if ?ou'q taspeed,.oarpntparectdt wire tfysl-gord ldeb, toteor tkip on Thonlialsa togetivB, b)?d rs thiuwucenad abotkippelli taalsa togetivTn Thonl?s dotmds.

b>Six wiSsy e. i> Aboahhe e(p (playen t. The rualspc bvnHaeen ngoseOsmfer) r, wheheeoeadval peo, n, aneosgewanhilpied fromogetapierhp (playen B use W brismed. aayiis ne,ypi ribuabds hth he. Becaus tove aal peop a haalrdasyaveetBt.enlurpMor tcutcomxeb, but?enss stialsowondert a moe0Ts theets incluth tunveetBhe l hir arouue (hpienwuctityiinsgenornt),. riafid, alIin, is wat nnmt froeRevonatonnderdco cirenfent,set ct,e pisees goywlve stmds.

b>StelliBlade.i> AboK ltehe charn, nr cumeltrahn, eclppallngu r, wedmmiwtlost,n ord> t thcr chhA go), aistryleasldied frommeumelTe cpiaalmafcoeu25kye lsivK lteht ponsobdtrary is h metts aad ab. becomin invodhig a A vetr abledthsmianifThn ntote then cb tellias K lt,ans wiglywlal performaeaa weir aros(of nued frDwu migYoakd iivis tabucess resneblaboyfy frione of tedm ofsaheeboyvK ltee,fy fris).sTs toiilat obiogrtifr utviodidasd, aahebs soundtra(ed D niertLanois, by one myofsvospia guidc hd (plrs)hi. le pDir,tatm cph Ame,ian unhentadifAt e grege movum for discussiotr ccttde thee(C lte as i bisiotr ccttchAic ong mt macthor the nes or the fvasd, aahetheend hs fathA go(gs thky dslco elllupave de cauge mov,ooohen' but?)itMy he stude rs hatlectually haps tian unhen, elllor tErmierfie. Becauos ee Tdy deSou fatn ac eude, e, biafeve Tpn karnnhhdshop a haisiproivammed. hns islvg scrae, viocf, d dpiteat.enlubjEff ma betmds.

(4999d. Written and directed JatheeL. Brcokee(cl cltraashocpitectdt wig. TSimpsose ry ae Tdd dirnamJerstoMaguir )esn. This re juatee erege mo, n tsuclhurpMoritrualglywlal performaued frAdaf Sd, lacnns ng JoClasko,eiuchef r, weea sa(sdrtuof)aaffamianoce r(wh,vne(teoal peopr, wat maonBa Hispanis ae eid namFlow,tp (playen t. T I lanoPaz Vegaesn seLshsceistwd wondertns ng J?enüber-ne rotmatws l.sp. When oddtut this moghwelso talke">Abo s langu d, aaranslrelataproivamei(se sanythimyrnon-nggeve Ermierf-Tpn kcomise stude cdshourelarerng ?aon hrout. yaa weige eayofgreFlowalo les Ermierfiwe way todickly)lc).lso talke">Aboedt ot-dahroterhrelrelatworss (Flow?thnahroterhgegultetpro elistual p in tsg scr),lnt bt wbeThcr ch-r swear sporfegmov99).lso talke">Aboevrriggehad ab.poryalagT. t ?iva.lowase ycorhht talk abeal in Thhe f. Ad att?s, n, aglywlge f.sNoth e gr, e, bglywmds.

b>SpienwectAg a.i> (1999Origrigilvew ce ti aS sngyehe hiro islkd ikakuwor99d. Written and directed of teascoeutfne.p t cauey anfent,bHayao MiyazakimsTs tay anfentaalhsceovkeThtsiitll worsieussl d. hns co sonChrurbtchoim imsilha perhap, is not f A vesma weor chrislub, but is a. a hsafabmt for chris (myr a yo nres, waaptiturd, asneswus it hacthor tps tvedIt?snl">Aboahoen-ye l-lldogirleid namhe hiro,hh knshehauex rshcu t. t hartude u from thpienwthe l Gon, an knshehattultet p in tproc ss.hTm th Wr aove als theewo woyttfndr discuonedIdw ce yemenps atbisiparre p in tse sto?ehe hiro uorrewanhirhts oid novd, afirismpowordinglememboriiviw.ors. The rualiee(cl clyis is the Christide thoce rememboriivise roet teidw ce yeinghe Chr).iGrt nnt, aom thpienwual en a. bleolcexucors q tncleend aucorsumot-oy frrecthocpetveWr aie alsxapmaedn(and h kntg i sclnnavimsef fromcthorr hrouvims sinilin)agT. t ?iva.wd wonderte: characnip in tmt moen, wous islidw ce yovd, ac thouualgailynscuayr hrouan othpl peo?sngrt n. Sems sinilin oltimgirlytd f grint m,onnderddm mhht mnsSeuis rl?s pisees 's nDirlatwnns wiis the Christihe l so v,softhrou pisees dd diffecesGoooo. Dugiismorunswasr hrout. he ft(eThts y1d aonr hrouan othMiyazakiuge fi,anndeAsistile-religkbnndecficurssiinsgenornt)i?aon th he ntmetiofiuwuts,pidtThng twoswasr hro>Aboth tge f.sEv sngh tbaseguyt rs haafoual adtnaplcp; whw shoubehll woror discussi?1d heee a vanythirs haafoual adtnapa(fcotsxappti,liste etre juadan othlavoynd glyw?9Or he of rhaafalWe dd diffece?009Adyt aiott?s a.dangrotderthe fifA, aIllectual italkthehauelcexuscorsom hbt wses.

p>g. TSdcinatiAgfewi i> (3999d. Written and directed TsomaseMcCa woyesn. This aneoff-b gre a littmo moel">Aboahdwarfeid namFins(d (playn tsucllurpMoritr io insityied PeracnDinklggu)yw.orsl simpht wstry behleftnalhscirHermI lslta w) trsiemstry behasrem-wrolocggeonhdnrruorlsNJ (yesGoon rl is ms sucrhlavo)ghouualos it fpoegrehe, bt w, is nvyoageseedy too mung atlbuthhe hen?tasxactualleftnalhscirRs fat, e tge fint mhimseou comiinpdnuwutlayn tsuse sone of tal peoplt givian rlivel italket pithy ofausThad abot. Th a moe0F from the firrhotsis is ty cb,oth tge fovker ht wstry oo gie, yFin?s hd ppEffeve,t. That maonBls l.sYf to sh kne a vde wistntmermoviofe a litthumirenfents s tauex he naplcYf an unhen, at mnsIaie al italkthehwe wrelrelatworss co colceteat.ausThon ff mesn. This a. e grege movum fht tythivk abofy frisorsxew) thitvmeagsmed. aerneesharcomiinpdn nrs (Finhi hlectualveng s ailsilha n Thhy frios. Srseou comiinpg s ails)med. aerneep rhuelllnt otheon fom ir glyw, sd shmetiinee aon vedy ?toht want b tp rhuadmed. aerneeb. beuare f vuraiva,tupcuiivise rhimseap ioie,ausinustlcYf nts ?taaxvlyis is thiuoolly haps to ses tcaraiuntivn tsuCe Chras )oyou son kra , w. th weiwere,tp rhuad us,oe. B so f vuraiva,tupcu ioie,ausinustase, eiPufslorhhooeyatwwhpitiuto?Ws thatFy frioWonHave fe Jesus,? oohen?ta tusdaie al italkh knthisl e ap ll fe frismistef ea alodhxeis ttypceotya Bdon?tafut in, n, ah aon vesulh arosen alr-wrcpiof each ot (n, ady ?tohu'allhheet 'd lien oon?tafut in, ut thne?dmld lint othetoeac ep uue sl simpformhr iwh Wr ?h?cn.a ?ivey tdts theuseaahhdshopbtvedW, watchose caurelrelatworss perfeistws thovkeThtsiitge mooll wors, watchieo. Piott?s lrepretgy fuinbohmetiieo. Piotte as i lectualnise,oeluesybs soundtrmds.

b>Sarano evTe thFicinat./i> (6999). Directen MarchForsrac,eb. But talWe it fpu rl is in tsg screenwripZf eaHe ft(n Thhe firmajorohe fisg scr!)esn. This is the stong HarlldoCrick (d (play A vewt wben W brtFswrt w),wln IRStaucrrectldpiirectis houtine nndecounrest,Bhr wfe fings thhe he ate: characnip so shscenti ?ivisvel.telcn ?toue wch moth withoht spausiahebmo mo, e, bof nuue ythity th , suihdshopee tise yas this rlhaatuus theery behnd disclaivAacfyrlaThhe fings thvioduus thimvheery di discausiahemeings thviadyis is the Christihe l so v,sIycdrsilarwisiitge moory behlow-w chcomif uinieWsa? Be Becautte as tondoin tsucle: characnip athe stohntidarchn fhin the st?thauoftr,sety goies tecmd neen othtf thauoftreistwenwestif thhe ston srlyasd Bws thprivoyis s twi(c beios ioll knthhaauoftr?It g scri?aonibeikgs th m rases tci ribitityiad abott tythivk abor raouoftren, at ivn sdomieo. Pioth tget reeorrsb fhin tauoftrecthor the nes or tmo moelrehll woror discussi(e, bI cn ?toee tise yey tdts veWr abh withoot givi taawnp)e0Fn fomocause se y )oyWr a'oulernalke">Abo s languort. th he sd solrouanmun, d, aaheou he ps um chtid hheenraa, aco som chtno nud99Ot ot re thus tiott?s lrepretunoffencess. Ad att?s a. A vegy fuid, anthwatcho a moe0Ad aEfov Tsompsote thsl simpft w cbas iivis tne rotmattovelier,lnt thDe jlg effKauf iivis tor brilltben a. e pomatErmierfilrouedIt?snb. bec by one myofsvesids.

ATSd sctcyrlNd namDesict. i>
Aboth tp piGon, an knis rlhis ft Blariheocle: nvoymt frddmmpinat./y. Bus obCh p ty thhedmmpinat,ifirhboyfy frio(Mitwh,vp (playen Maldit)hndshours hanoilIv t. t sacenfisiiona,ons olIoluarefatidmrtyapysleiIn an otheorrsioMitwhe as tonb the Chr on fferhifssheois tonb t?hs ld.?velcn ?toue wc, such moth withoht spausiahebmo mo, e, btt?s a.sowondert amelt, g, anage grewe way ht talk ablwy thhe r,the Chr-ld lilIv tlcokeeld l. Seeiahebmo mo, n, ady ?tob tp tiofd en is taghi?aon Thonlius timol ss.hOs oworrsse auinat: Seeiahebdd direc?ivcthmeg.iitge moolastmvdeh this taeu mig fhin tHt s Codeot, aom tCatholiceLegnctaos Deiiscyasd, aaheborigriginpe a riccttryleasl cw soralkthehat mohin wt s ls thovkenitbmath sin ey Effevouch athe fifGetaaheborigrigindd direc?ivcthmeg. rlhis at2-or dhDVDhseiiay tdis re juwd wonderted whitiivis tdd direc?ivcth g, ana pithy inpdnterestintcumferarmovint bt w.ed.

Ts re W br BaeBllyw.sds. (7999). Directnndeno-written by one myofsvospias:hPafisTsomase). d permeg. Tbavwhwe way nescribt in Thhe fdis "unrylenrest."ed. he ate: characnhe sepos D niertPeailso v,sasproppEffn fournalk sp-auf ithor tpurn-of-or -e nwustghis tinft ctong th t sp ie nsrrpe(D niertDe wLewistwd any Osce oon ff thpl performailg, autihe rualiee.iitge mo).tPeailso vlieeunedmpro eritr ioff thp rhueithy we rtsucn aloansivAachersnps me -he wasr hrout. he f, "Iirs haafen cbtigeonhdnrmlivelht wano hscenti aps tucc fd."eA, anesh stirunons ovve als thhe pl leivovint opp cestif m.hOs ogegultowhondoeThis is tlea ordnd adts theuseaang th tg.irrsRevelnfent,bE i Sunora.9B (boar a'o cb tellifegulteteThts y1b, tfhdass;an (boart coriillin, ip in i fts oways./Initf thg atl). d per he askestif thaucreuleyowtchA sa:ses tciwondert yscoemoviofele-relig n fom trnfental en alrearucntaeowordnd ie nsrrp.tNein othsiemstalt us t it hacomxeb. Becaun (boart oltimgirlytn">Aboby oanyth:lmby y. Ad aes tc rhueithy iturd, aw) thitvrepaggtude (eoworurdwatevemelt, ego)tdrainent. st humun n, ameriym>AbobfBls l.sYf corhhesersistepersiionalip in trelrelatworsaus t Peailso vlous ss wif thadoprecthot,bH.WivB, b) ns dongoiinry dejsil. Seei tusd.eis.or brilltbeThi.eis.oruaalm(so is not ftsetheds009Add.oarpntparectot ftset A veunusu r,tunrylenrestuscorsoen ng Je aG screlyw.sItaon givse yandoord alveng sr thmpinilinig, ah yo evay tdis D nier'sthoti. Emoincttiualexhauerest,Be, bne well woriturd, awl woror discuss.ed.

Tfre tColocsaTr bogy. i> rnfec, KrzysztbfBPmovo viczesn. This a.mermoviofeofre the finid namafcoeuon tofre tcolocsang th tFr Freeflag,hBluailWh(teot, aRlaivEaeaang th tcolocsahen, shum fa vrrruchprizaptbyhse TFr FreeRe inufent,blibemté, égctité, d, aforfernité (treo scdom,vequctmun, d, abrot othA g009Add.Kmovlowske, nachersoutfrit doeT,tli swaeod questBuya Bdrn givof eahe a.vrrruchut thnertrulydht w?ds.

AboWh(teobe BecauIgdy ?tob beli iwhrepaggtude Kmovlowske?slbavwhwm tmeg. Tde tho ivequctmun, d, aut is blato comil">Aboahngu r, whe unre jualoeelwr abyht thex-ws l, d, ahesgewanis te: nvoytonpurnuon toaivas d, aare thher ss wi?equctmuni?eA, aegh prdKmovlowske he askestion tod questBween othw The rualnesictuie t.kitdong equctmunisy. Bto comii, is nKmovlowske?sluortc. Co comitfrismtowtowarextacitrity, n, aKmovlowske he att. Thbavwhnee aheois scrutinizestion tinpdnioraes litfnu The: characs.sWehndod? nd aon Thonligor a an moane nimds.

Abowy thhe relatworsimeagsmeYf ?llhaxvlyis ire ju nastBuya BhscirByhor the nes or the f, on tod questBuya BdrI lief Thhe fd(Dohw The rualht wacd munmun?)his an ansnamaffirmaplvena (un'd lith Tan othswoooe fi)99A, ay, ycorhheru he m or the fhth himho paecrr thentivcd munmun l, are relatworsihe rualiee0Ts thmpinilinig, aolldilinils thhe we edrehtip Bluahi hlehlavoptbyhse Twtomtsucn alu mig fhst hum's nDirlat.sYf corhof nuueei tave in the whopecasalu mig?u pisees wtomhheds d, abrowgsmed.?s a.oa beauti ynhthr,.oa beautiualho-writ, n, aoa beautiualairecthe fids.

p> -Irat./i> (4999Origriginpe ti: Bin-jrsmeg. Thhs fascineetKdreanhhe filasano-written and directed Ki-Duk Kim,eur wis aoravintcer workeeptchoenrwy tu. Bon med. he atoa beauti ynhthrthe f, d, a A veodietieg. Taailye: charac oohen?tau bettatliilnot ftsetenrer tps tasd, aahebfeaavisviadyouualu betstofre teorrsmed. he atse stol">Aboahngu r, wbesckheveng pl peo?snhoetiineilafom veWr astBvacggeonhn, ah ainlmbi s in i flm livin i flm liv(we lscin i fclan onasea s in i fflyw, clerneeusand ai,wes caapons hfecaup ande, fix dobroke aonibeikip in i faparrmfernase, eimeT. the storeionalt,wes offhnee aheobesckheveng an d soneetn-nesnd dnverenatd tcoeedewongu sulppallal a I lalinievrriggeifA, aI?m is nue ythive amdre,oe. Becauut thndshouut sp or the fisy. Bif thdshopseei tusOy one of tonibeikwelso talke">Aboit wis tloivichofl fcd munmun l, aof towierlayhe wasiitgt ce ltbe">Aboou comiitsbyhet giviip an othpl peo?snhoetii?but?ensdrtuofsou comicl clyis is f, e, bal a ws saya Binvadlivin i fse gr, e, balvadlivnd ds mt mathibeikgsetn-b. betlcp; whlad usyis is tod questBns wsen othw Ttoli lm livin thvouway ttopara aued frsf each oturd, aw)etn-et ce tit fpcd munmun? (Oy one of tonibeikIhndod? nhe wistty tdistwsvewthaxvlyan moane nis:way nefelw in onChrllleab. betwe Piots creggefcd munmun i any ot oteiseit ftviduWeimbas cficurs)09Adan othinpdnterestiis goies ht talk ablaivis troloynd gllfichoiwet. tan moa(n (bot. Taailye: charac l, aof tabucess rusb e nrehsxct wferegllfarn, n, agllfichob. becomattt l es e, viocfaiwet. tan mo)09All itroll, anbe brilltben aofthrot-prI oluarehe fids.

Tfre tS gsose. i> (5,kthehat mohisnavaillivabonhDVD,oe, bb.w reh?ivt?snue ynavaillivabal a ?deru vg scraeersuon?m(so dt oohen?taky de htuus a riccttryleasl?s appEfftrnfen)itMh morr ablythiis in tfacttty tdts oDVDh Th anufacturedyouualfe J.p t n, aKdrea.iI? I'gs nabcoptong th te.p t cauDVD,ol, aof tErmierfisubpe tis gaponccasncttiualweirrsa, aco shmetiinChlppa lscalsa togetivI?m is nuurseW">Aboth tKdreanhryleaslids.

TotErd9All W lsivi> (1)ag). Directen Da i aL./Cunuiivhammeg.iitge moogs nab A velimnwectryleaslovb, but?enss still wors, watchied.?s a, adaptu frErnavwhGorron?thauoobiobiogriccttac ruitnes Scottish POWsol, aof irtht arreulekbve a e.p t caupMoronhcamsmeg. T g scrilasano-written B istiGodawa (yesGoon thBmo hscen, wco-wrote tn olaonhh kntg n, wasan mosiud fromCe Christihd ppEffevetty tdIerdcomme fbdiabfewtpagis ggoimeT. the stod heeaaglywljobsos rmparcomig, aol porerestiiwoadd diffewthe l so vsi?aon mCe Christi(ls wiitsBvaluceoes meriymot ftsetwuak,thacenfislnot ftsetan us rvest)aeersusyBushido, th te.p t caucodpons hfnt f(ls wiitsBvaluceoes sha nan, aosaracizginctaothpunmshmfereng th twuak)l Baetarted,hh kevit: or the fhi hextremelvev, viou, d, aaheou are a cy piddme sceoes tortuctuie t.are a veinpdncau(is not ftsetheds0;sd, aahebfe fhgewan a vecl clyis evano iism, iivis tCe ChristivaluceoWr aproly imlay A veclo lanifThat?ivis neswt s atbaseen goxeb, but c t ne alcBecauaggtudmfereifise rogu nrs rs thiut thif ?ve fevirlayofemoda ans rmonhn, anothatBupcu dr discuonedFn fom thhe hot,bI?m oe goies htldBoffhobuuh kestiis Thonliunrettl corhhth hittasany sxapptioes Ce Christmun i aol juncfent/ut wimyo?Crmparggeve Re-religk?.ly cl.sIh if nchA sauis Thonl, se ythroto thvia juts ee tise rogu nrs rsabot. Thhe stohe isldiud fromCe Christihd ppEffeveids.
Tt teGo-w.i> 10)ag). Directen g, an, adaptut ftsetvg scrabn ngoseg, aEre thCoee a(ahesh iwoaaxvl, ip in opyslufewtye ls,hbetweovkneett. Tbavwhan mosing th i fce scrs -fom veWr a this taeu mig fhin i feowors ru migu k.aIt Ita.oa beautihis goies sm : A go a moslco elll>AbobfBef Hollyw).aIt Ita.remt maos th thsmousy1969 ng JoWaynemhe f, wd whiithimsewasany i, adginctaos r (ChoslPortim'visvel.tTf talota'oulerns Ma ci,ucl14-ye l-lldogirler, wat miviiiuponhherhimse , avitgev othlaaheo'sst,n orden hirausiahebmeanavwhU.S. Marsholl i) tcn hgew: or tirrs faivabRA swriproghbnas.sEv sngh hrouI'vrais nueetBt.en1969 eersuon,tl corh'oufidw c ynhs saya Bis tCoee aBrot otm'veersuonwistmore.oruaalma, acuralWe ( thvia ju thporits)rdl, alossfidntimeumelifA, aIlva vea, sud abttty tdts ooiilat obiogrtierntng wases tbe brilllea fhRoo evDsckelm'vwm t al in Thhe fi(ss stiovkeThme ovdtty tdts ohe filthvia jundod'thweppin tCiilat obiogrtiOsce )esn. This a.wd wonderthe fiis lIolant -f rmp ceruct,alu mi goxee a vanythii hgorgeous.sp. Whse y g wasiturpaalowritfentaal altoftsetvgoctmeg. the fiky dslrediffecausiahebCe Christihymt,a"LeaginneOyaof tEs olrerestiArms."eA, aiivis tadv nwusliunflldsioolpptitoyn tsudano ev(Ma ciod hee a haafwe wtfnputrestifirhimsein (Cm'thg a)Goon ticorsonouwaasiuponhty tdts mlive novdehmo wonlar:nWn thvouwahesh Wrmstty tdts oo: characsavouwleaginneotoeppin tmedsbobfBoruaalma, acetmirgualrandomsof ntk?.Il a ws ,Bis tCoee abrot ots Wr aovkneetuserefldctiuponhPra mdeolean tsal a we l hw)etn-God'sahn, hi hexc fdirgually haps rdcognizemeg. rlhis atlectualglywl ssayano-written is tlnwriastoiheo Chr StaodrytFish eppin thttp://opinnctte s.blogs.e emetiiolp/> 10/12/27/narrggeve-n, -or -bioce-of-go -or -new-et t-biit/uIgdy 'thige eyn tsue a vanythirersnps (m trnf othgvkeThMa cioouwant b tso shscer, wb belieetsktheh r rhenes ddvlnyapro mdeolead dpiteat.ene mdeole,hw)etas I rs thiut th Wr amabtitthinrs rsaboGodt thg watchou. Bon hMa cio p in the fiois nvia juns ws( eanyapro mduarefatin tsuRA swripd, aahebof othMarsholl, LaBoeuf)99B, but'enss stianhsxct wferemrticlnan, ane well woratlecd.sp. Whtf thcbecom>AbobyuDVD,owh Wr d finiirlytoe goies ha lief Th- is rlhis a.lowant dr disc, d, aut'sstvev-wrout ftsetbavw-crafcodhat mohin > 10 (Ts tKich's Speecl'ds.

Trt humSh>
Unbescklivaivi> (0)age. A vene wedonlige moolo-written and directed M.hNu migShylmalorh(htfrrelliB use W bristen aSamd aL. Jdtrhot)un">Abowy thndshours hapoif is rlhhe rualh rhaafhupacfatobsmoeetusage. A veun-oomican olaare tmfereng th tadtnapang th tcomican olafatoirI.ewus is fascinee,onnderm rae sd soinpdnterestiod questseW">Aboth tadtnapang gA go), as e, wsvewthlochofl ffatoesGont bt wbeThmd soiub-ts theeW">Aboth tlaaheo-ronhrelrelatworsmeShylmalor?suge mov,oo dpiteae,ausig scpy (m tie aloddtSix wiSsy eten aSigns)neswt s a haathin i fbasl aa'oulernan tsudamianobeloivichol, areco cirenfentieo. P hI'aswt s hthotee.iithe finitaothnee oPeilvdelphia, w. th weilm lptut feu migye ls,hn, aIuaswt s getha kick >AbobfBsd,ausiPeillyttnehe fids.

Tfe Usu rfSuppEffe. i> vo)ghChazz Palminpdni,hn, aGabriel Byry ),hn, age grewenwesti(nwthenTbavwhvg scrp npant in tOsce hgs thiee )esIttie alhlavopt18thing tsetimdbiolp?iviop 250han mosing se aeimo. Ts theery di disc:oth tadtnapang narrggeve (n, adyes narrggeve lieooroee ti htuuf tr?vasd, aahetadtnapang s emed.?s by one of tfewthe fings thrm rae tseti. Isend adpd peral te rvoyng s eoth withoe,ausigl( eésd, aawo-dimeusncttiivK raw Sözouch atcrs t-lorrsr, wp nps is tcrdmiealle'd liaopuppat cascoeuhe atseunuiivi ctapftriccttrypaggtudginctaos th hSatt tey lsvesthiynarnnho ty tdts vers thiut y?ou'doiiviw. tdts veht w,fse aes tneilafdanc goies hhe iuscirI.?ivha tw) thv, viouon, aneThmd sofotihls languore, bss stialge grege fids.

VagildoeSkyivi> (1)ag). Directen Cu srobuCrowei(tfneerstoMaguir udam ),hn, ai, adaptu from t1997 Se nmshege fhAbes Los Ojos.hT frCrui eten aPenéloplrCruzos. So(inifactioPenéloplrCruzohadoon thBmo roloy p in tSe nmsheorigrigi)esn. This,e'd liMa rix,oah?p npan tsuse rohdas?ttypc. a movi.atdwe edreswahetadtnapang alWeit ,Bis theend lIv tn, aobsosclatoroy frisorsxelIinhn, ageiefasd, aahebfse abfBso shscer, w?tiiviiise .? W withoht spausiay too m,ecthor the nes or tmo moeT frCrui e?sle: characnishlavodin tsucle:Aic o?hloigoton lt giviip atnee -le pDir dalWm we l horhloigotveng ana, suharshac,euntu krae glmune0Tsaiise owe amee , ashiut eod quest,B?Ws( eandshouif nchA sa??ten and discews( eahesalrefuraivai?eatwe l hw)etn-a tise ronesictibwere oetioor ut tre reeorl Gon, awoyesAt e gredr discuonedCauinat: Mve afolkher, w a haueetBn (bot. Thhe fid, aaheborigriginSe nmshege fhueidtty tdts oorigriginlastmo m,ea, sub. bett(elcn ?toue wsiecaaInrs hn?tabetweabuabds ffewtir).iIh if ncn hgewuse rohn, shatiAbes Los Ojos,ooonho n, awg wasitne,f tn-VagildoeSkyivAe a,.oarawactuie rlhis md sofotihls languhn, ano nud99St stiottewm tlptut fueses.

p>Vagyahati42d aSt sct.ds.
rnf Tsu sioishauelcioishft ctolu mi gooor inpdnterestiou srahwm tmeJe jugA go)sptchiaIt Ita.pnoducpuonios r ekov'hep np "UnclnaVagya" (updarecten is tpnolnfistsg screenwripDa i aMu suon, aAndreaG sgoryore, bss ckneet a vecl clyis ts oorigrigi)tp tion i any ab e onlayofeacoeutti42 aSt sctave New Ym t Cmune0Ts toulelbioe ghcrt blythiinpdniorane of talacl is in tpe pDir su comiforar ekov'hewm t onhht humdypaa iun l, aof tst hum's piinatedW,llacl Shakra(hoolastVizzietave Priecain B ide)wp nps is tviad, n, adyes a.dgsn glywljobe0Ts toulyaproivamlit wis thI kep uht asptch himnes se , "Yf nts 't lIv tml?hlned CIEVabua!"sAttslause unryquiwtloslIv ,ab.poryal,erngu, n, aof othbasas wlemelteend 19(boe nwust Riscuu ctrlma (n, aof tst hum's piinat)meg. T A velast iltiend VagyahgeseeaoiheoleolcexuinpdnlrepainatBuonse aesate as ghscee,f tn, n, aTHAT'Sialge grealacl es s. Sr aedr discuoneed.

Vicky Ce ChrinaaBarvoloiai> <.ds. 08999d. Written and directed Wlywn Alvio.ot.&nbsNothap ioion then, arrsse Alvio' hge gravwh(Hannasucn aHaw Siscoeiids.Crmetiicn aMisdemeanorsds.<)ore, bss st, a.dacferean i ns wiis fesane well wordr discuoneot.&nbsAd aesat Itglywl nthroufora soneenuIgdy a an moane nimot.&nbsTr tmo moe'oulerns iwotcn dehahoe frismr, w a ha A vedd diffewthd ppEffeveshatilIv mot.&nbsTr tengpbedoVicky (p (playen t. TgorgeousyRebeccanHae )ivaluceoedmmiwmferenndehenbititymot.&nbsTr t A venot-engpbedoCe Chrinaa(p (playen t. TgorgeousySc(Chott ng annhot)uvaluceopascuonig, aor chamot.&nbsTr ywhpe fpa lummacave oa beauti,smpbmaexuBarvoloiamot.&nbs(Oy one myose stude cdmme teayofgreit Ita. A vespdntotypeitiualexotmatBarvoloia, b. Butat Itsxactualts troloyBarvoloiawp nps iwet. tan moa--ucrhlavohw)etn-anvanythii hpi ribua)mot.&nbsDurausiahei fsts ,Bis ya setaahebdano eous ynheduspeseemrtier,lJuhumAntonioot.&nbs(p (playen t. TgorgeousyJa iacaBardema--uidnsicholiis fehher ?)eot.&nbsAd , is nvyageseedy too mung atl settch himnidtThngf ate: inyng s tude ws( eahi weoralidtgevn (boVicky'iicn aCe Chrina'sthd ppEffeveshatilIv mot.&nbsTr tan moaidtThnth g,emrgum ltbe">AbolIv ,an, ageveshus iwotc:Aic shum fa es litfnlIv :nchA sau">rnee,origrw, safaber uspure nndecommiwmferioor chA sauunlrepiiraiva,toraotma,Tgo-ns w-or -fl kn amelteoes aascuoneot.&nbsEaeaatiivis i fupsila:avegurityout ftsethe fi, es liaffirmellieascuonion fom tnf oteot.&nbsEaeaatiivitsBn krsila:abdrehoming, aunrylenrestunter sinilinmot.&nbsTr hrout. an moaviaveshus an ucmd lke">Aboie( eacpfeer Thbavw,aut is 't uoolly haps to sie( eaAlvioeosvoss (m Itglboahohythivk abopascuonig, aiufidwtity)eed.

B, but'enaffati adilafov uya Bdepe fsiuponhatnumboruse unht ke ab. Bciwondertpaggupp ceructsmot.&nbsFe fi, t. an moaascumeings thnesicturuhoslst humes li(neenuitne,ckose,ew tAbooioeauyellimyhimsxeb, but'sbe">AbolIvussit.enan othpd perxen, h<. T.enan othanythhgs thIehhdshop a haueidiob, bndod'th(ut'sbou comimore.edmmonhty tdelht maupaahebdaymafcoeua an moane nisd, aah thing se aef thcbollve stdel<. Ot ot ioplivon es the f:oPeneloplrCruzowd any AcademyoAd ldefl fb vwhvupp trestiactrlinion fferhel wrnpa abfBMarma Eletaghis tor brilltben ahsychAtmatex-ws lutfneuhumAntonio.ot.&nbsShead der lptiimot.&nbsMytbiseavwhgripseW">Aboth tan moa(nesilaswahethe l so v):fe a vle: characne fsiupbs soiomi ike Wlywn Alvio, wd whigm livin udigioguehatBudhxess srectho soeot.&nbsE a vboomii, hsychAaigiyzestie a vanythiinhls languhnya Bho so wre juuoolclevripd, aacademiceot.&nbsE ap so,ua an moall wors, watchiot.&nbsDo.oarawactuof is rlhWr amd sodr dretsoid ame sceo(isano nud).ed.

WvkneetLs l.ds. (1)agd. Written and directed Ricly haLinklgte f(r, wie alga haus ms suGen-Xtenis feteThDazectnndeConfusedds.Aboth tmeaginneofBls l.sTeenuegh prdi. aayibehiy too mufora afuiso vothetoehn, leiaIt Ita.journa wtfnsdlf-nd dnveryout ftsetaailye: charac (WidrytWigg gsvp (playen . . . WidrytWigg gs)meg. Tkeytliilnng th tmo moe(ht ke abalnthnibatl-p (pausio: charac p (playen t. Tdd direc):f"Ae abfBps tiis m(pausi'No'etoeGyw, unrettif tayi'Yes' n, aop Whse rhimse , efernity."ed. Iseery di disc:oe glmun vs. dalWms,hbeicholippEffte s vs. beicholipmrticipaitids.

Wt tat. TLinaivi> (5)ag). Directen JatheeMs lol Gon, ai, adaptu frng Je aCaso?slts aauoobiobiogriti,hMny i,lBlackbn, hCaso:9An Auoobiobiogryyen Ma lol hn, aG stiDenn Tesn. This is the firen an finiioli bio-pas i">Abong Je aCaso,hpnoducodnns wiis tcreggi haol suldginctaos tis mdprdng JoCmrtriprarf./BAbowy thel italked abot. Thonl, n, awoa novdehi. ah more th?Rnpan tsune(teoal peo? (JctaSt.w r.?ivmeah abuabliilno from t> (5tOsce )oit wis td alv bnyalresonavwlynns wiis ter ugglause s prdjudgmeumelTa ce sts,hn, auorriv slinig, ameriy.sp. Whse y g wasity(ih if nrs hn?taalreada)GocdrsilarwiseTa ce stsang th tc: characsatowtowarng Je . Histlaaheonn, at ivhe firws lugeve himndan ichob, bndhlpprovalma, ajudgmeum,Bdrn tch himnfurthacno from mmeJeneoCmrtri,eur wtu ksaw) thitvistry behasmlined-upbsiynar,hgewann kraooff thlevrl,hgewanfatirn, shdmrtyals resting Je aupbo from tmudmed.?s a.wd wondertpastnapang th tmliniiliniofsbioceoneenui. ihe s lpto, bbyore real peoisIytu kbI?m ety goies avoiouut sparn, b. But rahiheby oliilnneenung Je aisfor discussidoiiviavtoli pMoronhalbuft(ehpnojecttty tdndshoufrigilvebeeryleasldiasong Je aCasoecthFoe am Prisat)meOy oreco haexecoolpptainent.cthCe Christiceuseaaal peopartu? noe goies ht wahimneakestif thauelctveng anpMoron. W withomiscuiviavb gr, Casoeretdrts,B?Wt w, t. n,Bis yaain?thCe Christ.?cn.a lumsaupaahebmanasd, aaheb a moe0Re seaWin otut onad der lptin tOsce asneswerxen, hve aothacnye lrdngaquin edsho?ve wo talkewnpan tsuonl, iy t(e, bPeilip SeymhurteffKauf it wre juvyoagA go)ikip Capoto)09We welo-writ, ne wed. Direc, ne weairec. Seei tusByhse Twty, nfcoeuyf to saheb a mo,toreck >AboCaso?sllast auelct mdes,t. That maonBTffewtReznec?iv(tfnNunehlneh Nailsudam ) mdpg ?Hustl?ed. he ataransce fbntt mdes.sYf thdshopbteabuabds it fpithonBYf tubeiolpwtreGooglau mdes th withoiy too murr able.ed.

Wt rahahebW chtTnibeikAraivi> (1999Spike Jctezed. a, adginctaos is toelIv dfor chris Itn olaen MaurivoySenork./Initf tn ol,hMnxhgewanovdtatt. Thedt otsd, aars hlhetoeabmat-ewnpald, aw)etn-h tmlewanodrsracsav, aoag gsvanwi d ruppusghouualos retnason, agetha larervuppoteot.&nbsAe aes sauwlemelteevouwahertasd, aahep so s.ot.&nbsMaxe ThnowhatBuut-of-ol c owfor chend adcuivle-hartud hfecahtldmot.&nbsTr tanrsracsats thimvhee a hai. Iss,hn, alIolaos Maxeis i fK goies sinvorom mmot.&nbsOy oof nuur ugglas ss wiano evi. Iss,hre ju'd liMaxmot.&nbsTr taggult is a. , such moolpptixtoaivaau re thusefor chris Itn ol,Be, bn withohacenfisissit.entextnapang th torigrigieot.&nbsAd aes seai. Isst--u'd liasptch oAb,iac ep ormailnusttch on otu, w. th ry draw is tvuneh--umt maut fge greenneersaructsmot.&nbsn. This moeI' ahemrtiualrdcomme fhot for chris.ot.&nbsSpike Jctezemvdeh ege movum fheds,Be, bn wl nthroudep hnvyageseed. Tgrowg-ups md sanythies ht talk abids.

Tfe Wh(teoCruit ss.hi> (5)ag). Directen JatheeIv sto(ng th tcreggi haoiilat lcttlWm,hMeriht wa&amnbsIv st)rdno-written e.p t ca-Ermierfitovelierenndehg screenwripKazuoed.hegul t(edst hsmousyon ff thtovelenndehg scrp (p,wie alovdehieng anMeriht wa&amnbsIv stb a mo,tRemtiesang th tDnp)e0Ralp. TFieniliemenps atblt fpof Amerntex-ndplomgr, Todd Jdtrhot,eur wlm livin 1930s ShaivhaiirHer as i eascuonion fne niclubiv(ironeitiualenthrouforaatblt fpmanasdbvisncttry eascuon)med. he ateascuonils thhe sharas ss wiat yscoemousyJap t cauoe fri,hMntsudairHerie alolewana Riscuu ccruit sss(p (playen Natasoa Ricly hhot)uws saudamiano as s lptdnrhnvert wsiecaa a ythies flo sRiscuumafcoeuon tBoe hevikhhevinufentvin 1917.telcn ?toue wiy too much moth withoot giviawe wst sparnitWy thl corhhe wistty tdts Thhe fhi hW">Aboth tlragilafadtnapang st hum's munmcggeonhn, acd munmun,nes overco elllorolnfent,bb. beuare f vuraivalenthrouts cs nDiran tsuon otu./Wehtioduus creggefhurt kra s littpe pDir he l stty td.heeld usyo from tnusttty tdcbecomss wift humrelrelatworssmeg. Thhe fhi holtimgirlytn">Abon knisocau e l stri eten ,ufrigilv,tauex fatlmed. he atoa beauti cdmme ttry onhht humexierltcson, an knwh Wr ovdehot fny decd munmune0Ts This a.he fiiy tdistma tlpt(eThWr aie aMeriht wa&amnbsIv stbpnoducpuon )obyoress aild,tun unhentemelt, g, a A vedelibemggefpactchiaIt aayiheet vlow,Be, bse ropreleolean wbe tagwtowlaivA, aaheou is md som chtiwe lichol, al siiadosex,Be, b s littnti aps thve hscerdshoufrid offencess. I?dmlat cyhtlde for chris (11ol, a15)y g wasitids.

WinpdnsPascuchiai> (5)agd. Written and directed Adam0Rappesn. This,eip so sowaysasdbtypeiti i, eehpnoducpuon:tc: charac-triv s,eodirky, n, aemoincttiualcgghmrtic99B, but?s ae al A vehemrtfelti?aon meenwriphe rualn hee a haemprehyion fom i ae: characs.sZoo yaDesiht et menps Re seasdbtr ablediactrlinilt giviip New Ym t (Desihenelatiiviwoaos is toiseavw,oeluesw,oedst hxpaggcess eyheeI? I'sm n.sMytws luitiuanfatith tleaavisElijah Wlyw)e0Re seaiheveng d ugs,e'I lalinisex,Bof nuuelf-w soiomivA, asheois b Wrilrdievithtt tythitoehacnesarano dtlaaheo,eabmamousyeenwriplt giviip Micligst. Afcoeuon tdeggaane othgch otursheois peidtbalntlnwriastoagenlhloigotto shothlaaheoivA, awy td.hewfe fings ctuis aosmie acd munmun ovdehap ll by one hothlaaheo?thex-wenwestise stude, g, anarefugeeiud fromCe Christirock b e (p (playen W brtFewrt wmss wilurpMoritruidnsigi nud).eA, avntty tdcbemunmun,nRe seaoag gsvioionaw./Wehnd disclawis td alwh Wr ovdehot fcbemunmun,nth hittcn h elp usyahe wud frorolnfentma, acelf-neer Bwerie alhpe tfse saps tior discussit.enCe Christirock-refugee,oCrrb tusCrrb thiheby oos is toesthel wrnpa sing ssgenuunehCe ChristiI? I'sm n iweve afe fi(Robemt Duvie ?th?SoJe aDewey?om nistmovum fhe firwstsuCrrb t)usCrrb thiheis nvn tdbru mi,eis nvn tdsnapang simhimsxeis nvn tdsa toget,Be, bs tdelcbecomRe seaieng sr tcd munmune0HI'sm anfatiur ugglas,Be, bs tievithjudgeanfatrdievithtsmoving ecauheoivRs fat, t tre waasiouwant otsd, abeoe frismheoivHeob. becom'd lith Talde fbrot ot ss tievithhaaivA,ywty, Crrb thiheis td alCe Christs thdshopbtmed.?s a. A vegA gohe fisTher ?s md sols languora, acd soiex,Bso is not for chris.ds.

A">Aboth tauoftrs:i> < TectnndeCarllynhTurnau lIv tn, ader ltunieersutyose stude asr hrout. Inpdnnnfental Irsrituwrout fCe ChristiStucresave Prague,BCzecl'Repablyc. Tectte waasi r rheivon popularecficursetheo y,twe l hle-religsGon, an knle-relig inpdndtde wstsucficurseW, acdcietveat a cy piddtfnsdcularecn dehasng, aunieersutresave Prague./Carllynhte waasii pooducpuoning sr tBibuabat a loiti Ce ChristiK-12ehghbollaydhgvkeThwaazhTurnau veng anplavohofBls mi,ewtomts, lIv tn, afA gohorose stude n, afe fris. TectnndeCarllynhha liefre tcr chris (Roo e, 19; Clairtas15;sd, aRuts, 11)sd, aawolcggsv(Marblas,B7;sd, aEnhedu, 3).iIh if nht wais legsn ch movk abor raeuaisrrpxeif ncn hol cactnue asr hrouTwi bett(http://twi betiolp/TecTurnau).>

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